DALE SKU # DICO-XQ225WSOP

DiGiCo Quantum 225 Digital Mixer - MADI Multi-Mode and HMA Option

Sale price$47,601.09
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    Description

    Q225 Control Surface - MADI / One Multi-Mode Optics HMA
    Connections: MADI x 4 Optics x 1, UB-MADI, DMI Port x 2
    Connectors: BNC / HMA

    Following on from Quantum 338, Quantum 225 brings the power of Quantum in a compact and robust worksurface.

    Quantum 225 incorporates all of the new design features introduced in 2020 with the Quantum 338, and of course uses three large-scale seventh generation FPGAs to continue the unrivaled Quantum legacy. The console merges tried and tested workflows with immense processing muscle, bold innovation and all of the Quantum features, giving you the ultimate tool set.

    Under The Hood
    Quantum 225 brings a 17-inch, 1000 nit, high brightness multitouch screen with both a meter bridge and soft quick select buttons for quick and intuitive operation. 41 individual TFT LCDs displaying channel information and metering, bank information, macros and more guide you immediately to the controls you need. Plus, 25 100mm touch sensitive faders in two banks of 12 plus a dedicated user-assignable master fader with high resolution metering.

    But there's more... The defining feature of the Quantum 225 is the ability to customise the left worksurface with the Mounting Bracket. Mount a laptop for creative control, or a KLANG:kontroller for immersive control. You could even mount an extra screen to show your KLANG:app, plugin computer, console overview screen, or it could even display the channel screen for your left bank of faders, transforming your Quantum 225 into a dual screen console at an unbelievable price point!

    With a maximum of 72 input channels with 36 busses and a 12 x 12 matrix, all with full channel processing, Quantum 225 brings Quantum to a wider user base. Also included as standard are Mustard Processing channel strips, Spice Rack plugin style native FPGA processing options, Nodal Processing and True Solo.

    I/O
    Despite being a smaller format console, there hasn't been any sacrifice when it comes to connectivity.

