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DiGiCo X-Q5B-W-WS-SMOP Quantum 5 Digital Mixing Bundle - Broadcast Package with Single-Mode HMA

 
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    DICO-XQ5BWWSSMOP
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Description

Quantum5B Control Surface - MADI and One Single-Mode Optics HMA Connection: MADI x 8, Optics x 1, Internal Waves Card, UB-MADI, DMI Port x 2 Connectors: BNC, HMA Included: Broadcast Software Quantum 5: Own the stage The iconic SD5 paved the way to greatness with its immense power. The ... Read More

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Description

Quantum5B Control Surface - MADI and One Single-Mode Optics HMA
Connection: MADI x 8, Optics x 1, Internal Waves Card, UB-MADI, DMI Port x 2
Connectors: BNC, HMA
Included: Broadcast Software

Quantum 5: Own the stage
The iconic SD5 paved the way to greatness with its immense power. The Quantum 7 showed you the supremacy to tackle any challenge, now the Quantum 5 is ready to take over.

Following on from the huge success of DiGiCo’s flagship Quantum 7, the Quantum 5 engine slots neatly into the existing SD5 frame. With its 37 faders and three 15-inch full colour TFT touchscreens, it provides Quantum processing features, power and connectivity in both new and existing hardware.

The Quantum 5 really does teach an old dog new tricks!

Quantum – The Power of Three
Continuing the legacy of previous Quantum consoles, the Quantum 5 brings you the extraordinary might of three large-scale FPGAs working in unison.

Developed with seventh generation FPGA devices that further expand audio processing power and allows DiGiCo to provide its users with unrivalled flexibility.

Inside the Quantum engine, up to 2,000 channels can be transported across 458 processing paths at 96kHz. New GTX ports run at 6.6GHz while simple two wire connections ensure the fastest possible data speeds to reach a new pinnacle in mixing capability. Fully scalable and designed to communicate seamlessly with the next generation of FPGAs, the Quantum engine is a uniquely formidable platform for an ambitious industry.

Under The Hood
Unlike the SD5, the Quantum 5 has over 450 processing paths at 96kHz. This includes 288 processing channels configurable as up to 256 input channels and up to 128 busses, plus a 36 x 36 matrix. The engine is also equipped with four redundant, or eight individual, MADI ports and two DMI slots (DiGiCo Multi-Channel Interface) for AoIP and other connectivity options from the complete family of DMI card options, plus a built-in Waves port and up to two Optocore loops.

Quantum 5 hosts the world’s most flexible and feature-rich mixing experience right at your very fingertips. Across both inputs and outputs includes Channel Delay, DiGiTube, Single and Multi-Channel Presets, Dual insert points, Hi- and Lo-pass filters at 24dB/octave, four-band parametric EQ (eight on outputs) with band curve selection and Dynamic EQ on each band, DiGiCo’s DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).

Just like our other Quantum consoles, the Quantum 5 includes the legendary Mustard Processing. A fully integrated suite of additional processing that can be assigned to any strip to boost your mix with a range of modelled preamps, vintage dynamics units and EQ sections, all only a touch away.

In addition, 128 busses are assignable as mono/stereo groups or auxiliaries, while a 36×36 output matrix, dual solo busses with True Solo, and a LR/LCR/5.1 Master buss is available for even deeper configurability.

Last but not least, with the inclusion of the now highly regarded Nodal Processing which allows monitor engineers unrivalled creativity on their IEM mixes, and of course True Solo to allow them to hear exactly as their artist does.

Quantum 5 Features

  • Nodal Processing which allows monitor engineers unrivalled creativity on their IEM mixes.
  • True Solo to allow them to hear exactly as their artist does. These are combined with the multiple flavours of 48 channels of Mustard processing and 12 Spice Rack processing slots, including Chilli 6.
  • Mustard processing which provides a choice of two pre-amp modellers, a four-band EQ (including all-pass filters), four different boutique style compressor models and a gate/ducker. Quantum 5 is equipped with 48 mono Mustard processing strips which can be used on any channel type.
  • The Spice Rack, meanwhile, supports plugin style native FPGA processing options, allowing you to build a rack of up to twelve insertable processors. The first of these is the Chilli 6 – a six-band multi-band compressor which allows full control of all parameters, including DiGiCo’s unique, patented, release shape control, which means Chilli 6 is perfect for shaping vocals and instruments as well as focusing on problem frequencies.

I/O

  • Local I/O: Quantum 5’s local I/O includes 8 analogue inputs, 8 analogue outputs and 8 AES I/O (mono)
  • Optocore: The amount of connectivity is very special. Quantum5 comes as standard with one Optocore fibre loop, which is 504 channels of audio; there can be up to 14 DiGiCo racks, or a combination of racks and tie-lines around the loop; and there is an option to upgrade to dual loop, which allows for 1,008 Optocore channels of audio and 28 racks running.
  • UBMADI: In addition, the engine has a 48-channel UBMADI, so you can connect any laptop via USB and get 48 channels of recording and playback.
  • DMI: Quantum 5 also incorporates two dedicated DMI slots to accommodate the growing family of DiGiCo DMI card options. Allowing the console connectivity to be configured for the demand of the tour or event, so you could plug in a Dante module, or the latest automatic mic mixing module. Each dedicated DMI slot provides you with an additional 64 x 64 I/O.
  • Waves: There is also Waves connectivity if you want to utilise SoundGrid processing, giving you a 64 x 64 additional I/O.

