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PreSonus StudioLive 16.0.2 USB Live Digital Mixer

 
  • Dale #:

    PRES-STUDIOLIVE1602USB
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Description

The StudioLive® 16.0.2 USB is a great choice for small churches, schools, bands, and clubs, and it's perfect for a small studio on a budget. It features 16 channel inputs, 4 of them stereo channels, and 12 with XMAX mic preamps; a built-in 18x16 USB 2.0 interface; extensive signal processing on e... Read More

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Description

The StudioLive® 16.0.2 USB is a great choice for small churches, schools, bands, and clubs, and it's perfect for a small studio on a budget. It features 16 channel inputs, 4 of them stereo channels, and 12 with XMAX mic preamps; a built-in 18x16 USB 2.0 interface; extensive signal processing on every channel and bus; 4 aux buses; extensive metering; Scene and setting save/recall; MIDI control; and more. Yet it's lightweight and rack-mountable, operates much like an analog console, and delivers superb audio quality. It comes with PreSonus' UC Surface control software, Capturerecording software, QMix®-UC aux control app, and Studio One® Artist DAW.

Features:

  • 8 mono and 4 stereo channel inputs with 60 mm faders (12 faders)
  • 12 Class A XMAX solid-state mic preamplifiers
  • 4 auxiliary buses (pre/post-fader send) and 2 internal FX buses
  • 2 stereo 32-bit digital effects processors
  • Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ, compressor, downward expander, and limiter
  • Stereo, 31-band graphic EQ on the main bus
  • 18-in/16-out USB 2.0 audio interface (24-bit/44.1 kHz and 48 kHz) records all channels and main L/R mix
  • Scene and individual settings store and recall
  • MIDI I/O: control main and effects output levels, recall effects presets and Scenes, and serve as a MIDI interface
  • Software library includes PreSonus® Studio One® Artist DAW and Capturelive-recording software for Mac® and Windows® and UC Surface mixer-control software for Mac, Windows, and iPad®. QMix®-UC touch wireless aux-control software for iPhone®, iPod® touch, and Androidare also available free.

The ease of analog meets the power of digital.
When you're mixing a live event or have an artist in the studio, you need to be able to work quickly. The StudioLive® 16.0.2 USB's familiar, easy-to-use interface keeps all critical controls visible and accessible  - not buried in menus or layers. The design philosophy is simple: One fader for every mono or stereo channel; one output for every bus. Add to that easily accessed, color-coded function buttons; rotary trim controls; and clearly labeled, individual knobs for EQ and dynamics processing. Aux sends have their own physical controls. Every channel has a big, bright meter display. But don't let the analog feel fool you: The StudioLive 16.0.2 USB offers the power of modern digital mixing, multitrack recording, wireless remote control, and more.

Small size. Bigger possibilities.
In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it's so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.

You'll never run out of signal processors.
StudioLive 16.0.2 USB mixers provide plenty of DSP power, with no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander, and 3-band semi-parametric EQ on every channel and bus; a highpass filter on each channel; phase reverse for the channel mic preamps; a library of professionally crafted presets; and the ability to save and selectively recall processor settings. A stereo, 31-band graphic EQ sits on the main bus. To top it off, you get two 32-bit delay/reverb effects processors, each with its own dedicated mix bus and a library of useful effects presets.

Superior sound.
Connect a StudioLive 16.0.2 USB mixer and you'll instantly hear details and clarity you'd expect to find only in a much more expensive console. StudioLive mixers operate at up to 48 kHz for high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you'll catch every high and low with great accuracy and no audible distortion. And our XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.

Recording is in StudioLive 16.0.2 USB's DNA.
The StudioLive 16.0.2 USB's built-in 18x16 multitrack recording interface is tightly integrated with the rest of the mixer - not an afterthought tacked on. All 16 channels and the main mix continuously stream to your USB-connected Mac or Windows PC. Each channel can independently access its analog input or its dedicated digital return from your computer. And with StudioLive mixers, recording is simple and easy: Just launch the included, preconfigured Capturesoftware for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW - or any recording software that supports ASIO or Core Audio. Now you can record in the studio or at the gig with equal ease.

Integrated, multiplatform software for flexible control and one-click recording.
Like all PreSonus StudioLive mixers, the StudioLive 16.0.2 USB is tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, Android, and iPad®. Control individual monitor mixes onstage with QMix®-UC for iPhone®/iPod® touch and Android. Automate virtual soundchecks and record shows with Capturefor Mac and Windows. Edit, sweeten, and digitally release your recordings with Studio One Artist. StudioLive 16.0.2 USB mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.

