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SD8-24 Control Surface D2 Package - MADI Only w/ D2 Rack
Package includes: X-SE8-24-WS and X-D2-AN-M MADI Rack
DiGiCo D2 MADI Rack 48 In x 16 Analog Out (expandable to 32 Outputs)
Dust Cover, Littlites x 2 and 100M MADI cables x 4
Connections: MADI x 2, Internal Waves Card
Connectors: BNC
DiGiCo SD8-24: “Into overdrive and beyond…”
The SD8-24 is a particularly versatile console with the same Stealth Digital Processing and floating point Super FPGA technology seen in the SD7. It offers a truly superlative performance at a competitive price and comes in an even smaller footprint than the SD8, something which will appeal to engineers across the board.
The SD8-24 has all the same power and functionality as the 37-fader SD8, but in a smaller frame, comprising 24 main channel faders and a master fader.
At the heart of the console’s worksurface is a 15-inch, high resolution TFT LCD touch screen with backlit display. Through this user-friendly interface, any bank of 12 faders can be instantly assigned as input or output channels, allowing all 24 main faders to control inputs if desired; equally, any bank of 12 can also be assigned to the touch screen for fine-tuning.
In addition, the SD8-24 benefits from dedicated multi-function control knobs and electronic labelling.
Under The Hood
Like the SD8, the SD8-24 boasts 60 processing channels at 48kHz/96kHz, all of which are Flexi Channels (configurable as either mono or stereo), which is the equivalent of 120 channels of full DSP processing.
Standard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection, DiGiCo’s DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).
The console also benefits from 190 Dynamic EQ processors, all of which can be assigned to any of the input or output channels. These powerful processors offer dynamic processing on each of the four standard parametric bands, plus there are also 190 Multiband Compressors and 190 DiGiTuBes; and no matter how the console is set up, the user won’t lose any resources, as all the channels are equipped to provide the same high quality signal path and feature set.
The master section incorporates 24 gangable 32-band graphic EQs, 16 stereo effects (selectable from a palette of 33), and 24 control groups (VCAs); and using snapshots, engineers can switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.
In addition, it includes 24 Flexi busses, all of which are assignable as mono/stereo groups or auxiliary busses; and in addition to these busses, for further configurability, it provides a 16 x 12 output matrix, dual solo busses, and a Master buss. Essentially, users have the equivalent of 67 busses of DSP at their disposal.
Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.
I/O
The SD8-24 has exactly the same local I/O as the SD8: eight mic inputs, eight outputs, eight mono AES I/O, and two MADI connections.
The console comes as standard with a MaDiRack which is an 8U fixed 48 input with eight analogue outputs, with the ability to increase these outputs to 24 with any combination of analogue AES/EBU or Aviom.
As with all DiGiCo consoles, it can also connect to any DiGiCo rack.
There is also a factory fit Optocore option which allows for connectivity to all DiGiCo racks and consoles in a redundant loop.
Get instant access to 32 fully integrated low-latency Waves stereo MultiRacks, each with up to eight plug-ins per rack, by fitting an optional DiGiCo SoundGrid module linked to external SoundGrid or DiGiGrid servers, giving a total of 128 additional I/O.
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Product Specs
General Specifications | |
Faders | 25 x 100mm Touch-Sensitive, Motorised |
Screens | 1 x 15” (38cm) LCD High – Resolution Touch Screen |
Meters | 26 x 20-Segment LED Bargraph |
Input Channels | 60 Flexi Channels |
Busses | 24 Mono or Stereo Busses + LR/LCR/LCRS Master Buss |
Solo Busses | 2 Stereo Busses |
Matrix | 16 x 12 Matrix (Additional to Busses Above) |
Control Groups | 12, Selectable for VCA-style, Moving Fader, Mute Group |
Graphic EQ | 24 x 32-band, Gain +/- 12dB |
Internal FX | 12 Stereo FX Processors |
Local I/O | 8 x Mic/Line I/O, 8 x AES/EBU I/O (Mono) |
MADI Interface | 2 Redundant Interfaces, 75 Ohm BNC Connectivity |
Optic Interface | Optocore (Optional Factory Fit Only) |
MIDI Interface | In / Out / Through |
VGA Port | DB-15 Mini-Female (1024 x 768 Resolution) |
USB Ports | 3 x USB 2 |
Light Connection | 2 x XLR3 1.2 – 12V |
Ext Sync | Word Clock, AES, MADI, Optics |
Headphone | TRS Unbalanced / 8-600 Ohms 1/4 Inch Jack |
SD8-24 Dimensions | 923.5mm (w) x 811mm (d) x 251.7mm (h) |
SD8-24 Weight | 50Kg (127Kg with Optional Flightcase) |
