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DiGiCo X-SE8-24-WS-OP - SD8-24 Digital Mixing Surface (BNC MADI and HMA Optical Connections)

 
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    DICO-XSE824WSOP
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Description

SD8 Control Surface - MADI and One Multi-Mode Optics HMA Connections: MADI x 2, Optics x 1, Internal Waves Card Connectors: BNC, HMA DiGiCo SD8-24: “Into overdrive and beyond…” The SD8-24 is a particularly versatile console with the same Stealth Digital Processing and floating point Super... Read More

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Description

SD8 Control Surface - MADI and One Multi-Mode Optics HMA
Connections: MADI x 2, Optics x 1, Internal Waves Card
Connectors: BNC, HMA

DiGiCo SD8-24: “Into overdrive and beyond…”
The SD8-24 is a particularly versatile console with the same Stealth Digital Processing and floating point Super FPGA technology seen in the SD7. It offers a truly superlative performance at a competitive price and comes in an even smaller footprint than the SD8, something which will appeal to engineers across the board.

The SD8-24 has all the same power and functionality as the 37-fader SD8, but in a smaller frame, comprising 24 main channel faders and a master fader.

At the heart of the console’s worksurface is a 15-inch, high resolution TFT LCD touch screen with backlit display. Through this user-friendly interface, any bank of 12 faders can be instantly assigned as input or output channels, allowing all 24 main faders to control inputs if desired; equally, any bank of 12 can also be assigned to the touch screen for fine-tuning.

In addition, the SD8-24 benefits from dedicated multi-function control knobs and electronic labelling.

Under The Hood
Like the SD8, the SD8-24 boasts 60 processing channels at 48kHz/96kHz, all of which are Flexi Channels (configurable as either mono or stereo), which is the equivalent of 120 channels of full DSP processing.

Standard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection, DiGiCo’s DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).

The console also benefits from 190 Dynamic EQ processors, all of which can be assigned to any of the input or output channels. These powerful processors offer dynamic processing on each of the four standard parametric bands, plus there are also 190 Multiband Compressors and 190 DiGiTuBes; and no matter how the console is set up, the user won’t lose any resources, as all the channels are equipped to provide the same high quality signal path and feature set.

The master section incorporates 24 gangable 32-band graphic EQs, 16 stereo effects (selectable from a palette of 33), and 24 control groups (VCAs); and using snapshots, engineers can switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.

In addition, it includes 24 Flexi busses, all of which are assignable as mono/stereo groups or auxiliary busses; and in addition to these busses, for further configurability, it provides a 16 x 12 output matrix, dual solo busses, and a Master buss. Essentially, users have the equivalent of 67 busses of DSP at their disposal.

Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O
The SD8-24 has exactly the same local I/O as the SD8: eight mic inputs, eight outputs, eight mono AES I/O, and two MADI connections.

The console comes as standard with a MaDiRack which is an 8U fixed 48 input with eight analogue outputs, with the ability to increase these outputs to 24 with any combination of analogue AES/EBU or Aviom.

As with all DiGiCo consoles, it can also connect to any DiGiCo rack.

There is also a factory fit Optocore option which allows for connectivity to all DiGiCo racks and consoles in a redundant loop.

Get instant access to 32 fully integrated low-latency Waves stereo MultiRacks, each with up to eight plug-ins per rack, by fitting an optional DiGiCo SoundGrid module linked to external SoundGrid or DiGiGrid servers, giving a total of 128 additional I/O.