Dedicated analog connections for predictable signal flow.
Take a look at back panel of a StudioLive 16.0.2 USB mixer, and you'll find the robust connections you'd expect from an analog mixer: balanced mic inputs on each of the 8 mono channels; 8 balanced 1/4-inch line inputs; 4 unbalanced RCA line inputs; and dedicated balanced outputs for each of the 4 aux buses and the main stereo bus. Every input channel and bus send has its own dedicated jack - no sharing, no compromises - so you always know what's flowing from each output.

Add excitement to performances with MIDI control.
Being able to control the StudioLive 16.0.2 USB from an iPad®, iPhone®, iPod touch®, or Android device is cool - unless your hands are busy playing your instrument. That's why the StudioLive 16.0.2 USB offers MIDI In and Out. Use a MIDI footpedal or DAW to recall scenes using MIDI Program Changes, control the main output volume and effects level, mute effects between songs, switch from lots of reverb to a little bit of delay, and change the mix for a solo. You can even automate these features with a DAW! It's a great way to make your performances more exciting and varied, even if you don't have a separate soundperson.

Now includes Studio Magic Plug-in Suite.
This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.

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Product Specs

Microphone Preamp
Type XLR Female, Balanced
Frequency Response to Direct Output (at unity gain) 20 Hz-20 kHz, 0 / -0.5 dBu
Frequency Response to Main Output (at unity gain) 20 Hz-20 kHz, ±0.5 dBu
Input Impedance (Balanced) 1 kΩ
THD to Direct Output (1 kHz at unity gain) <0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd
THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
EIN to Direct Output +125 dB unwtd, +130 dB A-wtd
S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -102 dB
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -95 dB
Common Mode Rejection Ratio (1 kHz at unity gain) +65 dB
Gain Control Range (± 1 dB) -16 dB to +67 dB
Maximum Input Level (unity gain) +16 dBu
Phantom Power (± 2 VDC) +48 VDC
Line Inputs, Balanced
Type ¼" TRS Female, balanced mono
Frequency Response to Direct Outputs (at unity gain) 10 Hz-20 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs (at unity gain) 20 Hz-20 kHz, 0/-0.5 dBu
Input Impedance 10 kΩ
THD to Direct Output (1 kHz at unity gain) <0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
THD to Main Output (1 kHz at unity gain) <0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -105 dB
S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -95 dB
Gain Control Range (± 1 dB) -20 dB to +20 dB
Maximum Input level (unity gain) +22 dBu
Line Inputs, Unbalanced
Type RCA Female, unbalanced (stereo pair)
Maximum Input Level +22 dBu
Main Outputs
Type XLR Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair)
Rated Output Level +24 dBu
Output Impedance 100Ω
Aux Outputs
Type ¼” TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 100Ω
Monitor Outputs
Type ¼” TRS Female, balanced (stereo pair)
Rated Output Level z +18 dBu
Output Impedance 100Ω
System Crosstalk
Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu
Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu
Noise Gate (Expander)
Threshold Range -84 dB to 0 dB
Attack Time Adaptive (0.2 - 2.5 ms)
Release Time 70 ms
Expander Attenuation Range 2:1
Compressor
Threshold Range -56 dB to 0 dB
Ratio 1:1 to 14:1
Response Time (Attack/Release 0.2 ms / 1.0s (“Tight”) to 180 ms / 1.0s (“Smooth”)
Auto Attack and Release Attack = 10 ms, Release = 150 ms
Curve Types hard and soft knee
EQ
Type 2nd-order shelving filter (Q = 0.55)
Low (Low-pass or Bandpass) 36 to 465 Hz, ±15 dB
Mid 260 Hz to 3.5 kHz, ±15 dB
High (High-pass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB
Digital Audio
Host Interface USB 2.0
ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
Internal Processing 32-bit, floating point
Sampling Rate 44.1, 48 kHz
A/D/A Bit Depth 24 bits
Reference Level for 0 dBFS +18 dBu
Clock
Jitter <20 ps rms (20 Hz - 20 kHz)
Jitter Attenuation >60 dB (1 ns in ≈ 1 ps out)
Power
Connector IEC
Input-Voltage Range 100 to 240 VAC (factory-configured for country of destination)
Power Requirements (continuous) 100W
Physical
Length 15.56 inches (397 mm)
Width 16 inches (406 mm)
Maximum Height 5.5 inches (140 mm)
Weight 20 lbs.

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