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Digigram VX822e Multichannel PCM Sound Card (with Breakout Cables)

 
  • Dale #:

    DIGR-VB1933A0201
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Description

VX822e is a professional linear (PCM) multichannel sound card based on the PCI Express bus interface. It is designed for use in demanding applications such as broadcast radio live-assist, permanent playback, multichannel playback, running under Windows and requiring balanced analog and AES/EBU co... Read More

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Description

VX822e is a professional linear (PCM) multichannel sound card based on the PCI Express bus interface. It is designed for use in demanding applications such as broadcast radio live-assist, permanent playback, multichannel playback, running under Windows and requiring balanced analog and AES/EBU connectivity.

VX822e features eight output and two input channels available through balanced analog and AES/EBU connections, and can synchronize on an external clock (AES11, Word clock, black burst video). It can be used under Windows with software applications based on standard driver interfaces such as WDM Kernel streaming, DirectSound, Wasapi, and ASIO for Windows.

  • Developed for the broadcast industry
  • Balanced analog and AES/EBU audio connectivity
  • Interoperable with most of the third party software applications for audio production, under Windows and Linux

Features:

  • Multichannel linear PCM sound card
  • PCI Express bus interface
  • Eight balanced analog outputs and two balanced analog inputs, +24 dBu max level
  • Four stereo AES/EBU outputs, and one stereo AES/EBU input with hardware sample rate converter
  • Adjustable input and output analog and digital gains
  • External synchronization: AES11, Word clock, black burst video
  • On­board 3­band parametric EQ and Maximizer effects
  • Support for Windows 32­bit and 64­bit (WDM kernel streaming, DirectSound, Wasapi, ASIO)
  • Breakout cables or 2U breakout box BOB8. XLR connectors

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Product Specs

CONFIGURATION  
Bus/Format PCI Express™ (PCIe®) x1 (x2, x4, x8, x16, x32 compatible)
Size 168 mm ́ 111 mm x 20 mm
Power requirements (+3.3V/+5V / +12V / –12V) 3 A / 0 A / 0.4 A / 0 A
Operating: temp / humidity (non­condensing) 0°C/+50°C • 5%/90%
Storage: temp / humidity (non­condensing) ­5°C/+70°C • 0%/95%
INPUTS  
Analog line inputs (mono) 2 balanced
Maximum input level/ impedance +24 dBu/ >10 kW
Digital input (stereo) 1 AES/EBU with hw Sample Rate Converter, ratio from 7.5:3 to 8:1, up to 192 kHz
Programmable input gain – analog: from –94.5dB à +15.5 dBÄ
– digital: from –110 dB à +18 dB
Other inputs AES/EBU Sync (up to 192 kHz), Word clock (up to 96 kHz), LTC, Video
AES11 synchronization
OUTPUTS  
Analog line outputs (mono) 8 servo-­balanced
Maximum output level / impedance +24 dBu / <100 W
Digital outputs (stereo) 4 AES/EBU, up to 192 kHz
Programmable output gain – analog: from –86 dB to +24 dB
– digital: from –110 dB to +18 dB
Other outputs Word clock (up to 96 kHz)
CONNECTORS  
Internal connectors Inter-­board Synchronization
External connector 68­pin SCSI MDR
Digigram accessories available – Breakout cable or 2U 19”
– Breakout Box
AUDIO SPECIFICATIONS  
Sampling frequencies available Programmable from 32 to 192 kHz
A/D and D/A converter resolution 24 bits
Supported audio formats PCM (8, 16, 24 bits), Float, IEEE754
Typical Audio Performance Measurements done at Fs=48 kHz unless stated otherwise, with filter on the 22 Hz ­ 22 kHz range
Frequency response (record + play) 20 Hz–20 kHz: ±0.3 dB
Channel phase difference 20/20kHz: <0.2°/2°
Dynamic range (A-­weighted) – Analog In: >104 dB
– Analog Out: >110 dB
THD + noise 1 kHz at –2 dBfs – Analog In: <–96 dB
– Analog Out: <–96 dB
THD + N 1 kHz AES/EBU In w/ SRC <–130 dB
Crosstalk (Analog in or out) – 1 kHz at 24 dBu: <–100 dB
– 15 kHz at 24 dBu: <–90 dB
DEVELOPMENT ENVIRONMENTS  
Digigram management np SDK (HR Runtime, PCM only)
Other management Wave MME, ASIO, WASAPI, and DirectSound (all PCM only)
OS supported Windows XP, 7, 8, 10, Server 2003, Windows Server 2008, Server 2012 (32 and 64 bits)
Main on-­board processing features (with np SDK) PCM and Float IEEE754, play, rec, real­time mixing, direct monitoring, level adjustment, 3­band parametric equalizer, maximizer, panning, cross­fade, punch-in/punch­out, scrubbing.

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