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Description
Power your project with the Quantum HD 2. The culmination of nearly 30 years of design experience, the 20 x 24 Quantum HD 2 audio interface leverages the legacy of high-end PreSonus studio products to create stunning high-fidelity performance. Features: High Performance Signal Flow – Custom... Read MoreRetail Price: $649.99 Our Price: $499.99
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Description
Power your project with the Quantum HD 2. The culmination of nearly 30 years of design experience, the 20 x 24 Quantum HD 2 audio interface leverages the legacy of high-end PreSonus studio products to create stunning high-fidelity performance.
Features:
A quantum leap in audio clarity and performance.
The culmination of three decades of PreSonus innovation, Quantum HD are the ultimate recording audio interfaces for project studios and full band recordings. Leveraging the PreSonus legacy of affordable, high-end studio products, Quantum HD interfaces deliver stunning audio clarity and high-fidelity performance.
Fueled by 30 years of design experience.
Quantum HD interfaces come in desktop or rack-mountable chassis packed with pristine MAX-HD preamps, custom low-latency drivers, and high-performance, class-leading converters with 124 dB dynamic range for studio professionals.
High-definition front panel.
Plug into instrument inputs co-developed by Fender engineers and specifically designed for guitar and bass. Set the perfect gain level on microphones and instruments with easy-to-use Auto Gain. And exercise intuitive control over features, channels, and output settings with a full-color, high-res screen and illuminated push encoder.
Fully-loaded back panel.
HD back panels feature rigorously redesigned MAX-HD mic preamps delivering transparent, low-noise, digitally-controlled analog. With +75 dB of gain range, MAX-HD preamps are ideally suited for today's most popular mics. Back-panel main- and line-outs also allow for built-in speaker switching across multiple sets of studio monitors — and with HD 8, you get up to 16 channels of ADAT Optical input (up to 48 kHz) plus stereo S/PDIF I/O.
Your route to re-amping.
Quantum HD Re-amp outputs let you send audio from your DAW to your favorite outboard gear and record it again, so you can experiment with different amps, pedals, and mic placement to get the exact, sculpted sound you want without cutting multiple takes.
Access to Studio One Pro recording software included with all Quantum interfaces.
Quantum interfaces include completely free, 6-month (Quantum ES) or 12-month (Quantum HD) memberships to Studio One Pro+, a complete music production ecosystem including access to Studio One Pro recording software, collaboration tools, sample and loop libraries, add-ons, and exclusive learning content. No credit card required. And with Quantum HD interfaces, you'll also get a Studio One Pro Perpetual License—yours to keep after your 12-month membership ends.
Already a Studio One Pro+ member? You can stack your free membership period onto your current plan when you register your Quantum ES or HD interface.
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Product Specs
Electronics | |
Connectivity | USB-C® |
Headphone Jack | One - 1/4" TRS Female Stereo |
Phantom Power | +48 VDC |
Voltage | 120V |
Power Cable | 12 VDC, 2A External Power Supply (Factory Configured, Included) |
Performance | |
Digital Audio Bit Depth | 32-bit |
Digital Audio Dynamic Range | 124 dB |
Supported Sample Rates | 44.1, 48, 88.2, 96, 176.4, 192 (kHz) |
Hardware | |
ADAT Optical IO | Toslink™ Connectors, ADAT/SMUX Formats |
SPDIF IO | RCA 75Ω Coax |
Inputs | |
Instrument Inputs Dynamic Range | 111 dB (A-Weighted, Minimum Gain) |
Instrument Inputs Frequency Response | 20 Hz to 20 kHz, +/- 0.1 dB (Unity Gain, Reference 1 kHz) |
Instrument Inputs Gain Range | 75 dB |
Instrument Inputs Maximum Level | +21 dBu (Unbalanced, Minimum Gain) |
Line Inputs Dynamic Range | 118 dB (A-Weighted, Minimum Gain) |
Line Inputs Frequency Response | 20 Hz to 20 kHz, +/- 0.1 dB (Unity Gain, Reference 1 kHz) |
Line Inputs Gain Range | +/- 10 dB |
Line Inputs Impedance | 10K Ohms |
Line Inputs Maximum Level | +18 dBu (Balanced, Minimum Gain) |
Line Inputs Total Harmonic Distortion | 0.001% (1 kHz, Minimum Gain) |
Microphone Input Connection Type | XLR Female (Combo), Balanced |
Microphone Preamp Dynamic Range | 116 dB (A-Weighted, Minimum Gain) |
Microphone Preamp Equivalent Input Noise | -130 dBu (Maximum Gain, 150 Ohms, 20 kHz BW, A-Weighted) |
Microphone Preamp Frequency Response | 20 Hz to 20 kHz, +/- 0.1 dB (Unity Gain, Reference 1 kHz) |
Microphone Preamp Gain Control Range | 75 dB |
Microphone Preamp Input Impedance | 1600 Ohms |
Microphone Preamp Maximum Input Level | +18 dBu (Balanced, Minimum Gain) |
Microphone Preamp Total Harmonic Distortion | 0.002% (1 kHz, Minimum Gain) |
Output | |
Headphone Outputs Dynamic Range | 118 dB (A-Weighted) |
Headphone Outputs Frequency Response | 20 Hz to 20 kHz, +/- 0.3 dB (Unity Gain, Reference 1 kHz) |
Headphone Outputs Impedance Working Range | 33 Ohms |
Headphone Outputs Maximum Output | 11 dBu (50 Ohms) |
Headphone Outputs Total Harmonic Distortion | 0.001% (1 kHz) |
Line Outputs Connection Type | 1/4" TRS Female |
Main And Line Outputs Dynamic Range | 123 dB (A-Weighted) |
Main And Line Outputs Frequency Response | 20 Hz to 20 kHz, +/- 0.2 dB (Unity Gain, Reference 1 kHz) |
Main And Line Outputs Maximum Level | +18 dBu (Balanced) |
Main And Line Outputs Output Impedance | 51 Ohms |
Main And Line Outputs Total Harmonic Distortion | 0.001% (1 kHz, +4 dBu) |
Main Outputs Connection Type | 1/4" TRS Female |
Measurements | |
Product Depth | 7.5" (191 mm) |
Product Height | 1.9" (48.3 mm) |
Product Width | 8.5" (216 mm) |
Accessories | |
Included Accessories | DB-9 breakout cable, 1.5M USB-C to USB-C cable |
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