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Quantum7 Control Surface - MADI and One Multi-Mode Optic Loop ST
Package Includes: one SD ST Rack (56 Mic In x 40 Out x 16 AES-O)
Ultimate Stadius' 32-Bit Mic Pre Amp and 32-Bit Output Package
Includes: Dual redundant engines
Connection: MADI x 8, Optics x 1, Internal Waves Card, UB-MADI, DMI Port x 2
Connectors: BNC, ST
Quantum 7: Own The Room.
The fastest, smartest console ever created, Quantum 7 delivers the functionality, audio performance and sheer scale required to deliver the largest productions now and in the future. With Quantum 7, you have the power to tackle any challenge and truly own the room.
Built to exceed the ambitions of tomorrow’s touring productions, Quantum 7 breaks the barrier of seventh generation FPGA technology to deliver a dramatic leap forward in power and connectivity. All of this can be added to your existing SD7 surface, ensuring rental partners benefit from an even longer return on investment.
The result is a revolution of possibilities that towers above every other mixing platform available today.
Quantum – The Power of Three
Where once it was impossible to efficiently build an engine with more than one FPGA, now Quantum 7 brings you the extraordinary might of three large-scale FPGAs working in unison.
Inside the Quantum engine, up to 2,000 channels can be transported across 688 processing paths at 96kHz. New GTX ports run at 6.6GHz while simple two wire connections ensure the fastest possible data speeds to reach a new pinnacle in mixing capability. Fully scalable and designed to communicate seamlessly with the next generation of FPGAs, the Quantum engine is a uniquely formidable platform for an ambitious industry.
Under The Hood
Quantum 7 places the world’s most flexible and feature-rich mixing experience at your fingertips. Standard channel processing across both inputs and outputs includes Channel Delay, DiGiTuBe, Single and Multi-Channel Presets, Dual insert points, Hi- and Lo-pass filters at 24dB/octave, four-band parametric EQ (eight on outputs) with band curve selection and Dynamic EQ on each band, DiGiCo’s DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).
All of this is before the arrival of Mustard Processing, a fully integrated suite of additional processing that can be assigned to any strip to boost your mix with a range of modelled preamps, vintage dynamics units and EQ sections, all only a touch away.
The master section incorporates 48 gangable 48 band graphic EQs, 48 stereo effects, and 36 control groups (VCAs); using snapshots, you can now switch between complete configurations in any live environment more quickly and easily than ever before, be it during rehearsals, set-up or even mid-show.
In addition, 128 busses are assignable as mono/stereo groups or auxiliaries, while a 48×48 output matrix, dual solo busses with True Solo, and a LR/LCR/5.1 Master buss is available for even deeper configurability.
Last but not least, with the inclusion of patented Nodal Processing, engineers now enjoy more creativity than was previously possible – for the first time, processing can be applied to any node on the auxiliary section of the console, allowing engineers to send unique processing on each send from single or multiple channels.
SD7 Quantum Features
I/O
The Quantum 7 is renowned for its heavyweight I/O, and with good reason.
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Product Specs
General Specifications | |
Faders | 38 x 100mm touch-sensitive, motorised + 14 x 60mm touch sensitive, motorised |
Screens | 3 x 15” LCD high – resolution touch screens |
Meterbridge | 3 x Custom Mounted LCD high-resolution TFT-LCD screens |
Redundancy | Internal removable engine x 2 Internal hot-swappable PSU x 2 |
Processing Channels | Up to 432 (combination of Input Channels / Aux / Solo Group Busses) |
Busses | Up to 128 Aux / Group busses with full processing Mono / Stereo / LCR / 5.1 |
Matrix | Up to 48 Input / 48 Outputs with full processing |
Control Groups | Up to 36, selectable for VCA-style, Moving fader, Mute Group |
Graphic Eq | 48 x 32-band, Gain +/- 12dB |
Internal FX | Up to 48 stereo effects comprising 16 floating point reverbs and 32 delay/chorus/pitch/enhancer |
Local I/O | 12 x mic/line I/O, 12 x AES I/O 8 x MADI interfaces @ 48kHz, 4 redundant interfaces @ 96kHz, BNC connectivity Standard Optocore (Dual Loop – Optional) |
Sampling rates | 48kHz / 96kHz |
GPIO | 2 x DSub37 – 16 as standard, expandable to 32 |
Video | Inputs x 2, Outputs x 2 |
DMI | 2 x DiGiCo Multichannel Interface |
Waves | Fitted as Standard |
Ext Sync | Wordclock, AES, Video, MADI, Optocore |
SD7 Quantum Dimensions | 1496mm (w) x 875mm (d) x 503mm (h) |
