Availability:Not in Stock - Reserve Yours
This item is not in stock and needs to be ordered from the manufacturer. Your payment will be charged after completing checkout. We will strive to ship as soon as possible, pending availability.
DescriptionThis is the latest development in the evolution of the classic Phoenix compressor, first introduced in 1998. After requests from mastering engineers the Master Phoenix was introduced in October 2006. This was more recall-able with indented pots and slightly different power supply and metering cir... Read More
Our Price: $6,199.00
Free Shipping (Continental US)
This is the latest development in the evolution of the classic Phoenix compressor, first introduced in 1998. After requests from mastering engineers the Master Phoenix was introduced in October 2006. This was more recall-able with indented pots and slightly different power supply and metering circuit, in which trimming the meter alters the current through the compression valve so compensating for valve ageing.
NEW SPECIAL FEATURES
The compression curve of the mastering Phoenix is slightly gentler than that of the standard one, but it does have a more "positive" effect. This earlier version has 6dB lower gain compared to the standard Phoenix.
The Master Phoenix is in use in many studios and mastering suites around the world, and we do know that one of its users, Ray Staff of AIR London Studios won the MPG award for Best Mastering Engineer in 2009.
The new Mastering Plus is a much upgraded version employing precision Elma switches for the Gain and Threshold and Alpha switches for Attack and Release. Omeg indented pots are used for the Output Level for fine control.
Side Chain Bass Cut switches, which have become an essential mastering tool have been retained. In stereo mastering, with the link switch in, there are effectively 5 frequency options as the compressor side chain will work at the average of the switch positions.
A Standby switch is introduced to prolong valve and component life and this has had an unexpected effect, see. *
Mullard and Siemens NOS valves are used exclusively for lower noise and long life stability.
The Gain is now identical to that of the standard Phoenix so that extreme compression effects are possible .
Easy adjustment of Meter Zeros, especially important in stereo mastering, is now enabled by front panel access to the trim controls, situated between the 2 meters.
*some users have found that analogue tape type distortion is created when the unit is operated with Standby on.This was unintentional but some people may find it interesting.
|Max. o/p level (MOL)||+19dB into 600 |
+24dB into 10k
|THD (at no compression)||better than 0.06 % @ 100Hz& 1kHz|
|Noise, IEC weighted||better than 100dB below MOL.|
|Frequency response||<1dB variation over range of 12Hz to 56kHz|
|Attack time||0.004s to 0.12s|
|Release time||0.04s to 2.4s|
|Note||Distortion will increase with compression, typically 0.2% & |
0.25% at 1kHz & 100Hz with 8dB compression. Attack and
release controls are somewhat interdependent, for instance
a change of attack setting may affect the release time
slightly. Therefore, no times are given on the front panel.
|VALVE COMPLEMENT (2 ea)|
|Input/Compression||PCC85 (equiv. 9AQ8)|
|Output||ECC81 (equiv. 12AT7, CV4024)|
|Side chain detector||EB91 (equiv. 6AL5, CV4025)|
148-04 95th Ave
Jamaica, NY 11435
Monday - Friday 9:30am - 5:30pm EST
© 2023 Dale Pro Audio. All Rights Reserved.
Dale Pro Audio is not responsible for technical inaccuracies, typographical errors, or incomplete or inaccurate content on this site. Prices and specifications subject to change without notice.