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Description
SD10-24 Control Surface - MADI and One Multi-Mode Optics ST
Connections: MADI x 2, Optics x 1, Internal Waves Card
Connectors: BNC, ST
The SD10-24 includes many of the SD7’s features and benefits, including Stealth Digital Processing and floating-point Super FPGA technology, and provides a fully-loaded feature set that will cater to any front-of-house or monitor engineer’s needs.
The SD10-24 is a 25-channel version, which has two banks of 12 motorised faders and one master fader; but has all the same power and functionality as the larger SD10 but in a smaller frame comprising 24 main channel faders and a master fader. The worksurface has the familiar 15-inch backlit colour-keyed TFT touch screen, home of the console’s super-intuitive control interface.
The sheer intelligence of the SD10-24 means even the most complex of tasks become quick and easy: engineers can recall or save presets on the channel strip; and recall or save snapshots using the master screen or hard wired switches on the console. In addition, special functions can be assigned and accessed instantly via the console’s 40 Smart Key Macros (accessible via four layers of 10 RGB backlit keys) at the push of a button. It really is that simple.
Under The Hood
The SD10-24 boasts 144 processing channels at 48kHz/96kHz, Standard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection, DiGiCo’s DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).
The console also benefits from 218 Dynamic EQ processors, all of which can be assigned to any of the input or output channels. These powerful processors offer Dynamic processing on each of the four standard parametric bands, plus there are also 218 Multiband Compressors and 218 DiGiTuBes; and no matter how the console is set up, the user won’t lose any resources, as all channels are equipped to provide the same high quality signal path and feature set.
The master section incorporates 24 gangable 32-band graphic EQs, 24 stereo effects (selectable from a palette of 33), and 24 control groups (VCAs); and using snapshots, engineers can switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.
SD10-24 includes 64 busses, which can be configured as groups or auxiliary; and in addition to these busses, for further configurability, it provides a 24 x 24 output matrix, dual solo busses, and a Master buss.
Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.
I/O
At the rear of the SD10-24, there is an abundance of local I/O: eight mic line inputs, eight line outputs, eight mono AES I/O, two MADI connections with redundant cabling connections; and 16 GPI and GPO connections – expandable to 32.
The SD10-24 also works seamlessly with the DiGiCo SD-Rack, which delivers up to 192kHz high resolution analogue conversion. This opens the door to a wealth of interfacing options and provides the user with even further flexibility: when used with the Optocore interface, up to 14 SD-Racks and five redundant engined consoles can connect to one optical loop, which means a massive 1152 I/O connections are achievable (56 inputs and 56 outputs per SD-Rack).
Get instant access to 32 fully integrated low-latency Waves stereo MultiRacks, each with up to eight plug-ins per rack, by fitting an optional DiGiCo SoundGrid module linked to external SoundGrid or DiGiGrid servers, giving a total of 128 additional I/O.
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Product Specs
Faders | 25 x 100mm Touch-Sensitive, Motorised |
Screens | 1 x 15” (38cm) LCD High – Resolution Touch Screen |
Meters | 26 x 20-Segment LED Bargraph |
Input Channels | 144 |
Busses | 64 assignable that can be configured as groups / auxiliary busses + LR or LCR/LCRS/5.1 Master |
Solo Busses | 2 Stereo Busses |
Matrix | 24 x 24 Matrix (Additional to Busses Above) |
Control Groups | 24, Selectable for VCA-style, Moving Fader, Mute Group |
Graphic EQ | 24 x 32-band, Gain +/- 12dB |
Internal FX | 24 Stereo FX Processors |
Local I/O | 8 x Mic/Line I/O, 8 x AES/EBU I/O (Mono) |
MADI Interface | 2 Redundant Interfaces, 75 Ohm BNC Connectivity |
Optic Interface | Optocore |
MIDI Interface | In / Out / Thru |
VGA Port | DB-15 Mini-Female (1024 x 768 Resolution) |
USB Ports | 3 x USB 2 |
Light Connection | 2 x XLR3 1.2 – 12V |
Ext Sync | Word Clock, AES, MADI, Optics |
Headphone | TRS Unbalanced / 8-600 Ohms 1/4 Inch Jack |
GPIO | 2 x DSub37 |
SD10-24 Dimensions | 982mm (w) x 799mm (d) x 286mm (h) |
SD10-24 Weight | 45Kg/ 99.20lbs (140Kg/ 308.64lbs with Optional Flightcase) |
SD10-24 Flightcase | 1170mm (w) x 1158mm (h) x 498mm (d) Weight 95kg/ 209.43lbs (Optional) |