    • Local I/O: Quantum 225's local I/O includes 8 analogue inputs, 8 analogue outputs and 2 AES I/O (4 channels)
    • MADI: Quantum 225 offers 2 redundant MADI in/out at 48kHz, which can also be configured as 4 MADI I/O. At 96kHz this acts as 2 MADI I/O with full channel counts.
    • Optocore: The Quantum 225 offers the option to add a single or dual loops of Optocore. On each loop, which is 504 channels of audio; there can be up to 14 DiGiCo racks, or a combination of racks and tie-lines around the loop. With dual Optocore loops, that's 1,008 Optocore channels of audio and 28 racks running.
    • UBMADI: In addition, the engine has a 48-channel UBMADI, so you can connect any laptop via USB and get 48 channels of recording and playback.
    • DMI: Quantum 225 incorporates two dedicated DMI slots to accommodate the growing family of DiGiCo DMI card options. Allowing the console connectivity to be configured for the demand of the tour or event, you could plug in a Dante module, or the latest automatic mic mixing module. Each dedicated DMI slot provides you with an additional 64 x 64 I/O.
    • Waves: There is also an option to add Waves connectivity if you want to utilise SoundGrid processing, giving you a 64 x 64 additional I/O.
    General Specifications
    Faders 25 x 100mm touch-sensitive, motorised
    Screens 1 x 17Ó LCD high Ð brightness, high Ð resolution touch screen
    Input Channels 72
    Busses Up to 36 Aux / Group busses with full processing Mono / Stereo / LCR plus a Master
    Matrix Up to 12 Input / 12 Outputs with full processing
    Control Groups Up to 12, selectable for VCA-style, Moving fader, Mute Group
    Graphic Eq 16 x 32-band, Gain +/- 12dB
    Internal FX Up to 12 stereo effects comprising floating point reverbs and delay/chorus/pitch/enhancer
    Spice Rack 6 mono / 3 stereo Rack Slots
    Mustard Proc 24 Processing Strips
    Nodal Proc 32 Nodal Processors
    Local I/O 8 x mic/line I/O, 2 x AES I/O (4 channels)
    MADI interface 4 x interfaces @ 48kHz, 2 interfaces @ 96kHz, BNC connectivity
    Optocore Interface Optional (dual loop available)
    Sampling rates 48kHz / 96kHz
    GPI/GPO 2
    DMI 2 x DiGiCo Multichannel Interface
    Waves Optional
    Ext Sync Wordclock, MADI, Optocore
    Quantum 2 Dimensions 1124mm (w) x 801mm (d) x 436mm (h)
    Quantum 2 Weight 43Kg / 95lbs (138Kg / 304 lbs. with flightcase)
    Quantum 2 Flightcase 1260mm (w) x 601mm (d) x 1141mm (h)
    Power Requirements 100V-240V, 50-60Hz, 255VA
    Audio Specification
    Sample Rate 48kHz or 96kHz
    Processing Delay TBC
    Internal Processing Up to 40-bit, Floating Point
    A>D / D>A 24-bit Converter Bit Depth
    Frequency Response TBC
    THD TBC
    Channel Separation TBC
    Residual Output Noise TBC
    Microphone Input TBC
    Maximum Output Level TBC
    Maximum Input Level TBC
    Processing Channel Specification
    Input Channel
    Name User-Defined / Presets
    Channel Selection Mono / Stereo / Multi
    Input Routing Main / Alternate Input
    Analogue Gain -20 to +60dB
    Phase Normal / Reverse
    Digital Trim -40 to +40dB
    Delay Up to 1.3s
    DiGiTuBe Drive 0.01 Ð 50.0
    Bias 0 Ð 6
    LPF 20 Ð 20kHz, 24dB/Oct
    HPF 20 Ð 20kHz, 24dB/Oct
    Insert A (Pre EQ/Dyn) On/Off
    Equalisation 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 Ð 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 Ð 0dB
    Attack; 500us Ð 100ms
    Release; 10ms Ð 10s
    Ratio; 1:1 Ð 50:1
    Dynamics 1 Single or Multiband (3-Band)Compressor:
    On/Off
    Threshold; -60 Ð 0dB
    Attack; 500us Ð 100ms
    Release; 10ms Ð 10s
    Ratio; 1:1 Ð 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz Ð 20kHz
    Lo Crossover; 20Hz Ð 20kHz
    Knee : Hard, Med, SoftDe-Esser:
    Threshold : 20us Ð 20ms
    Release : 1ms Ð 100ms
    Ratio : 1:1 Ð 50:1
    Ess-Band : Listen On/Off
    Ess-Band Filter Freq / Width: 20Hz Ð 20kHz
    Dynamics 2 On/OffGate / Ducker:
    Threshold; -60 Ð 0dB
    Attack; 50us Ð 100ms
    Hold; 2ms Ð 2s
    Release; 5ms Ð 5s
    Range; 0 Ð 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 Ð 20kHzCompressor:
    On/Off
    Threshold; -60 Ð 0dB
    Attack; 500us Ð 100ms
    Release; 10ms Ð 10s
    Ratio; 1:1 Ð 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz Ð 20kHz
    Lo Crossover; 20Hz Ð 20kHz
    S/C Source : Any Source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz Ð 20kHz
    Insert B (Post EQ/Dyn) On/Off
    EQ/Dyn order: EQ/Dyn or Dyn/EQ
    Mute: Channel Mute / Hard Mute
    Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
    Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
    Full Safe
    Output Routing: Buss, Insert A, Insert B, FX
    Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
    Fader: 100mm Motorised Fader ° to +10dB
    Processing Channel Specification Aux / Group / Matrix Output
    Name User-Defined / Presets
    Phase Normal / Reverse
    Digital Trim -20 to +60dB
    Delay Up to 1.3 sec
    DiGiTuBe Drive 0.01 Ð 50.0
    Bias 0 Ð 6
    LPF 20 Ð 20kHz, 24dB / Oct
    HPF 20 Ð 20kHz, 24dB / Oct
    Insert A (Pre EQ/Dyn) On/Off
    Equalisation 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 Ð 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 Ð 0dB
    Attack; 500us Ð 100ms
    Release; 10ms Ð 10s
    Ratio; 1:1 Ð 50:1
    Dynamics 1 Single or Multiband (3-band)Compressor:
    On/Off
    Threshold; -60 Ð 0dB
    Attack; 500us Ð 100ms
    Release; 10ms Ð 10s
    Ratio; 1:1 Ð 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz Ð 20kHz
    Lo Crossover; 20Hz Ð 20kHz
    Knee : Hard, Med, SoftDe-Esser:
    Threshold: 20us Ð 20ms
    Release: 1ms Ð 100ms
    Ratio: 1:1 Ð 50:1
    Ess-Band: Listen On/Off
    Ess-Band Filter Freq/Width: 20Hz Ð 20kHz
    Dynamics 2 On/OffGate / Ducker:
    Threshold; -60 Ð 0dB
    Attack; 50us Ð 100ms
    Hold; 2ms Ð 2s
    Release; 5ms Ð 5s
    Range; 0 Ð 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 Ð 20kHzCompressor:
    On/Off
    Threshold; -60 Ð 0dB
    Attack; 500us Ð 100ms
    Release; 10ms Ð 10s
    Ratio; 1:1 Ð 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz Ð 20kHz
    Lo Crossover; 20Hz Ð 20kHz
    S/C Source : Any source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz Ð 20kHz
    Insert B (Post EQ/Dyn) On/Off
    EQ/Dyn Order EQ/Dyn or Dyn/EQ
    Mute Channel Mute / Hard Mute
    Solo Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
    Channel Safe Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
    Output Routing Outputs, Insert A, Insert B, FX
    Fader 100mm Motorised Fader ° to +10dB
    Mustard Processing
    Preamplifier Tubes Variable Drive
    Odd / Even / Overdrive / Distortion / Crunch / Hi Distortion Presets
    Variable Output Gain
    Preamplifier Amp Variable Drive
    Odd/Even 1st stage harmonics
    Bias / Saturate control
    Off/Odd/Even 2nd stage harm
    Variable HF Boost
    Variable Output Gain
    Equalisation 4 band EQ: Parametric (lowshelf / bell, lower-mid bell / all-pass, upper-mid bell / all-pass, hishelf / bell)
    HPF / LPF 4th order filters
    Dynamics 1 Classic VCA Compressor / Vintage VCA Compressor / Optical Compressor / FET Limiter
    Dynamics 2 Gate / Ducker

