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Description
The LiveTrak™ L-20 is the new digital console offering everything creators need to mix, monitor, and record complex productions. With 20 discrete audio channels and six individual custom monitor mixes, it's built for bigger, bolder arrangements.
Features:
20 Inputs for Bigger Sound
The LiveTrak L-20 is designed to mix bigger. It features 20 inputs (16 mono mic/line inputs and two stereo inputs), all with independent 3-band mid-parametric EQ. The 16 mono inputs offer stand-alone compressor control.
22 Tracks of Recording
Record 20 discrete channels plus a stereo mix directly to an SD card. The LiveTrak L-20 captures pristine audio in resolutions up to 24-bit/96 kHz.* At -128 dBu EIN with +60 dB maximum input gain, the L-20 is equipped with our quietest and most advanced preamps ever. Mix down finished songs on the L-20 or transfer your discrete tracks to a DAW to perfect later.
*Effects, EQ, overdub, audio interface, and fader modes A-F are not available in 96 kHz.
Create Six Custom Monitor Mixes
With six independent monitor outputs for musicians, each output can have its own custom mix, complete with effects, that can easily be switched from a powerful headphone output, to a balanced line output for stage monitors.
And One for the House
The LiveTrak L-20 features a dedicated 7th output for the FOH engineer. The sound engineer can monitor the main mix and any of the sub mixes, thus adjusting them to the musicians' satisfaction.
Let's Break it Down
Big Beautiful Interface
Although the LiveTrak L-20 is designed to work as a stand-alone recording and mixing console, it can also be used as a 22-in/4-out USB audio interface. Audio Interface mode lets you route inputs to any DAW or streaming software, even while recording to an SD card. Additionally, audio can be routed from your computer into the L-20 to be mixed with your live performance. Class compliant mode, which enables connection with iOS devices, is supported as well.*
*Apple Lightning to USB Camera Adapter required.
Wireless Mixing
The LiveTrak L-20 offers wireless control* via a free iOS mobile app featuring most onboard functions, including Fader Levels and Modes, Scenes, EQ, EFX sends, returns, parameters, and more. You can even manage your Effects Library and Scene Library right from your device. Control it all on either large Monitor Out view with a mini transport, or a mini Monitor Out view with expanded Transport controls.
* Zoom Bluetooth adapter (ex. BTA-1) required. Communication at up to 10 meters is possible in an unobstructed indoor space with BTA-1 units.
What's In The Box:
Optional Accessories:
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Product Specs
NUMBER OF INPUT AND OUTPUT CHANNELS | |
Inputs: | Mono (MIC/LINE): 16 Stereo (LINE): 2 |
Output: | MASTER OUT: 1 MONITOR OUT: 6 PHONES : 1 |
INPUTS | |
Mono (MIC/LINE): | Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) Input gain PAD OFF: +16 – +60dB PAD ON: ? 10 – +34 dB Hi-Z ON: +6 – +50 dB Input impedance XLR: 3 k ? TRS: 10 k ? /1 M ? (when Hi-Z ON) Maximum input level PAD OFF: 0 dBu (at 0 dBFS) PAD ON: +26 dBu (at 0 dBFS) Phantom power +48 V |
Stereo (LINE): | Type: TS phone/RCA pin (unbalanced) jacks Maximum input level : +10 dBu |
OUTPUTS | |
MASTER OUT: | Type: XLR jacks (balanced) Maximum output level :+14.5 dBu Output impedance: 100 ? |
MONITOR OUT A–F (with balanced output) connected to monitor speakers: | Type: TRS phone jacks (balanced) Maximum output level: +14.5 dBu Output impedance: 100 ? |
MONITOR OUT A– F (with unbalanced output) connected to headphones: | Type: Standard stereo phone jacks Maximum output level: 42 mW + 42 mW at 60 ? Output impedance: 100 ? |
PHONES: | Type: Standard stereo phone jacks Maximum output level: 42 mW + 42 mW at 60 ? Output impedance: 100 ? |
BUSES | |
MASTER: | 1 |
MONITOR: | 6 |
SEND EFX: | 2 |
CHANNEL STRIP | |
COMP: | |
LOW CUT: | 40–600 Hz, 12dB/OCT |
EQ: | HIGH: 10 kHz, ± 15 dB, shelving MID: 100 Hz – 8 kHz, ± 15 dB, peaking LOW: 100 Hz, ± 15 dB, shelving |
PHASE: | |
LEVEL METERS | |
Level segments: | 12 |
SEND EFFECTS | |
Effects: | 20 types: EFX 1 Hall 1 Hall 2 Room 1 Plate Church DrumAmb GateRev Vocal 1 Vocal 2 Vocal 3 EFX 2 Hall 3 Room 2 Spring Delay Analog P-P Dly Vocal 4 Chorus 1 Chorus 2 |
RECORDER | |
Maximum simultaneous recording tracks: | 22 at 44.1/48/96 kHz |
Maximum simultaneous playback tracks: | 20 |
Recording format: | WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo |
Recording media: | 4GB–32GB SDHC cards (Class 10 or higher) 64GB–512GB SDXC cards (Class 10 or higher) |
AUDIO INTERFACE | |
44.1/48 kHz: | Recording: 22 channels Playback: 4 channels |
Bit depth: | 24-bit |
Interface: | USB 2.0 |
CARD READER | |
Class: | Mass storage USB 2.0 High Speed |
SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE | |
Windows: | OS? Windows® 7 SP1 or later / 8.1 / 10 (32bit/64bit) CPU: Intel® Core i3 or faster* USB: USB 3.0/USB 2.0** * Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD. ** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards. |
Mac: | OS? Mac® OS X 10.11 / 10.12 / 10.13 CPU: Intel® Core i3 or faster USB: USB 3.0/USB 2.0* * Operation is not guaranteed when used with USB hubs or expansion cards. |
iPhone/iPad: | OS? iOS 9 / 10 / 11 * Apple Lightning-to-USB Camera Adapter required. |
USB HOST | |
Class: | USB 2.0 High Speed |
Sampling frequency: | 44.1/48/96 kHz |
Frequency characteristics: | 44.1 kHz: ?1.0 dB, 20 Hz – 20 kHz 96 kHz: ?3.0 dB, 20 Hz – 40 kHz |
Equivalent input noise: | Actual measurements: ?128dB EIN (IHF-A) at +60dB/150? input |
Display: | LCD with backlight (128×64 resolution) |
Power: | AD-19 AC adapter (DC12V 2A) |
Power consumption: | 24 W maximum |
External dimensions: | 445 mm (W) × 388.4 mm (D) × 82.6 mm (H) |
Weight (main unit only): | 3.71 kg |
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