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DiGiCo X-Q338-W-OP-EX-ULT Quantum 338 Digital Mixer Bundle - SD Package with Multi-Mode HMA

 
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    DICO-XQ338WOPEXULT
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Description

Q338 Control Surface SD Package - MADI and One Multi-Mode Optics HMA Package Includes: one SD HMA Rack (56 Mic In x 40 Out x 16 AES-O) Ultimate Stadius' 32-Bit Mic Pre Amp and 32-Bit Output Package HMA Optics cable 150M on spool (492 ft.) x 2 Connections: MADI x 6, Optics x 1, Interna... Read More

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Description

Q338 Control Surface SD Package - MADI and One Multi-Mode Optics HMA
Package Includes: one SD HMA Rack (56 Mic In x 40 Out x 16 AES-O)
Ultimate Stadius' 32-Bit Mic Pre Amp and 32-Bit Output Package
HMA Optics cable 150M on spool (492 ft.) x 2
Connections: MADI x 6, Optics x 1, Internal Waves Card, UB-MADI, DMI Port x 2
Connectors: BNC, HMA

Representing a dramatic leap forward in power and connectivity within a remarkably compact format, Quantum 338 follows the Quantum 7 in defining the future of audio mixing.

Boasting a wealth of new design features and enhancements to create ultimate flexibility of use plus the speed of operation that only Quantum can deliver, Quantum 338 is based on seventh generation FPGAs with an entirely new system architecture. The console merges tried and tested workflows with immense processing muscle and bold innovation including a striking new dark mode.

Under The Hood – Ultimate Stadius!
Quantum 338 puts a trio of 17-inch, 1000 nit, high brightness multitouch screens at your disposal, with both the meter bridge and soft quick select buttons displayed on each screen for quick, intuitive operation. In addition, 70 individual TFT channel displays join the floating Quantum chassis with 38 100mm touch sensitive faders laid out in three blocks of 12 fader banks plus two dedicated user-assignable faders, each with high resolution metering.

Superior local audio connectivity and performance comes courtesy of new “Ultimate Stadius” 32-bit ADC and DAC conversion, which is built into the Quantum 338 as standard alongside six single or three redundant MADI connections, dual DMI slots and a built-in UB MADI USB recording interface.

Also included as standard are Mustard Processing channel strips, Spice Rack plugin style native FPGA processing options, Nodal Processing and True Solo.

I/O
With a maximum of 128 input channels with 64 busses and a 24 x 24 matrix, all with full channel processing, Quantum 338 takes built-in console I/O to new levels of performance.

The console’s 8 local mic/line inputs and eight local line outputs all feature 32-bit “Ultimate Stadius” converters, while users have access to 4 stereo AES/EBU in/out, triple redundant MADI in/out (which can also be configured as 6 MADI I/O at 48kHz), dual DMI card slots, support for dual second generation Optocore loops, a built-in UB MADI USB interface and more. Waves connectivity can also be added with a SoundGrid Interface card, adding up to an additional 64 I/O.

Key Features:

  • 128 Input Channels
  • 64 Aux / Sub-Group Busses
  • LR/LCR/LCRS/5.1 Master Buss
  • 24 x 24 Full Processing Matrix
  • 286 Dynamic Equalizers
  • 48/96 kHz Sample Rate