    Q225 Control Surface - MADI / One Multi-Mode Optics HMA
    Connections: MADI x 4 Optics x 1, UB-MADI, DMI Port x 2
    Connectors: BNC / HMA

    Following on from Quantum 338, Quantum 225 brings the power of Quantum in a compact and robust worksurface.

    Quantum 225 incorporates all of the new design features introduced in 2020 with the Quantum 338, and of course uses three large-scale seventh generation FPGAs to continue the unrivaled Quantum legacy. The console merges tried and tested workflows with immense processing muscle, bold innovation and all of the Quantum features, giving you the ultimate tool set.

    Under The Hood
    Quantum 225 brings a 17-inch, 1000 nit, high brightness multitouch screen with both a meter bridge and soft quick select buttons for quick and intuitive operation. 41 individual TFT LCDs displaying channel information and metering, bank information, macros and more guide you immediately to the controls you need. Plus, 25 100mm touch sensitive faders in two banks of 12 plus a dedicated user-assignable master fader with high resolution metering.

    But there's more... The defining feature of the Quantum 225 is the ability to customise the left worksurface with the Mounting Bracket. Mount a laptop for creative control, or a KLANG:kontroller for immersive control. You could even mount an extra screen to show your KLANG:app, plugin computer, console overview screen, or it could even display the channel screen for your left bank of faders, transforming your Quantum 225 into a dual screen console at an unbelievable price point!

    With a maximum of 72 input channels with 36 busses and a 12 x 12 matrix, all with full channel processing, Quantum 225 brings Quantum to a wider user base. Also included as standard are Mustard Processing channel strips, Spice Rack plugin style native FPGA processing options, Nodal Processing and True Solo.

    I/O
    Despite being a smaller format console, there hasn't been any sacrifice when it comes to connectivity.