SD8-24 Flightcase | 1092mm (w) x 1133mm (h) x 452mm (d) (Optional) |
SD8-24 Power Requirements | 90-264 VAC, 47-63Hz Auto Sensing. 230VA typical, 295VA Peak (Meters Full, Faders Moving) |
Redundancy | Internal PSU x 2 |
Audio Specification | |
Sample Rate | 48kHz, 44.1kHz or 96kHz |
Processing Delay | 2ms Typical @ 48k(60 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @96k |
Internal Processing | Up to 40-bit, Floating Point |
A>D & D>A | 24-bit Converter Bit Depth |
Frequency Response | +/- 0.6dB (20Hz – 20kHz) |
THD | <0.05% @ Unity Gain,: 10dB Input @ 1kHz |
Channel Separation | Better Than 90dB: (40Hz – 15kHz) |
Residual Output | <90dBu Typical |
Noise | (20Hz – 20kHz) Microphone Input: Better Than -126dB: Equivalent Noise |
Maximum Output Level | +22dBu |
Maximum Input Level | +22dBu |
Processing Channel Specification | |
Input Channel | |
Name | User-Defined / Presets |
Channel Selection | Mono / Stereo / Multi |
Input Routing | Main & Alternate Input |
Analogue Gain | -20 to +60dB |
Phase | Normal / Reverse |
Digital Trim | -40 to +40dB |
Delay | >1 Sec (Coarse & Fine Control) |
DiGiTuBe | Drive 0.01 – 50.0 Bias 0 – 6 |
LPF | 20 – 20kHz, 24dB/Oct |
HPF | 20 – 20kHz, 24dB/Oct |
Insert A | (Pre EQ/Dyn) On/Off |
Equalisation | 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/ Hi Shelf, Hi/Hishelf) On/Off Freq; 20 – 20kHz Gain; +/- 18dB Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf) Dynamic EQ On/Off Over/Under Band On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 10ms – 10s Ratio; 1:1 – 50:1 |
Dynamics 1 | Single or Multiband (3-Band) Compressor: On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 10ms – 10s Ratio; 1:1 – 50:1 Gain; 0 to +40dB with Autogain Option Link; Any Channel/Buss Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz Knee : Hard, Med, Soft De-Esser: Threshold : 20us – 20ms Release : 1ms – 100ms Ratio : 1:1 – 50:1 Ess-Band : Listen On/Off Ess-Band Filter Freq / Width: 20Hz – 20kHz |
Dynamics 2 | On/OffGate / Ducker: Threshold; -60 – 0dB Attack; 50us – 100ms Hold; 2ms – 2s Release; 5ms – 5s Range; 0 – 90dB Key; Any Source Key Listen Freq/Width; 20 – 20kHz Compressor: On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 10ms – 10s Ratio; 1:1 – 50:1 Gain; 0 to +40dB with Autogain Option Link; Any Channel / Buss Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz S/C Source : Any Source S/C Listen : On/Off S/C Filter Freq/Width: 20Hz – 20kHz |
Insert B | (Post EQ/Dyn) On/Off |
EQ/Dyn order | EQ/Dyn or Dyn/EQ |
Mute | Channel Mute / Hard Mute |
Solo | Solo Buss 1 / Solo Buss 2 / Both, Auto Solo |
Channel Safe | Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs, Full Safe |
Output Routing | Buss, Insert A, Insert B, FX |
Direct | On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB |
Fader | 100mm Motorised Fader ∞ to +10dB |
Processing Channel Specification | |
Aux / Group / Matrix Output | |
Name | User-Defined / Presets |
Phase | Normal / Reverse |
Digital Trim | -20 to +60dB |
Delay | >1 Sec (Coarse & Fine control) |
DiGiTuBe | Drive 0.01 – 50.0 Bias 0 – 6 |
LPF | 20 – 20kHz, 24dB / Oct |
HPF | 20 – 20kHz, 24dB / Oct |
Insert A | (Pre EQ/Dyn) On/Off |
Equalisation | 4 band Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf) On/Off Freq; 20 – 20kHz Gain; +/- 18dB Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf) Dynamic EQ On/Off Over/Under Band On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 10ms – 10s Ratio; 1:1 – 50:1 |
Dynamics 1 | Single or Multiband (3-band) Compressor: On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 10ms – 10s Ratio; 1:1 – 50:1 Gain; 0 to +40dB with Autogain Option Link; Any Channel / Buss Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz Knee : Hard, Med, Soft De-Esser: Threshold: 20us – 20ms Release: 1ms – 100ms Ratio: 1:1 – 50:1 Ess-Band: Listen On/Off Ess-Band Filter Freq/Width: 20Hz – 20kHz |
Dynamics 2 | On/Off Gate / Ducker: Threshold; -60 – 0dB Attack; 50us – 100ms Hold; 2ms – 2s Release; 5ms – 5s Range; 0 – 90dB Key; Any Source Key Listen Freq/Width; 20 – 20kHz Compressor: On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 10ms – 10s Ratio; 1:1 – 50:1 Gain; 0 to +40dB with Autogain Option Link; Any Channel/Buss Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz S/C Source : Any source S/C Listen : On/Off S/C Filter Freq/Width: 20Hz – 20kHz |
Insert B | (Post EQ/Dyn) On/Off |
EQ/Dyn Order | EQ/Dyn or Dyn/EQ |
Mute | Channel Mute / Hard Mute |
Solo | Solo Buss 1 / Solo Buss 2 / Both, Auto Solo |
Channel Safe | Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe |
Output Routing | Outputs, Insert A, Insert B, FX |
Fader | 100mm Motorised Fader ∞ to + 10dB |
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