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Description
iRig Pro Quattro I/O is a professional-grade 4-in / 2-out portable audio and MIDI interface packed with everything you need for pristine field recording, content creation, streaming, podcasting and performing. Handle anything life throws at you without breaking a sweat.
Features:
Compact size, full stereo sound
The iRig Pro Quattro I/O will easily find a home in your camera bag or backpack. It comes with all you need to get started including a set of batteries, cables and camera stand adapter. Or choose the iRig Pro Quattro I/O Deluxe, which adds a pair of custom iRig XY mics for stunning stereo sound every time, without the bulk or expense of a larger mic setup. It also includes a windscreen, power supply unit and carrying case.
AS A MOBILE/FIELD RECORDING INTERFACE
AS A PODCASTING/STREAMING INTERFACE
AS A BROADCASTING/VIDEO INTERFACE
AS A STANDALONE MIXER
Mono, Stereo or Multichannel?
iRig Pro Quattro does all 3 at the flip of a switch. Stereo and Mono modes pre-mix up to 4 audio sources (RCA / 3.5 mm stereo line inputs (+ Loopback), XLR combo inputs and MEMS microphone) down to a stereo or mono track, which can be sent to your choice of streaming apps, DSLR camera or sound system.
Switching to multichannel mode, the XLR mic/Hi-Z instrument and mic/line combo jacks or RCA / 3.5 mm stereo line inputs are routed to channels 1 to 4 respectively, giving you 4 channels of audio to send to recording apps such as GarageBand or any DAW.
Custom mics for deluxe results
iRig MIC XY stereo microphones are available separately or as part of the iRig Pro Quattro I/O Deluxe edition. These condenser mics use a cardioid polar pattern in an XY formation for trouble-free stereo sound recording. You can also position the capsules in divergent mode, which is ideal for taking interviews.
With a frequency response of 20 Hz to 20 kHz and dynamic range up 145 dB SPL, your field recordings will always be natural, immersive and protected by Quattro I/O's safety channel feature.
Always perfect recordings
In STEREO and MONO mode, inputs 3 and 4 can be used as safety channels: recording the same signal as input 1 and 2, but reduced by 12 dB as a backup in case the sound source unexpectedly overloads the main channels. Always succeed your mission to record an important event.
Pro results with Loopback+
Multichannel mode offers another advantage. Loopback+ is a powerful new feature that lets you route either or both channels 3 and 4 to audio apps such as MixBox, AmpliTube or VocaLive for processing and then route their outputs through the Loopback feature and into channels 1+2 going to your streaming app.
Now you can actually use these apps on your iOS or Android device as a front-end processor for all streaming apps. It's like using them as a plug-in for more creative and professional-sounding streams.
Say goodbye to SD cards
No need to worry about managing and formatting storage media. Your iRig Pro Quattro I/O records pristine, digital audio directly to any mobile device. Stop digging around your gig bag for an SD card and start recording instantly. Then simply back up your work to the cloud seamlessly to share with others.
Say hello to some great apps
iRig Pro Quattro I/O comes complete with over $450 of software for Mac/PC. You'll get AmpliTube 5 SE with over 80 essential gear models for guitar and bass, and T-RackS 5 SE with 10 analog-modeled and digital processors. Plus, you have your choice of 2 additional SE/CE titles. Choose from SampleTank, Miroslav Philharmonik, MODO BASS, MODO DRUM or Syntronik 2.
And for iPhone/iPad, iRig Pro Quattro I/O includes over $/100 of audio production apps featuring fully loaded versions of iRig Recorder 3 and MixBox for iPad, which will quickly become your secret weapon for pro-sounding audio on the go.
Packed with a Swiss-army-knife's worth of tools and software, iRig Pro Quattro I/O ensures you're ready for anything, anywhere. Don't miss the next moment. Capture it perfectly!