    • Local I/O: Quantum 225's local I/O includes 8 analogue inputs, 8 analogue outputs and 2 AES I/O (4 channels)
    • MADI: Quantum 225 offers 2 redundant MADI in/out at 48kHz, which can also be configured as 4 MADI I/O. At 96kHz this acts as 2 MADI I/O with full channel counts.
    • Optocore: The Quantum 225 offers the option to add a single or dual loops of Optocore. On each loop, which is 504 channels of audio; there can be up to 14 DiGiCo racks, or a combination of racks and tie-lines around the loop. With dual Optocore loops, that's 1,008 Optocore channels of audio and 28 racks running.
    • UBMADI: In addition, the engine has a 48-channel UBMADI, so you can connect any laptop via USB and get 48 channels of recording and playback.
    • DMI: Quantum 225 incorporates two dedicated DMI slots to accommodate the growing family of DiGiCo DMI card options. Allowing the console connectivity to be configured for the demand of the tour or event, you could plug in a Dante module, or the latest automatic mic mixing module. Each dedicated DMI slot provides you with an additional 64 x 64 I/O.
    • Waves: There is also an option to add Waves connectivity if you want to utilise SoundGrid processing, giving you a 64 x 64 additional I/O.
    General Specifications
    Faders 25 x 100mm touch-sensitive, motorised
    Screens 1 x 17Ó LCD high Ð brightness, high Ð resolution touch screen
    Input Channels 72
    Busses Up to 36 Aux / Group busses with full processing Mono / Stereo / LCR plus a Master
    Matrix Up to 12 Input / 12 Outputs with full processing
    Control Groups Up to 12, selectable for VCA-style, Moving fader, Mute Group
    Graphic Eq 16 x 32-band, Gain +/- 12dB
    Internal FX Up to 12 stereo effects comprising floating point reverbs and delay/chorus/pitch/enhancer
    Spice Rack 6 mono / 3 stereo Rack Slots
    Mustard Proc 24 Processing Strips
    Nodal Proc 32 Nodal Processors
    Local I/O 8 x mic/line I/O, 2 x AES I/O (4 channels)
    MADI interface 4 x interfaces @ 48kHz, 2 interfaces @ 96kHz, BNC connectivity
    Optocore Interface Optional (dual loop available)
    Sampling rates 48kHz / 96kHz
    GPI/GPO 2
    DMI 2 x DiGiCo Multichannel Interface
    Waves Optional
    Ext Sync Wordclock, MADI, Optocore
    Quantum 2 Dimensions 1124mm (w) x 801mm (d) x 436mm (h)
    Quantum 2 Weight 43Kg / 95lbs (138Kg / 304 lbs. with flightcase)
    Quantum 2 Flightcase 1260mm (w) x 601mm (d) x 1141mm (h)
    Power Requirements 100V-240V, 50-60Hz, 255VA
    Audio Specification
    Sample Rate 48kHz or 96kHz
    Processing Delay TBC
    Internal Processing Up to 40-bit, Floating Point
    A>D / D>A 24-bit Converter Bit Depth
    Frequency Response TBC
    THD TBC
    Channel Separation TBC
    Residual Output Noise TBC
    Microphone Input TBC
    Maximum Output Level TBC
    Maximum Input Level TBC
    Processing Channel Specification
    Input Channel
    Name User-Defined / Presets
    Channel Selection Mono / Stereo / Multi
    Input Routing Main / Alternate Input
    Analogue Gain -20 to +60dB
    Phase Normal / Reverse
    Digital Trim -40 to +40dB
    Delay Up to 1.3s
    DiGiTuBe Drive 0.01 Ð 50.0
    Bias 0 Ð 6
    LPF 20 Ð 20kHz, 24dB/Oct
    HPF 20 Ð 20kHz, 24dB/Oct
    Insert A (Pre EQ/Dyn) On/Off
    Equalisation 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 Ð 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 Ð 0dB
    Attack; 500us Ð 100ms
    Release; 10ms Ð 10s
    Ratio; 1:1 Ð 50:1
    Dynamics 1 Single or Multiband (3-Band)Compressor:
    On/Off
    Threshold; -60 Ð 0dB
    Attack; 500us Ð 100ms
    Release; 10ms Ð 10s
    Ratio; 1:1 Ð 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz Ð 20kHz
