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Audix DP QUAD 4-Piece Professional Drum and Percussion Mic Package

 
  • Dale #:

    AUDX-DPQUAD
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Description

The DPQUAD pack consists of four microphones grouped together to mic a full drum kit. This arrangement employs a left overhead mic to cover hi-hat, cymbals and rack toms, and a right overhead mic to capture the floor tom and ride cymbal. Individual snare and kick mics complete the essential punch... Read More

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Description

The DPQUAD pack consists of four microphones grouped together to mic a full drum kit. This arrangement employs a left overhead mic to cover hi-hat, cymbals and rack toms, and a right overhead mic to capture the floor tom and ride cymbal. Individual snare and kick mics complete the essential punch needed for a good drum mix. All mics, clips and accessories are packed in a durable aluminum carrying case

CLOSE MIKING

The D6 for kick drum and the i5 for snare are must-haves for every drummer. The kick and snare are considered the core of any drum kit and the foundation for every groove. Close miking insures that they will be captured in the mix. If either the kick or the snare is unable to be heard, there is simply no groove. The D2 and D4 are industry standards for toms and floor toms. Being high SPL dynamic microphones, the D6, i5, D2 and D4 excel at “close miking”. This miking technique is required in order to capture the attack and percussive sound of the drum. By having the mic close to the source of the sound, it helps to isolate and control the sound of each drum.

OVERHEAD MIKING (ambient)

Supporting the idea that “less is more”, many engineers will use just two overhead mics to capture the natural sound of the complete drum kit. With two overhead mics, positioned correctly, it is absolutely true that you can capture the transients, tonality and balance of the kit in a completely phase-coherent manner. The ADX51, a pre-polarized condenser microphone with a 14mm gold sputtered diaphragm, is designed with overhead applications in mind. Due to its cardioid pickup pattern, high sensitivity and slim pencil design, the two ADX51 mics can be easily positioned overhead to provide a nice stereo image of the entire drum kit.

THE BLEND

With contemporary music and the volumes typically generated on stage, it is more practical and effective to create a blended effect of close miking and a stereo image of the entire kit from overhead. The D6 will help provide the earthshaking lows and the attack of the kick; the i5 will reinforce the depth and crack of the snare; the D2 and D4 will pick up the attack and overtones of the toms, and the ADX51 overheads will pick up the hi-hat, cymbals and the ambience of the entire kit. With the DP7, drums will maintain their sound integrity and critical presence, regardless of the size of the room and PA system.

What's In The Box:

  • Aluminum Road Case
  • 1 x i5 snare mic
  • 1 x D6 kick mic
  • 2 x ADX51 overhead mics
  • DCLIP - Heavy duty mic clip provided with D & SCX Series (3)
  • DVICE - Spring loaded rim mount clamp (1)
  • MC1 - Nylon mic clip (1)
  • WS81C - Foam windscreen for reducing wind, sibilance and pop noise (2)

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Product Specs

i5
Transducer TypeDynamic VLM Type B
Frequency Response50 Hz - 16kHz
Polar PatternCardioid
Output Impedance 150 ohms
Sensitivity1.5mV / Pa @ 1k
Maximum SPL≥140 dB
Off-Axis Rejection>23 dB
Power RequirementsNone
Housing / FinishDie Cast Zinc Alloy / Black E-Coat
Weight250g / 8.8 ounces
 
D6
Transducer TypeDynamic VLM Type E
Frequency Response30 Hz - 15 kHz
Polar PatternCardioid
Output Impedance 280 ohms
Sensitivity0.8 mV / Pa @ 80Hz
Maximum SPL≥144 dB
Off-Axis Rejection>20 dB
Power RequirementsNone
Housing / FinishMachined Aluminum / Black Hard Coat
Weight255g / 9 ounces
 
ADX51
Transducer TypeCondenser
Frequency Response40 Hz - 18 kHz
Polar PatternCardioid
Output Impedance 100 ohms
Sensitivity17 mV / Pa @ 1k
Maximum SPL≥132 dB
Off-Axis Rejection>15 dB
Power Requirements9 - 52v phantom
Housing / FinishMachined Brass / Black E-Coat
Weight150g / 5.3 ounces

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