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Product Specs
Microphone Inputs 1-2 | 2 x balanced, XLR. Pin 2: hot / Pin 3: cold / Pin 1: ground Input impedance: 1 kOhms Input level, min gain: 0 dBFS is obtained with a -1.5 dBu signal at the XLR input Input level, max gain: 0 dBFS is obtained with a -55 dBu signal at the XLR input Frequency response: from 10 Hz to 46 kHz within 3 dB (96 kHz sample rate), min gain Dynamic Range: 103 dB(A), min gain Phantom power: 48V / -4V |
Built-in microphone | Type: MEMS Polar pattern: omnidirectional Frequency response: from 30 Hz to 20 kHz Max SPL: 110 dBSPL Sensitivity: -41.5 dB (1 kHz, 94dB SPL) |
Instrument Inputs 1-2 | 2 x unbalanced, Hi-Z, TS 1/4” Jack, Tip: signal / Shield: ground Input impedance: 1 MOhms Input level, min gain: 0 dBFS is obtained with a +10 dBu signal at the TS input Input level, max gain: 0 dBFS is obtained with a -43 dBu signal at the TS input Frequency response: from 7 Hz to 46 kHz within 3 dB (96 kHz sample rate), min gain Dynamic range: 103 dB(A), min gain |
Microphone Inputs 3-4 | 2 x balanced, XLR. Pin 2: hot / Pin 3: cold / Pin 1: ground Input impedance: 1 kOhms Input level, min gain: 0 dBFS is obtained with a -3 dBu signal at the XLR input Input level, max gain: 0 dBFS is obtained with a -54 dBu signal at the XLR input Frequency response: from 10 Hz to 46 kHz within 3 dB (96 kHz sample rate), min gain Dynamic range: 101 dB(A), min gain Phantom power: 48V / -4V |
Line Inputs 3-4 (balanced) | 2 x balanced, XLR. Pin 2: hot / Pin 3: cold / Pin 1: ground Input impedance: 1 kOhms Input level, min gain: 0 dBFS is obtained with a -3 dBu signal at the XLR input Input level, max gain: 0 dBFS is obtained with a -54 dBu signal at the XLR input Frequency response: from 10 Hz to 46 kHz within 3 dB (96 kHz sample rate), min gain Dynamic range: 101 dB(A), min gain Phantom power: 48V / -4V |
Line Inputs 3-4 (unbalanced) | Unbalanced, TRS 3.5 mm stereo Jack and RCA Input impedance: 2.1 kOhms Nominal input level: -3.5 dBV (-10 dBV with 6.5 dB of headroom) Frequency response: from 16 Hz to 46 kHz within 3 dB (96 kHz sample rate) Dynamic range: 93 dB(A) |
Line Outputs (balanced) | 2 x balanced, 3-pin XLR, Pin 2: hot / Pin 3: cold / Pin 1: ground Floating balanced outputs with automatic level compensation when working in unbalanced mode Output impedance: 150 Ohms balanced Output level: 0 dBFS corresponds to +12 dBu Frequency response: from 5 Hz to 44 kHz within 3 dB (96 kHz sample rate) Dynamic range: 100 dB(A) Channels crosstalk: 88 dB(A) |
Stereo Output (unbalanced) | Unbalanced, TRS 3.5 mm stereo Jack Output impedance: 150 Ohms balanced Output level: 0 dBFS corresponds to +12 dBu Frequency response: from 5 Hz to 44 kHz within 3 dB (96 kHz sample rate) Dynamic range: 100 dB(A) Channels crosstalk: 88 dB(A) |
Headphones Output | TRS 3.5 mm stereo Jack Output impedance: 22 Ohm Output level: 26 mW/channel (32 Ohm load) Frequency response: from 15 Hz to 44 kHz within 3 dB (96 kHz sample rate) Dynamic range: 100 dB(A) |
Common | |
AD and DA Resolution | 24-bit |
Sampling Rate | 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz |
Power | USB bus power, battery power (4 x AA), DC power supply (9VDC) or external USB power supply (5VDC, 1A min) |
Device Connection | Mini-DIN |
Size | 166 mm / 6.54″ x 92 mm / 3.62″ x 43 mm / 1.69″ |
Weight | 325 g / 0.72 lb (batteries excluded) |
Battery Life | • Recording - Max load*: 1 hours, 30 minutes (Alkaline); 3 hours (NiMH rechargeable) • Playback - Min load**: 2 hours, 30 minutes (Alkaline); 4 hours (NiMH rechargeable) *Max load condition: four inputs connected each to a 1.6mA phantom powered load, input gains set to maximum, 32 Ohm headphones connected. **Min load condition is as follows: music playing, phantom power OFF, 32 Ohm headphones connected. |
Dimensions | 166 mm / 6.54″ x 92 mm / 3.62″ x 43 mm / 1.69″ |
Weight | 325 g / 0.72 lb (batteries excluded) |
Package includes | iRig Pro Quattro I/O iRig Pro Quattro I/O interface 1/4" thread adapter Lightning to Mini-DIN connection cable (60cm/23.62") USB-C to Mini-DIN connection cable (60cm/23.62") USB-A to Mini-DIN connection cable (60cm/23.62") 1x 2.5mm TRS male to MIDI female adapter (10cm/3.9") 4 x 1.5V AA Battery |
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