    Lo Crossover; 20Hz Ð 20kHz
    Knee : Hard, Med, SoftDe-Esser:
    Threshold : 20us Ð 20ms
    Release : 1ms Ð 100ms
    Ratio : 1:1 Ð 50:1
    Ess-Band : Listen On/Off
    Ess-Band Filter Freq / Width: 20Hz Ð 20kHz
    Dynamics 2 On/OffGate / Ducker:
    Threshold; -60 Ð 0dB
    Attack; 50us Ð 100ms
    Hold; 2ms Ð 2s
    Release; 5ms Ð 5s
    Range; 0 Ð 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 Ð 20kHzCompressor:
    On/Off
    Threshold; -60 Ð 0dB
    Attack; 500us Ð 100ms
    Release; 10ms Ð 10s
    Ratio; 1:1 Ð 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz Ð 20kHz
    Lo Crossover; 20Hz Ð 20kHz
    S/C Source : Any Source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz Ð 20kHz
    Insert B (Post EQ/Dyn) On/Off
    EQ/Dyn order: EQ/Dyn or Dyn/EQ
    Mute: Channel Mute / Hard Mute
    Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
    Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
    Full Safe
    Output Routing: Buss, Insert A, Insert B, FX
    Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
    Fader: 100mm Motorised Fader ° to +10dB
    Processing Channel Specification Aux / Group / Matrix Output
    Name User-Defined / Presets
    Phase Normal / Reverse
    Digital Trim -20 to +60dB
    Delay Up to 1.3 sec
    DiGiTuBe Drive 0.01 Ð 50.0
    Bias 0 Ð 6
    LPF 20 Ð 20kHz, 24dB / Oct
    HPF 20 Ð 20kHz, 24dB / Oct
    Insert A (Pre EQ/Dyn) On/Off
    Equalisation 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 Ð 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 Ð 0dB
    Attack; 500us Ð 100ms
    Release; 10ms Ð 10s
    Ratio; 1:1 Ð 50:1
    Dynamics 1 Single or Multiband (3-band)Compressor:
    On/Off
    Threshold; -60 Ð 0dB
    Attack; 500us Ð 100ms
    Release; 10ms Ð 10s
    Ratio; 1:1 Ð 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz Ð 20kHz
    Lo Crossover; 20Hz Ð 20kHz
    Knee : Hard, Med, SoftDe-Esser:
    Threshold: 20us Ð 20ms
    Release: 1ms Ð 100ms
    Ratio: 1:1 Ð 50:1
    Ess-Band: Listen On/Off
    Ess-Band Filter Freq/Width: 20Hz Ð 20kHz
    Dynamics 2 On/OffGate / Ducker:
    Threshold; -60 Ð 0dB
    Attack; 50us Ð 100ms
    Hold; 2ms Ð 2s
    Release; 5ms Ð 5s
    Range; 0 Ð 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 Ð 20kHzCompressor:
    On/Off
    Threshold; -60 Ð 0dB
    Attack; 500us Ð 100ms
    Release; 10ms Ð 10s
    Ratio; 1:1 Ð 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz Ð 20kHz
    Lo Crossover; 20Hz Ð 20kHz
    S/C Source : Any source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz Ð 20kHz
    Insert B (Post EQ/Dyn) On/Off
    EQ/Dyn Order EQ/Dyn or Dyn/EQ
    Mute Channel Mute / Hard Mute
    Solo Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
    Channel Safe Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
    Output Routing Outputs, Insert A, Insert B, FX
    Fader 100mm Motorised Fader ° to +10dB
    Mustard Processing
    Preamplifier Tubes Variable Drive
    Odd / Even / Overdrive / Distortion / Crunch / Hi Distortion Presets
    Variable Output Gain
    Preamplifier Amp Variable Drive
    Odd/Even 1st stage harmonics
    Bias / Saturate control
    Off/Odd/Even 2nd stage harm
    Variable HF Boost
    Variable Output Gain
    Equalisation 4 band EQ: Parametric (lowshelf / bell, lower-mid bell / all-pass, upper-mid bell / all-pass, hishelf / bell)
    HPF / LPF 4th order filters
    Dynamics 1 Classic VCA Compressor / Vintage VCA Compressor / Optical Compressor / FET Limiter
    Dynamics 2 Gate / Ducker

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    We are your source for all your pro audio needs, delivered by experts. Call us today.

    Learn more about Dale