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Description
The groundbreaking multi-track MADI recorder based on the original award-winning BLACKBOX Recorder design, the BBR64-MADI can capture a full 64 channels of MADI data at standard sample rates directly to Broadcast WAV files on an external USB2 drive. Double sample rate MADI recording (up to 96kHz)... Read MoreOur Price: $4,531.00
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Description
The groundbreaking multi-track MADI recorder based on the original award-winning BLACKBOX Recorder design, the BBR64-MADI can capture a full 64 channels of MADI data at standard sample rates directly to Broadcast WAV files on an external USB2 drive. Double sample rate MADI recording (up to 96kHz) is also accommodated.
The recorder sports both coaxial and optical MADI connections for interfacing with any MADI equipped console or other equipment. Additionally, the BBR64-MADI caters for 56-channel legacy MADI and can record a further 8 channels of analogue (balanced line in) for capturing the audience reaction or general ambience.
The BBR64-MADI will lock to or generate word clock, as well as locking to the received MADI data stream. The MADI input is echoed direct to the output to ease system integration. In addition to the PFL bus providing both high-resolution metering and headphone monitoring, an additional 'mix' feature has been added to the headphone output.
All BLACKBOX Recorders are designed and built to exacting standards with rugged construction and a suite of unique multi-track audio capture features. The choice of professional users, the BBR64-MADI multi-track MADI recorder is the solution the professional audio industry chooses and trusts.
Trusted multi-track recording from touring sound to the studio. The BLACKBOX Recorder was the first professional multi-track recorder designed to solve the inherent problems of working with computer-based systems in a live environment, and it remains the most trusted. Relied upon by engineers on tour, in mission-critical broadcasting set-ups and installations all over the world, the BLACKBOX Multi-Track Recorder is the first and last word in reliable multi-tracking audio recording.
BLACKBOX Multi-Track Recorders are available in a variety of formats, both analogue and digital, to meet your requirements. They are supremely simple to use - simply connect the input and output, add power and a USB drive, then hit RECORD. Designed to meet mission-critical standards of professional use, they include fail-safe systems such as JoeCo's 'Safe 'n' Sound' recovery - your audio files will be recovered even after a sudden accidental loss of power.
The original BBR1 BLACKBOX Recorder can record or replay up to 24 channels of 24bit/96kHz audio in Broadcast WAV (BWAV) format. Meanwhile, the BBR64-MADI and BBR64-DANTE versions of the recorder can record or replay up to 64 channels at standard sample rates*, all in a compact 1U box.
All BLACKBOX Multi-Track Recorders support the replay of polyphonic wav files, from multiple stereo files up to 24- or even 64-channel PolyWAV files. Mono, stereo and multichannel files can even be used together in the same song, massively enhancing the system's flexibility.
Audio is recorded as industry-standard mono broadcast WAV files to an external USB2 drive, thereby ensuring that all data is easy to remove, carry away and use. Recorded files can be instantly imported into any Mac- or PC-based Digital Audio Workstation (DAW). The implementation of JoeCo's iXML plug-in (see Software Options) additionally enables PolyWAV files to be recorded.
For operation, core functions are all accessible via the sleek and intuitive front panel, with a menu-driven user interface, touch sensitive transport controls, a data wheel and function buttons. A full colour LCD displays all required information. Remote control is possible via the JoeCoRemote app for iPad.
Other timesaving and professional features include virtual soundcheck; disk drive formatting; the ability to create a headphone monitor mix with level and pan on every track; a keyboard interface, optional footswitch operation, a Name Manager for creating templates and modifying track or song names, plus a variety of shortcuts for speedily navigating menu options and transport controls. The recorder also offers a range of enhancements for film, TV and broadcast applications including support for 23.98fps time code, 9-pin support for edit controllers, and iXML support.
* Higher sample rate recording is accommodated at a reduced track count
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Product Specs
General Specifications | |
Sample Rates | 44.1kHz, 48kHz, 88.2kHz, 96kHz |
Bit depths | 16bit; 24bit |
Disk interface | USB2 |
Format | FAT32 |
File type | Broadcast WAV (BWAV) |
Media | USB2 hard disk (7200rpm recommended), USB2 flash drive - 200x minimum (except for MADI and DANTE systems which have more demanding data rates), SHDC (Class 10 with suitable adapter except MADI and DANTE) |
Monitoring | 1 x 1/4” TRS jack socket, headphone mix/solo |
Physical | 19” rack mounted 1U |
Dimensions | (425mm x 150mm x 44mm) |
Weight | < 2.4kg |
Control and Synchronisation | MIDI: 1 x 5-pin DIN (open loop) – MIDI time code (MTC) and MIDI machine control (MMC) protocol LTC: 1 x 1/4” TRS jack socket |
Frame rates supported | 30fps, 29.97drop fps, 29.97non-drop fps, 25fps, 24fps, 23.98fps |
Machine control | 1 x 9-pin D, SONY PII protocol |
Audio clock synchronisation | 2 x RCA sockets AES3 / SPDIF Format, also used for communications to slave units |
Footswitch | momentary switch on ring of LTC TRS socket |
Keyboard | 1 x mini DIN PS2 connector, Standard 102 key |
Power | 9v – 16V dc (< 25W). 2.1mm dc inlet. PSU supplied |
Analogue Inputs | |
Levels | -10dBu / +4dBu switchable |
Max input level | +22dBu = 0dBFS |
A-D conversion | 24bit, 96kHz, 106dB S/N, 96dB THD+N (typical A-weighted) |
Analogue Outputs | |
Levels | -10dBu / +4dBu switchable |
Max output level | +22dBu = 0dBFS |
D-A conversion | 24bit, 96kHz, 106dB S/N, 94dB THD+N (typical A-weighted) |
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