IK Multimedia TEAC 3340S - Tape Emulation Plugin (VST/AU/AAX)

The TEAC 3340S 4-channel Simul-Sync® tape deck was part of the second generation of their Creator series. With Permalux® heads for excellent frequency response, low distortion and resistance to wear, the 3340S was the most versatile quadraphonic tape deck at the time.

Until then, conventional 4-track recorders didn't permit overdubbing in sync. And that's where Simul-Sync technology from TEAC admirably comes to help. Turning recording, bouncing and overdubbing into an art form, this officially certified TEAC A-3340S will offer you the same channels of creativity that inspired so many great songs.

Features:

• Works within the T-RackS CS Standalone application and as plug-in
• High-quality oversampling
• High-precision and high-transparency digital processors
• Accurately analog-modeled vintage classic devices
• Full-latency compensation support
• Supports sampling rates up to 192 kHz
• DSM™ and SCC™ proprietary IK technologies for extremely accurate digital models of analog hardware devices
• Native compatibility with 64-bit applications and operating systems

Intuitive, easy-to-use controls
The T-RackS TEAC A-3340S puts all the controls from the original at your disposal, along with some additional features to help you create just the sound you're looking for. You can calibrate the record and playback heads, or choose from 2 tape speeds and 4 tape formulas for a wide variety of tape-machine effects. We've also included a number of presets and you can easily save your own.

To each its own sound
The TEAC A-3340S is the 4-track tape recorder behind some of the most famous demos and songs in history. For example, The Doobie Brothers used a A-3340S to record several of the song demos that earned them a record deal, while Brian Eno and others still use the A-3340S today for its sonic qualities.

Re-creating the magic
Analog tape audio recorders are complex systems. They impart magic to the audio material, lifting the art within to a higher level. They add musicality to music.

What a tape machine adds to audio is the result of a number of interactions amongst several interdependent factors. More than just saturation, compression, or EQ alone, these factors work together, one affecting each other with the dynamics of music, adding a "movement" that goes into the soul of what we perceive.

Decades of music produced on these pieces of artful human engineering have tailored the way we think music should sound. It's imprinted in our DNA.

From TASCAM DNA to IK DSP
For the T-RackS TASCAM Tape collection, each machine was chosen specifically by TASCAM and TEAC themselves, recommending particularly sought-after models from their history and helping IK source the best-sounding units. Each machine then went through a complete restoration to bring them perfectly back "to spec" before the scientific modelling process started.

IK's DSP engineering team then took each stage apart, analyzed them in-depth, and produced a model of the entire magnetic tape-recording process. This model works in symbiosis with a powerful dynamic convolution engine to capture the essence of the real machines, faithfully bringing the complete picture of these complex analog engineering marvels to the digital realm.

The program coming out of these units is very similar to the one coming in, just better. It's subtle, but the impact is anything but.

And the T-RackS TASCAM Tape collection faithfully brings all this magic right to your DAW.

4 magic formulas
Choose from 4 different tape formulations, each with its own unique tone:
911: Modelled after the BASF SM911, this is the formula TASCAM recommends for an optimal balance between warmth and precision on the A-3340S.
456: Modelled after the Ampex 456 formula, this model went into production around 1974. Perhaps the most widely used tape, it contributed the most to what is considered "the" tape sound. It offers a warm, round tone with a slight touch of saturation that greatly responds to the recording level.
GP9: Modelled after the Quantegy GP9 formula, this tape accepts higher levels of signal with minimal distortion and compression. It's very punchy and perfect for modern, high quality analog recordings.
499: Modelled after the Ampex 499 formula, this tape is designed to handle a great amount of level with minimal distortion and compression. It also exhibits added high frequency definition that makes it perfect for printing "digital-like" recordings, while still maintaining an analog sound.

Comprehensive Controls
All TASCAM Tape Collection plug-ins share the same set of controls to enhance the ease of use and allow for quick A-B comparisons among them. Key features include:

Signal path selection: With "Input," the signal only passes through the input and output electronic stages of the recorders, bypassing the tape. Depending on how the recorder is designed, the "Input" path can sound extremely transparent or just slightly more colored. "Repro" passes your signal through the entire analog recording system: inputto recording amplifier to recording head to tape to playback head to playback preamplifier to output stage.

True Stereo: Even a perfectly aligned tape machine will have slight level, EQ and distortion differences between the left and right channels. This is good and part of the analog recording mojo! The TASCAM Tape Collection perfectly recreates these subtle differences to deliver the real experience. If perfectly identical left and right channel processing is a must, simply disable this feature.

Tape Speed: Select the speed of the tape transport between 7.5 and 15 or 15 and 30 inches per second ("ips"), depending on the tape machine used. The higher speed gives you more fidelity, and the lower speed delivers a warmer, rounder tone.

Transport Modeling: Precisely models the behavior of the mechanical transport. Small irregularities in the movement of the tape creates various degrees of sonic alteration to the audio program, especially between the two channels. Keep it on for the magic to happen! In case a perfectly steady performance is needed, just disable the control.

Record Bias: Ideal bias voltage settings provide maximum sensitivity and low distortion. Intentionally overbiasing is a common technique to produce a warmer, gently saturated sound. Underbiasing can be used to nicely boost the high frequencies in a truly unique way and add distortion and other nonlinear effects.

The power of T-RackS
Like all T-RackS plug-ins, the TASCAM Tape Collection offers you two ways to work: as a stand-alone plug-in, or inside the T-RackS 5 shell. Use these together with any of the other 39 T-RackS processors to mix and master faster than ever creating a powerful, lightning-fast workflow.

The T-RackS shell offers a unique modular system with up to 16-processor chains, series and parallel routing, easy A/B/C/D comparison, up to 192 kHz / 32-bit floating point processing and much more, in both a plug-in and stand-alone mastering application.