DPA Microphones d:fine CORE 4088 Cardioid Headset Microphone (Beige/3-Pin Lemo)

The classic d:fine™ 4088 Directional Headset Microphone is the industry standard in professional headset mics. It offers an open and natural sound making it ideal for both spoken word and vocal performance applications.

Features:

• Pristine audio quality
• Lightweight and flexible
• Easy mounting to the left or right
• Resistant to humidity
• Flexible adapter system fits most professional wireless systems

This mic provides excellent off-axis rejection in high-SPL situations. It efficiently suppresses distant sound sources making it perfect for demanding live performance environments where background noise and feedback are concerns. In high-SPL events, or when feedback is a concern, this microphone will tackle these challenges with ease. The bass response is designed for optimal linearity at 2-3 cm (1 inch) from the sound source. This means that the bass roll-off will be relatively prominent at a greater distance - a paramount factor when it comes to rejection of background noise and in the fight to avoid feedback.

The smooth and elegant design of the d:fine™ 4088 Directional Headset Microphone makes it the most invisible head-worn true cardioid microphone in the world. This microphone has a secure, dual-ear design that can be used for various performing talent applications. It has a small .64 cm (.25 in) diameter, which allows for discreet use. It only weighs 14 g (.5 oz) and is very comfortable when worn for long periods. The microphone can be mounted on the right or left side.

CORE is available for select models of d:screet™ Miniature Microphones and d:fine™ Headset Microphones Series.

CORE by DPA makes these miniature microphones even better.

• CORE by DPA minimizes distortion
• CORE by DPA expands dynamic range
• CORE by DPA sounds better

CORE by DPA increases the dynamic range of d:screet™ Miniature and d:fine™  Headset Microphones up to14 dB depending on the specific type of capsule.

This gives users more flexibility by expanding the range of sounds that can be captured. In most cases, sound engineers prefer a mic with a wide dynamic range because they can use one mic to capture a wider range of sounds and in more applications.

• Increased dynamic range = Increased workable range
• Increased dynamic range = Less vulnerable to overload