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Product Specs

General Specifications
Faders 25 x 100mm Touch-Sensitive, Motorised
Screens 1 x 15” (38cm) LCD High – Resolution Touch Screen
Meters 26 x 20-Segment LED Bargraph
Input Channels 60 Flexi Channels
Busses 24 Mono or Stereo Busses + LR/LCR/LCRS Master Buss
Solo Busses 2 Stereo Busses
Matrix 16 x 12 Matrix (Additional to Busses Above)
Control Groups 12, Selectable for VCA-style, Moving Fader, Mute Group
Graphic EQ 24 x 32-band, Gain +/- 12dB
Internal FX 12 Stereo FX Processors
Local I/O 8 x Mic/Line I/O, 8 x AES/EBU I/O (Mono)
MADI Interface 2 Redundant Interfaces, 75 Ohm BNC Connectivity
Optic Interface Optocore (Optional Factory Fit Only)
MIDI Interface In / Out / Through
VGA Port DB-15 Mini-Female (1024 x 768 Resolution)
USB Ports 3 x USB 2
Light Connection 2 x XLR3 1.2 – 12V
Ext Sync Word Clock, AES, MADI, Optics
Headphone TRS Unbalanced / 8-600 Ohms 1/4 Inch Jack
SD8-24 Dimensions 923.5mm (w) x 811mm (d) x 251.7mm (h)
SD8-24 Weight 50Kg (127Kg with Optional Flightcase)
SD8-24 Flightcase 1092mm (w) x 1133mm (h) x 452mm (d) (Optional)
SD8-24 Power Requirements 90-264 VAC, 47-63Hz Auto Sensing. 230VA typical, 295VA Peak (Meters Full, Faders Moving)
Redundancy Internal PSU x 2
Audio Specification
Sample Rate 48kHz, 44.1kHz or 96kHz
Processing Delay 2ms Typical @ 48k(60 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @96k
Internal Processing Up to 40-bit, Floating Point
A>D & D>A 24-bit Converter Bit Depth
Frequency Response +/- 0.6dB (20Hz – 20kHz)
THD <0.05% @ Unity Gain,: 10dB Input @ 1kHz
Channel Separation Better Than 90dB: (40Hz – 15kHz)
Residual Output <90dBu Typical
Noise (20Hz – 20kHz)
Microphone Input: Better Than -126dB: Equivalent Noise
Maximum Output Level +22dBu
Maximum Input Level +22dBu
Processing Channel Specification
Input Channel
Name User-Defined / Presets
Channel Selection Mono / Stereo / Multi
Input Routing Main & Alternate Input
Analogue Gain -20 to +60dB
Phase Normal / Reverse
Digital Trim -40 to +40dB
Delay >1 Sec (Coarse & Fine Control)
DiGiTuBe Drive 0.01 – 50.0
Bias 0 – 6
LPF 20 – 20kHz, 24dB/Oct
HPF 20 – 20kHz, 24dB/Oct
Insert A (Pre EQ/Dyn) On/Off
Equalisation 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/ Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Dynamics 1 Single or Multiband (3-Band) Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, Soft De-Esser: Threshold : 20us – 20ms
Release : 1ms – 100ms
Ratio : 1:1 – 50:1
Ess-Band : Listen On/Off
Ess-Band Filter Freq / Width: 20Hz – 20kHz
Dynamics 2 On/OffGate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any Source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz
Insert B (Post EQ/Dyn) On/Off
EQ/Dyn order EQ/Dyn or Dyn/EQ
Mute Channel Mute / Hard Mute
Solo Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
Channel Safe Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs, Full Safe
Output Routing Buss, Insert A, Insert B, FX
Direct On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
Fader 100mm Motorised Fader ∞ to +10dB
Processing Channel Specification
Aux / Group / Matrix Output
Name User-Defined / Presets
Phase Normal / Reverse
Digital Trim -20 to +60dB
Delay >1 Sec (Coarse & Fine control)
DiGiTuBe Drive 0.01 – 50.0
Bias 0 – 6
LPF 20 – 20kHz, 24dB / Oct
HPF 20 – 20kHz, 24dB / Oct
Insert A (Pre EQ/Dyn) On/Off
Equalisation 4 band Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Dynamics 1 Single or Multiband (3-band) Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, Soft De-Esser: Threshold: 20us – 20ms
Release: 1ms – 100ms
Ratio: 1:1 – 50:1
Ess-Band: Listen On/Off
Ess-Band Filter Freq/Width: 20Hz – 20kHz
Dynamics 2 On/Off Gate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz
Insert B (Post EQ/Dyn) On/Off
EQ/Dyn Order EQ/Dyn or Dyn/EQ
Mute Channel Mute / Hard Mute
Solo Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
Channel Safe Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
Output Routing Outputs, Insert A, Insert B, FX
Fader 100mm Motorised Fader ∞ to + 10dB

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