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Product Specs

General Specifications
Faders 38 x 100mm touch-sensitive, motorised
Screens 3 x 17” LCD high – brightness, high – resolution touch screens
Input Channels 128
Busses Up to 64 Aux / Group busses with full processing Mono / Stereo / LCR / LCRS / 5.1
Matrix Up to 24 Input / 24 Outputs with full processing
Control Groups Up to 24, selectable for VCA-style, Moving fader, Mute Group
Graphic Eq 24 x 32-band, Gain +/- 12dB
Internal FX Up to 24 stereo effects comprising floating point reverbs and delay/chorus/pitch/enhancer
Spice Rack 8 mono / 4 stereo Rack Slots
Mustard Proc 36 Processing Strips
Nodal Proc 64 Nodal Processors
Local I/O 8 x 32bit mic/line I/O, 8 x AES I/O
MADI interface 6 x interfaces @ 48kHz, 3 interfaces @ 96kHz, BNC connectivity
Optocore Interface Optional (dual loop available)
Sampling rates 48kHz / 96kHz
GPI/GPO 16
DMI 2 x DiGiCo Multichannel Interface
Waves Optional
Ext Sync Wordclock, AES, MADI, Optocore
Quantum 3 Dimensions 1595mm (w) x 805mm (d) x 482mm (h)
Quantum 3 Weight 70Kg / 154lbs (198Kg / 437 lbs. with flightcase)
Quantum 3 Flightcase 1717mm (w) x 642mm (d) x 1144mm (h)
Power Requirements 100V-240V, 50-60Hz, 295VA
Audio Specification
Sample Rate 48kHz or 96kHz
Processing Delay 1ms Typical (channel, SD Rack input through L-R Buss to Stage Output @ 96kHz)
Internal Processing Up to 40-bit, Floating Point
A>D & D>A 32-bit Converter Bit Depth
Frequency Response +/- 0.15dB (20Hz – 20kHz)
THD <0.002% @ Unity Gain, 0dB Input @ 1kHz
Channel Separation Better Than 120dB: (40Hz – 15kHz)
Residual Output Noise <100dBu Typical (20Hz – 20kHz)
Microphone Input Better Than -128dB Equivalent Noise
Maximum Output Level +22dBu
Maximum Input Level +22dBu
Processing Channel Specification
Input Channel
Name User-Defined / Presets
Channel Selection Mono / Stereo / Multi
Input Routing Main & Alternate Input
Analogue Gain -20 to +60dB
Phase Normal / Reverse
Digital Trim -40 to +40dB
Delay Up to 1.3s
DiGiTuBe Drive 0.01 – 50.0
Bias 0 – 6
LPF 20 – 20kHz, 24dB/Oct
HPF 20 – 20kHz, 24dB/Oct
Insert A (Pre EQ/Dyn) On/Off
Equalisation 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Dynamics 1 Single or Multiband (3-Band)Compressor:
On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, SoftDe-Esser:
Threshold : 20us – 20ms
Release : 1ms – 100ms
Ratio : 1:1 – 50:1
Ess-Band : Listen On/Off
Ess-Band Filter Freq / Width: 20Hz – 20kHz
Dynamics 2 On/OffGate / Ducker:
Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHzCompressor:
On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any Source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz
Insert B (Post EQ/Dyn) On/Off
EQ/Dyn order EQ/Dyn or Dyn/EQ
Mute Channel Mute / Hard Mute
Solo Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
Channel Safe Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs, Full Safe
Output Routing Buss, Insert A, Insert B, FX
Direct On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
Fader 100mm Motorised Fader ∞ to +10dB
Processing Channel Specification
Aux / Group / Matrix Output
Name User-Defined / Presets
Phase Normal / Reverse
Digital Trim -20 to +60dB
Delay Up to 1.3 sec
DiGiTuBe Drive 0.01 – 50.0
Bias 0 – 6
LPF 20 – 20kHz, 24dB / Oct
HPF 20 – 20kHz, 24dB / Oct
Insert A (Pre EQ/Dyn) On/Off
Equalisation 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Dynamics 1: Single or Multiband (3-band)Compressor On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, SoftDe-Esser:
Threshold: 20us – 20ms
Release: 1ms – 100ms
Ratio: 1:1 – 50:1
Ess-Band: Listen On/Off
Ess-Band Filter Freq/Width: 20Hz – 20kHz
Dynamics 2 On/OffGate / Ducker:
Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHzCompressor:
On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz
Insert B (Post EQ/Dyn) On/Off
EQ/Dyn Order EQ/Dyn or Dyn/EQ
Mute Channel Mute / Hard Mute
Solo Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
Channel Safe Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
Output Routing Outputs, Insert A, Insert B, FX
Fader 100mm Motorised Fader ∞ to +10dB
Mustard Processing
Preamplifier Tubes Variable Drive
Odd / Even / Overdrive / Distortion / Crunch / Hi Distortion Presets
Variable Output Gain
Preamplifier Amp Variable Drive
Odd/Even 1st stage harmonics
Bias & Saturate control
Off/Odd/Even 2nd stage harm
Variable HF Boost
Variable Output Gain
Equalisation 4 band EQ: Parametric (lowshelf / bell, lower-mid bell / all-pass, upper-mid bell / all-pass, hishelf / bell)
HPF & LPF 4th order filters
Dynamics 1 Classic VCA Compressor / Vintage VCA Compressor / Optical Compressor / FET Limiter
Dynamics 2 Gate / Ducker

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