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Description
This podcasting kit contains everything you need to get going and more.
Kit contains:
Shure SM7B Dynamic Cardioid Vocal Broadcast Microphone
The SM7B dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices. The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications.
Features:
Whirlwind MK410 Accusonic+2 Microphone Cable - 10 feet
Whirlwind MK Series mic cables are built with Accusonic+2 cable and fitted with Whirlwind XLR connectors to ensure superior cable performance year after year. Accusonic+2 features finely stranded center conductors and braided shield for superior noise rejection.
Heil Sound PL2T Broadcast Microphone Boom with Internal Cable Run
The Heil Sound PL2T Topless mount is a unique and versatile boom that utilizes a system of perfectly balanced internal springs to provide perfect balance and silent, effortless adjustment of its position. The PL2T easily handles microphones weighing up to 3.5 lb. (1.6 kg), and it makes for a professional-looking installation without adding to the clutter in front of you. The Heil PL-2T features a hollow channel that the microphone cable can be fed through and provides the perfect cable maintenance. The unique Topless design of the PL2T allows you to remove the top and back cover plates, so you can thread the microphone cable along the spine of the mount. Once the cable is in place, you snap the cover plates back in place, for a clean installation with no visible wiring.
The PL2T includes a C-clamp that allows for mounting on tables up to 1.5 inches thick
The PL2T is shipped with a standard "C" clamp mount that will accept an 1.5" thick table. An optional flush mount is available which screws to the top of a table or desk surface.
For mounting of your Heil Microphone, the PL2T accepts all of the Heil (industry standard) 5/8" - 27 threaded mic clips or shock mounts. The chrome threaded stem can be locked into the optimum mounting position, depending upon the exact type of microphone and/or shock mount
Cloud Microphones CL-1 CloudLifter Phantom Powered Inline Microphone Booster
It's all about gain and impedance. While some of the best sounding microphones out there are low-output dynamics and ribbons, pre-amplification can be challenging due to the gain and impedance requirements. Cloudlifters address this by giving passive microphone signals a major inline boost -up to +25db of ultra-clean gain- while properly loading the microphones' transformer for optimal performance.
The Cloudlifter® CL-1 is completely self contained, driven only by the phantom power from your mixer or preamp. Ideal for dynamics and ribbons alike, the CL-1 turns phantom power into the extra gain required for using passive microphones. The immediate dose of extra gain can make even a budget microphone/preamp combination sound clean and professional. For broadcasting and live sound, the active output signal of the CL-1 can prevent added noise over long cable runs. With endless uses, Cloudlifters are quickly becoming a standard workhorse solution for audio and broadcast professionals.
Features:
Sennheiser HD 280 PRO Over-Ear Closed-Back Monitoring Headphones
The HD 280 Pro is Sennheiser's most significant closed, around-the-ear headphone to be introduced in years. Designed to exceed the demands of the professional environment, the HD 280 Pro boasts extremely robust construction combined with the sound quality, modular design and aggressive noise isolation the necessary in the field. The unique collapsible design, combined with swiveling ear cups, offers maximum flexibility in any application.
Features:
What's In The Box?
Mackie Mix5 Compact 5-Channel Mixer
The Mix5 5-channel compact mixer is reliably rugged, with the proven quality you expect from Mackie, the world leader in compact mixer design. Perfect for straightforward applications that incorporate a single mic with other sources, Mix5 sounds great and maintains audio quality from any source. Plus, with a rugged metal chassis and high-quality components throughout, Mix5 is a solid investment in reliability. An amazing value, Mix5 is extremely easy to use and delivers the sound quality you need in a rugged design built to last. Plus, wouldn't you rather mix on a Mackie? Don't sacrifice - choose the Mackie Mix Series.
Features:
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Product Specs
Shure SM7B Microphone | |
Type | Dynamic |
Frequency Response | 50 to 20,000 Hz |
Polar Pattern | Cardioid (unidirectional) |
Output Level | Open Circuit Voltage*: -59.0 dB (1.12 mV) *0 dB = 1 volt per Pascal |
Heil Sound PL2T Broadcast Microphone Boom | |
Item model number | PL-2T |
ASIN | B0002TR88G |
Product Dimensions | 43 x 0.5 x 21 inches ; 8 ounces |
Shipping Weight | 9 pounds |
Sennheiser HD 280 PRO Headphones | |
Color | black |
Wearing style | Headband |
Frequency response (headphones) | 8 - 25000 Hz |
Sound pressure level (SPL) | 113 dB |
THD, total harmonic distortion | 0,1 % |
Contact pressure | 6 N |
Ear coupling | circumaural |
Jack plug | 3,5 / 6,3 mm stereo |
Connection cable | Coiled Cable (min. 1.3m / max. 3m) |
Transducer principle | dynamic, closed |
Weight w/o cable | 285 g |
Nominal impedance | 64 ? |
Load rating | 500 mW |
Mackie Mix5 Mixer | |
Noise Characteristics | 20 Hz - 20 kHz bandwidth, 150 source impedance |
All outputs, master levels and channel levels off | -100 dBu |
All outputs, master levels unity, all channel levels off | -90 dBu |
All outputs, master levels unity, 1 channel level unity | -85 dBu |
Distortion (THD+N) | (1 kHz, 20 Hz - 20 kHz bandwidth) |
Mic Input to Main Output | <0.01% @+4 dBu output |
Attenuation and Crosstalk | (20 Hz-20 kHz bandwidth) |
Inputs to Outputs @ 1 kHz | -85 dB |
Main Mix Off @ 1 kHz | -80 dB |
Frequency Response | |
Mic input to any output (gain @ unity) | +0, -1 dB, 20 Hz to 30 kHz |
Equivalent Input Noise (EIN) | (Mic in to Insert Send out, max gain.) |
150 termination | -125 dBu [Mix5, Mix8] -122 dBu [Mix12FX] |
Common Mode Rejection Ratio (CMRR) | |
(Mic in to Insert Send out, max gain.) 1 kHz | better than 70 dB |
Maximum Levels | |
Mic inputs (XLR) | +18 dBu [Mix5] +19 dBu [Mix8, Mix12FX] |
Aux return in | +16 dBu [Mix8] |
All other inputs | +21 dBu |
All outputs | +21 dBu |
Impedances | |
Mic in | 2 k ohms [Mix5] 3.8 k ohms [Mix8, Mix12FX] |
All other inputs | 10 k ohms or greater |
Tape out | 1 k ohms |
Phones out | 22 ohms |
All other outputs | 120 ohms unbalanced, 240 ohms balanced |
EQ | |
High Shelving | ±15 dB @ 12 kHz |
Mid Peaking | ±15 dB @ 2.5 kHz |
Low Shelving | ±15 dB @ 80 Hz |
Low Cut Filter | 18 dB/octave, -3 dB @ 75 Hz |
AC Power Requirements | AC120V~, 60 Hz |
AC Power Supply (Included) | AC18V~ 600mA |
Dimensions and Weight | |
Height | 1.7 in / 43 mm |
Width | 5.5 in / 140 mm |
Depth | 7.7 in / 196 mm |
Weight | 1.4 lb / 0.6 kg |
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