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Product Specs

General Specifications
Faders 37 x 100mm touch-sensitive, motorised
Screens 3 x 15” LCD high – resolution touch screens
Meterbridge 2 x Custom Mounted LCD high-resolution TFT-LCD screens
Internal PSU x 2
Processing Channels Up to 330 (combination of Input Channels / Aux / Solo Group Busses)
Busses Up to 128 Aux / Group busses with full processing Mono / Stereo / LCR / 5.1
Matrix Up to 36 Input / 36 Outputs with full processing
Control Groups Up to 36, selectable for VCA-style, Moving fader, Mute Group
Graphic Eq 32 x 32-band, Gain +/- 12dB
Internal FX Up to 36 stereo effects comprising 16 floating point reverbs and 32 delay/chorus/pitch/enhancer
Local I/O 8 x mic/line I/O, 8 x AES I/O
8 x MADI interfaces @ 48kHz, 4 redundant interfaces @ 96kHz, BNC connectivity
Standard Optocore (Dual Loop – Optional)
Sampling rates 48kHz / 96kHz
GPIO 2 x DSub37
DMI 2 x DiGiCo Multichannel Interface
Waves Fitted as Standard
Ext Sync Wordclock, AES, Video, MADI, Optocore
Quantum 5 Dimensions 1465mm (w) x 838mm (d) x 458mm (h)
Quantum 5 Weight 116Kg / 256lbs (235Kg / 518 lbs. with flightcase)
Quantum 5 Flightcase 1600mm (w) x 600mm (d) x 1200mm (h)
Power Requirements 90V-260V, 50-60Hz, 790VA
Audio Specification
Sample Rate 48kHz or 96kHz
Processing Delay 2ms Typical @ 48k (253 Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @96k
Internal Processing Up to 40-bit, Floating Point
A>D & D>A 24-bit Converter Bit Depth
Frequency Response +/- 0.6dB (20Hz – 20kHz)
THD <0.05% @ Unity Gain,: 10dB Input @ 1kHz
Channel Separation Better Than 90dB: (40Hz – 15kHz)
Residual Output Noise <90dBu Typical (20Hz – 20kHz)
Microphone Input Better Than -126dB: Equivalent Noise
Maximum Output Level +22dBu
Maximum Input Level +22dBu
Processing Channel Specification
Input Channel
Name User-Defined / Presets
Channel Selection Mono / Stereo / Multi
Input Routing Main / Alternate Input
Analogue Gain -20 to +60dB
Phase Normal / Reverse
Digital Trim -40 to +40dB
Delay >1 Sec (Coarse + Fine Control)
DiGiTuBe Drive 0.01 – 50.0
Bias 0 – 6
LPF 20 – 20kHz, 24dB/Oct
HPF 20 – 20kHz, 24dB/Oct
Insert A (Pre EQ/Dyn) On/Off
Equalisation 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Dynamics 1 Single or Multiband (3-Band) Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, Soft De-Esser: Threshold : 20us – 20ms
Release : 1ms – 100ms
Ratio : 1:1 – 50:1
Ess-Band : Listen On/Off
Ess-Band Filter Freq / Width: 20Hz – 20kHz
Dynamics 2 On/Off Gate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any Source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz
Insert B (Post EQ/Dyn) On/Off
EQ/Dyn order: EQ/Dyn or Dyn/EQ
Mute: Channel Mute / Hard Mute
Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
Full Safe
Output Routing: Buss, Insert A, Insert B, FX
Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
Fader: 100mm Motorised Fader ∞ to +10dB
Processing Channel Specification
Aux / Group / Matrix Output
Name User-Defined / Presets
Phase Normal / Reverse
Digital Trim -20 to +60dB
Delay >1 Sec (Coarse & Fine control)
DiGiTuBe Drive 0.01 – 50.0
Bias 0 – 6
LPF 20 – 20kHz, 24dB / Oct
HPF 20 – 20kHz, 24dB / Oct
Insert A (Pre EQ/Dyn) On/Off
Equalisation 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Dynamics 1 Single or Multiband (3-band) Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, Soft De-Esser: Threshold: 20us – 20ms
Release: 1ms – 100ms
Ratio: 1:1 – 50:1
Ess-Band: Listen On/Off
Ess-Band Filter Freq/Width: 20Hz – 20kHz
Dynamics 2 On/Off Gate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz
Insert B (Post EQ/Dyn) On/Off
EQ/Dyn Order EQ/Dyn or Dyn/EQ
Mute Channel Mute / Hard Mute
Solo Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
Channel Safe Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
Output Routing Outputs, Insert A, Insert B, FX
Fader 100mm Motorised Fader ∞ to + 10dB

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