Heil Sound

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34 products

Heil Sound PR 35 Large Diameter Handheld Dynamic Microphone
Heil Sound The Fin Cardioid Dynamic Microphone (Black/Red LED)
Heil Sound WSPR40 Windscreen for PR 40/PR 30/PR 780/PR 781
Heil Sound WSM Windscreen for PR20 and PR35 Series Microphones
Heil Sound WSHM Windscreen for Handi Mic Pro Plus Microphone
Heil Sound WM1 Vertical Surface Mount for Heil Sound Booms
Heil Sound PR28 Cardioid Dynamic Drum Microphone
Heil Sound PR-40 Large Diaphragm Studio Dynamic Microphone (Chrome)Heil Sound PR-40 Large Diaphragm Studio Dynamic Microphone (Chrome)
Heil Sound The Fin Cardioid Dynamic Microphone (with White LED)
Heil Sound PR-40 Large Diaphragm Studio Dynamic Microphone (Champagne)Heil Sound PR-40 Large Diaphragm Studio Dynamic Microphone (Champagne)
Heil Sound PL2T - Broadcast Microphone Boom with Internal Cable Run
Heil Sound PR77D - Dynamic Broadcast and Podcast Microphone (Purple)
Heil Sound PR77D - Dynamic Broadcast and Podcast Microphone (Black)
Heil Sound The Fin Cardioid Dynamic Microphone (Chrome/Blue LED)
Heil Sound The Fin Cardioid Dynamic Microphone (with Red LED)
Heil Sound The Fin Cardioid Dynamic Microphone (Black/White LED)
Heil Sound The Fin Cardioid Dynamic Microphone (Black/Blue LED)
Heil Sound Sound FL-2 Flange Mount for PL2T
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Heil Sound SM-5 Standard Clip for PR35 Microphone
Heil Sound SB2 Small Microphone Boom Arm
Heil Sound RS1 Twelve inch Riser Arm for PL2T Boom - Black
Heil Sound Replacement C Clamp for PL2T Boom
Heil Sound RC-35 Cardioid PR35 Wireless Microphone Capsule
Heil Sound RC-22 Cardioid PR22 Wireless Microphone Capsule (Nickel)Heil Sound RC-22 Cardioid PR22 Wireless Microphone Capsule (Nickel)

What Makes a Heil Mic Different?

Just because a signal - vocal, guitar, drums, et al - is loud, it still has a frequency range that needs to be reproduced accurately. Too often microphone designers roll off their frequency response as a compromise resulting in a muffled sound. Bob Heil's firm stance on designing only large diaphragm dynamic mics - no condensers! - ensures that the signal going in is reproduced faithfully even at high SPL.

When micing a stage with multiple microphones "bleed" is a major issue. Signals from the drum mics, for instance, will find their way into the vocals and the stage sound - as well as the sound out in the house - becomes an unmanageable mush. Bob took a page from his ham radio and antenna design days and created microphones that have a high -40dB of rear rejection.

Heil Sound builds world-class microphones for stage, studio, broadcast, and podcast.

Your trusted source for pro audio solutions—backed by an experienced team of professionals. Call us today.

Your trusted source for pro audio solutions—backed by an experienced team of professionals. Call us today.