SD7 Quantum Weight | 141Kg / 311lbs (245Kg / 540 lbs. with flightcase) |
SD7 Quantum Flightcase | 1600mm (w) x 600mm (d) x 1240mm (h) |
Power Requirements | 90V-260V, 50-60Hz, 600VA |
Audio Specification | |
Sample Rate | 48kHz or 96kHz |
Processing Delay | 2ms Typical @ 48k (253 Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @96k |
Internal Processing | Up to 40-bit, Floating Point |
A>D & D>A | 24-bit Converter Bit Depth |
Frequency Response | +/- 0.6dB (20Hz – 20kHz) |
THD | <0.05% @ Unity Gain,: 10dB Input @ 1kHz |
Channel Separation | Better Than 90dB: (40Hz – 15kHz) |
Residual Output | <90dBu Typical |
Noise | (20Hz – 20kHz) Microphone Input: Better Than -126dB: Equivalent Noise |
Maximum Output Level | +22dBu |
Maximum Input Level | +22dBu |
Processing Channel Specification | |
Input Channel | |
Name | User-Defined / Presets |
Channel Selection | Mono / Stereo / Multi |
Input Routing | Main & Alternate Input |
Analogue Gain | -20 to +60dB |
Phase | Normal / Reverse |
Digital Trim | -40 to +40dB |
Delay | >1 Sec (Coarse & Fine Control) |
DiGiTuBe | Drive 0.01 – 50.0 Bias 0 – 6 |
LPF | 20 – 20kHz, 24dB/Oct |
HPF | 20 – 20kHz, 24dB/Oct |
Insert A | (Pre EQ/Dyn) On/Off |
Equalisation | 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/ Hi Shelf, Hi/Hishelf) On/Off Freq; 20 – 20kHz Gain; +/- 18dB Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf) Dynamic EQ On/Off Over/Under Band On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 10ms – 10s Ratio; 1:1 – 50:1 |
Dynamics 1 | Single or Multiband (3-Band) Compressor: On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 10ms – 10s Ratio; 1:1 – 50:1 Gain; 0 to +40dB with Autogain Option Link; Any Channel/Buss Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz Knee : Hard, Med, Soft De-Esser: Threshold : 20us – 20ms Release : 1ms – 100ms Ratio : 1:1 – 50:1 Ess-Band : Listen On/Off Ess-Band Filter Freq / Width: 20Hz – 20kHz |
Dynamics 2 | On/Off Gate / Ducker: Threshold; -60 – 0dB Attack; 50us – 100ms Hold; 2ms – 2s Release; 5ms – 5s Range; 0 – 90dB Key; Any Source Key Listen Freq/Width; 20 – 20kHz Compressor: On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 10ms – 10s Ratio; 1:1 – 50:1 Gain; 0 to +40dB with Autogain Option Link; Any Channel / Buss Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz S/C Source : Any Source S/C Listen : On/Off S/C Filter Freq/Width: 20Hz – 20kHz |
Insert B | (Post EQ/Dyn) On/Off |
EQ/Dyn order | EQ/Dyn or Dyn/EQ |
Mute | Channel Mute / Hard Mute |
Solo | Solo Buss 1 / Solo Buss 2 / Both, Auto Solo |
Channel Safe | Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs, Full Safe |
Output Routing | Buss, Insert A, Insert B, FX |
Direct | On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB |
Fader | 100mm Motorised Fader ∞ to +10dB |
Processing Channel Specification | |
Aux / Group / Matrix Output | |
Name | User-Defined / Presets |
Phase | Normal / Reverse |
Digital Trim | -20 to +60dB |
Delay | >1 Sec (Coarse & Fine control) |
DiGiTuBe | Drive 0.01 – 50.0 Bias 0 – 6 |
LPF | 20 – 20kHz, 24dB / Oct |
HPF | 20 – 20kHz, 24dB / Oct |
Insert A | (Pre EQ/Dyn) On/Off |
Equalisation | 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf) On/Off Freq; 20 – 20kHz Gain; +/- 18dB Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf) Dynamic EQ On/Off Over/Under Band On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 10ms – 10s Ratio; 1:1 – 50:1 |
Dynamics 1 | Single or Multiband (3-band) Compressor: On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 10ms – 10s Ratio; 1:1 – 50:1 Gain; 0 to +40dB with Autogain Option Link; Any Channel / Buss Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz Knee : Hard, Med, Soft De-Esser: Threshold: 20us – 20ms Release: 1ms – 100ms Ratio: 1:1 – 50:1 Ess-Band: Listen On/Off Ess-Band Filter Freq/Width: 20Hz – 20kHz |
Dynamics 2 | On/Off Gate / Ducker: Threshold; -60 – 0dB Attack; 50us – 100ms Hold; 2ms – 2s Release; 5ms – 5s Range; 0 – 90dB Key; Any Source Key Listen Freq/Width; 20 – 20kHz Compressor: On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 10ms – 10s Ratio; 1:1 – 50:1 Gain; 0 to +40dB with Autogain Option Link; Any Channel/Buss Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz S/C Source : Any source S/C Listen : On/Off S/C Filter Freq/Width: 20Hz – 20kHz |
Insert B | (Post EQ/Dyn) On/Off |
EQ/Dyn Order | EQ/Dyn or Dyn/EQ |
Mute | Channel Mute / Hard Mute |
Solo | Solo Buss 1 / Solo Buss 2 / Both, Auto Solo |
Channel Safe | Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe |
Output Routing | Outputs, Insert A, Insert B, FX |
Fader | 100mm Motorised Fader ∞ to + 10dB |
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