SD10-24 | Power Requirements 90-264 VAC, 47-63Hz Auto Sensing. 235 watts |
Audio Specification | |
Sample Rate | 48kHz or 96kHz |
Processing Delay | 2ms Typical @ 48k (72 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @ 96k |
Internal Processing | Up to 40-bit, Floating Point |
A>D & D>A | 24-bit Converter Bit Depth |
Frequency Response | +/- 0.6dB (20Hz – 20kHz) |
THD | <0.05% @ Unity Gain,: 10dB Input @ 1kHz |
Channel Seperation | Better Than 90dB: (40Hz – 15kHz) |
Residual Output | <90dBu Typical |
Noise | (20Hz – 20kHz) Microphone Input: Better Than -126dB: Equivalent Noise |
Maximum Output Level | +22dBu |
Maximum Input Level | +22dBu |
Processing Channel Specification | |
Input Channel | |
Name | User-Defined / Presets |
Channel Selection | Mono / Stereo / Multi |
Input Routing | Main & Alternate Input |
Analogue Gain | -20 to +60dB |
Phase | Normal / Reverse |
Digital Trim | -40 to +40dB |
Delay | >1 Sec (Coarse & Fine Control) |
DiGiTuBe | Drive 0.01 – 50.0 Bias 0 – 6 |
LPF | 20 – 20kHz, 24dB/Oct |
HPF | 20 – 20kHz, 24dB/Oct |
Insert A | (Pre EQ/Dyn) On/Off |
Equalisation | 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/ Hi Shelf, Hi/Hishelf) On/Off Freq; 20 – 20kHz Gain; +/- 18dB Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf) Dynamic EQ On/Off Over/Under Band On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 10ms – 10s Ratio; 1:1 – 50:1 |
Dynamics 1 | Single or Multiband (3-Band) Compressor: On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 10ms – 10s Ratio; 1:1 – 50:1 Gain; 0 to +40dB with Autogain Option Link; Any Channel/Buss Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz Knee : Hard, Med, Soft De-Esser: Threshold : 20us – 20ms Release : 1ms – 100ms Ratio : 1:1 – 50:1 Ess-Band : Listen On/Off Ess-Band Filter Freq / Width: 20Hz – 20kHz |
Dynamics 2 | On/Off Gate / Ducker: Threshold; -60 – 0dB Attack; 50us – 100ms Hold; 2ms – 2s Release; 5ms – 5s Range; 0 – 90dB Key; Any Source Key Listen Freq/Width; 20 – 20kHz Compressor: On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 10ms – 10s Ratio; 1:1 – 50:1 Gain; 0 to +40dB with Autogain Option Link; Any Channel / Buss Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz S/C Source : Any Source S/C Listen : On/Off S/C Filter Freq/Width: 20Hz – 20kHz |
Insert B | (Post EQ/Dyn) On/Off |
EQ/Dyn order | EQ/Dyn or Dyn/EQ |
Mute | Channel Mute / Hard Mute |
Solo | Solo Buss 1 / Solo Buss 2 / Both, Auto Solo |
Channel Safe | Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs, Full Safe |
Output Routing | Buss, Insert A, Insert B, FX |
Direct | On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB |
Fader | 100mm Motorised Fader ∞ to +10dB |
Processing Channel Specification | |
Aux / Group / Matrix Output | |
Name | User-Defined / Presets |
Phase | Normal / Reverse |
Digital Trim | -20 to +60dB |
Delay | >1 Sec (Coarse & Fine control) |
DiGiTuBe | Drive 0.01 – 50.0 Bias 0 – 6 |
LPF | 20 – 20kHz, 24dB / Oct |
HPF | 20 – 20kHz, 24dB / Oct |
Insert A | (Pre EQ/Dyn) On/Off |
Equalisation | 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf) On/Off Freq; 20 – 20kHz Gain; +/- 18dB Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf) Dynamic EQ On/Off Over/Under Band On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 10ms – 10s Ratio; 1:1 – 50:1 |
Dynamics 1 | Single or Multiband (3-band) Compressor: On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 10ms – 10s Ratio; 1:1 – 50:1 Gain; 0 to +40dB with Autogain Option Link; Any Channel / Buss Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz Knee : Hard, Med, Soft De-Esser: Threshold: 20us – 20ms Release: 1ms – 100ms Ratio: 1:1 – 50:1 Ess-Band: Listen On/Off Ess-Band Filter Freq/Width: 20Hz – 20kHz |
Dynamics 2 | On/Off Gate / Ducker: Threshold; -60 – 0dB Attack; 50us – 100ms Hold; 2ms – 2s Release; 5ms – 5s Range; 0 – 90dB Key; Any Source Key Listen Freq/Width; 20 – 20kHz Compressor: On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 10ms – 10s Ratio; 1:1 – 50:1 Gain; 0 to +40dB with Autogain Option Link; Any Channel/Buss Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz S/C Source : Any source S/C Listen : On/Off S/C Filter Freq/Width: 20Hz – 20kHz |
Insert B | (Post EQ/Dyn) On/Off |
EQ/Dyn Order | EQ/Dyn or Dyn/EQ |
Mute | Channel Mute / Hard Mute |
Solo | Solo Buss 1 / Solo Buss 2 / Both, Auto Solo |
Channel Safe | Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe |
Output Routing | Outputs, Insert A, Insert B, FX |
Fader | 100mm Motorised Fader ∞ to + 10dB |
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