Description
A linear contact microphone for instruments with an acoustic sound box
The Ehrlund Acoustic Pickup (EAP) is a linear contact microphone for instruments with an acoustic sound box such as the guitar, violin and double bass.
A linear microphone means the pickup reproduces a flat frequency response. The EAP Pickup captures the vibrations in the acoustic instrument, which enables the microphone to deliver very good separation even in normally "impossible" environments where the other musicians are generating high sound levels on their respective instruments.
Every instrument is unique and finding the right location for the best sound is a matter of trial and error. The EAP Pickup is easy to move around between different instruments.It is simple to attach to the sound box with adhesive putty. You can even mount the pickup on the inside of the instrument through the sound hole.
The Ehrlund Preamp has extremely low self-noise and low power consumption. It is optimized for use together with the EAP Pickup. It has the power to drive most accessories arising, such as foot pedals, effects pedals and Di-boxes with transformers.
Powered from a mixer or other equipment.
The preamp is powered by 48 V from mixer or amplifier. This gives even better signal-to-noise ratio and higher output signal compared to the battery powered model. The Ehrlund Preamp has extremely low self-noise and low power consumption. It is optimized for use together with the EAP Pickup. It has the power to drive most accessories arising, such as foot pedals, effects pedals and Di-boxes with transformers. The preamp comes with belt clips for easy attachment to the waistband.The preamp has adjustable volume control, high/low-level switch and phase switch to avoid acoustic feedback during live performances.
VOLUME | Yes |
INPUT | 6.3 mm jack plug |
OUTPUT | XLR 3-Pin |
PHASE | The phase changing shift stops the soundboard of the instrument from resonating and therefore prevents feedback. I.e. when using monitors the phase shift possibilities avoid that the monitor speakers counteract to the vibrations of the instrument. The immediate effect is that the sound will be better. |
HIGH/LOW | High and low input adjustment. |
POWERED | Phantom 48V |
A linear contact microphone for instruments with an acoustic sound box
The Ehrlund Acoustic Pickup (EAP) is a linear contact microphone for instruments with an acoustic sound box such as the guitar, violin and double bass.
A linear microphone means the pickup reproduces a flat frequency response. The EAP Pickup captures the vibrations in the acoustic instrument, which enables the microphone to deliver very good separation even in normally "impossible" environments where the other musicians are generating high sound levels on their respective instruments.
Every instrument is unique and finding the right location for the best sound is a matter of trial and error. The EAP Pickup is easy to move around between different instruments.It is simple to attach to the sound box with adhesive putty. You can even mount the pickup on the inside of the instrument through the sound hole.
The Ehrlund Preamp has extremely low self-noise and low power consumption. It is optimized for use together with the EAP Pickup. It has the power to drive most accessories arising, such as foot pedals, effects pedals and Di-boxes with transformers.
Powered from a mixer or other equipment.
The preamp is powered by 48 V from mixer or amplifier. This gives even better signal-to-noise ratio and higher output signal compared to the battery powered model. The Ehrlund Preamp has extremely low self-noise and low power consumption. It is optimized for use together with the EAP Pickup. It has the power to drive most accessories arising, such as foot pedals, effects pedals and Di-boxes with transformers. The preamp comes with belt clips for easy attachment to the waistband.The preamp has adjustable volume control, high/low-level switch and phase switch to avoid acoustic feedback during live performances.
VOLUME | Yes |
INPUT | 6.3 mm jack plug |
OUTPUT | XLR 3-Pin |
PHASE | The phase changing shift stops the soundboard of the instrument from resonating and therefore prevents feedback. I.e. when using monitors the phase shift possibilities avoid that the monitor speakers counteract to the vibrations of the instrument. The immediate effect is that the sound will be better. |
HIGH/LOW | High and low input adjustment. |
POWERED | Phantom 48V |
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