
Description
The Linear Acoustic LA-5300 Broadcast Audio Processor provides everything broadcasters need to be ready for NEXTGEN TV/ATSC 3.0 audio along with the flexibility to support legacy ATSC 1.0* in a single, compact, integrated package, including loudness control, upmixing, encoding, transcoding, audience measurement watermarking, bitstream analysis for up to four simultaneous real-time program streams, and a confidence monitor output.
Features:
- Dolby® AC-4 encoding from PCM
- Transcoding from Dolby Digital and Dolby Digital Plus to AC-4
- AC-4 decoding for watermarking and bitstream analysis and monitoring
- Linear Acoustic UPMAX® ISC Upmixing
- Optional Verance or Nielsen watermarking
- Dolby Real-Time Loudness Leveler when encoding to AC-4
- Dual 3Gb/s HD/SD-SDI, 5 pairs of AES-3 I/O, and AES67 I/O in support of SMPTE ST 2110-30 and -31 workflows
- Optional Quad-Link 3Gb/s SDI I/O for supporting 4K workflows or MADI I/O (mutually exclusive)
- Dual 1000BaseT Ethernet connections (AES67 and control)
- SNMP alarm and status reporting
- Web-based user interface provides comprehensive setup, configuration, routing, control, and metering
A Complete ATSC 3.0/NEXTGEN TV Audio Solution
The roll-out of ATSC 3.0 - better known to consumers as NEXTGEN TV - brings with it a unique set of requirements, challenges, and opportunities for television broadcasters. The Linear Acoustic LA-5300 provides a single solution for loudness control, upmixing, decoding AC-4 for audience measurement watermark insertion, bitstream analysis, and monitoring, transcoding of Dolby Digital and Dolby Digital Plus to AC-4, and Dolby AC-4 encoding. The ability to handle up to 4 programs means one LA-5300 can provide unique encoded streams for the main program audio, SAP, and video descriptive services—all in a single 1RU solution. A decode and monitor-only version is also available which omits upmixing, watermarking, and AC-4 encoding.
I/O for Any Facility
The LA-5300 comes standard with 5 pairs of AES-3 I/O, dual 3G SDI I/O, and AES67 I/O to support SMPTE ST 2110-30 and -31 workflows. Options include Quad-Link 3G SDI for facilities utilizing 4K workflows, or MADI I/O. Two Gigabit Ethernet ports are provided, one for AES67, and one for remote control via the web-based GUI.
Ready for Today, Ready for Tomorrow
The LA-5300 meets the immediate requirements for NEXTGEN TV/ATSC 3.0 audio right out of the box, with channel-based AC-4 encoding, loudness control, and upmixing for multiple programs. As ATSC 3.0 adoption grows, support for its additional features and benefits such as immersive and object-based audio, interactive consumer control, personalized audio, and multiple presentations within a single stream will be incorporated into the LA-5300 via software updates.
Processing | Processing for up to four independent program streams Dolby Real-Time Loudness Leveler (RTLL) when encoding AC-4 Linear Acoustic UPMAX ISC stereo to 5.1-channel upmixing Optional Nielsen and Verance audience measurement watermarking |
Decoding | Decodes Dolby AC-4 at the input for watermarking and monitoring, with pass through ability |
Transcoding | Transcodes Dolby Digital and Dolby Digital Plus to Dolby AC-4 |
Encoding | Encodes to Dolby AC-4 |
Watermarking | Optional Nielsen and Verance audience measurement watermarking |
Bitstream Analysis and Monitoring | AC-4 decoding for simultaneous bitstream analysis of all streams plus confidence monitoring output for one stream at a time |
HD/SD-SDI I/O | Two independent auto-sensing 3Gb/s HD/SD-SDI inputs (SMPTE ST 425-1, 292M, and 259M), up to 1080i/60/59.94/50Hz, each with de-embedding/re-embedding for up to 8 audio pairs Optional quad-link 3Gb/s SDI for 4k workflows (mutually exclusive option with MADI option) |
AES-3 I/O | 4 inputs/outputs via 75 Ohm BNC unbalanced female connectors, internally terminated; signal levels per SMPTE 276M/AES-3ID-2001, plus dedicated encoder output connection |
AES67 I/O | 32 channels of bi-directional AES67 I/O in support of SMPTE ST 2110-30 and -31 workflows |
MADI I/O | Optional 64 channels of MADI I/O; I/O connection, coax, or optical via SFP socket per AES-10id-2005 (r2017) (mutually exclusive with quad-link SDI option) |
Reference | 48kHz reference via SDI, PTP, AES-3, or internal clock (standalone use only) |
Sample Rate/Resolution/Frequency Response | 48kHz, 24-bit, 20Hz Ð 20kHz |
Ethernet | Two Gigabit RJ-45 connections Ð one for AES67, one for networked remote control |
Parallel GPI/O Control Port | 15-pin female D connector, 0-5V TTL levels, 5 GPI/O inputs, 5 GPI/O outputs for preset recalls |
Power | Dual internal redundant auto-ranging power supplies 95-240 VAC, 50/60 Hz, 100W maximum total |
Dimensions | 19Ó W x 15.5Ó D x 1.75Ó H (approximately 48.2 x 39.4 x4.5 cm ) |
Weight | Net weight: Approximately 9.0 lbs (4.08 kg) Shipping weight: Approximately 12.0 lbs (5.44 kg) |
Regulatory | FCC and CE tested and compliant with UL-approved power supplies |
Warranty | Standard Telos Alliance 2-year limited parts and labor |
The Linear Acoustic LA-5300 Broadcast Audio Processor provides everything broadcasters need to be ready for NEXTGEN TV/ATSC 3.0 audio along with the flexibility to support legacy ATSC 1.0* in a single, compact, integrated package, including loudness control, upmixing, encoding, transcoding, audience measurement watermarking, bitstream analysis for up to four simultaneous real-time program streams, and a confidence monitor output.
Features:
- Dolby® AC-4 encoding from PCM
- Transcoding from Dolby Digital and Dolby Digital Plus to AC-4
- AC-4 decoding for watermarking and bitstream analysis and monitoring
- Linear Acoustic UPMAX® ISC Upmixing
- Optional Verance or Nielsen watermarking
- Dolby Real-Time Loudness Leveler when encoding to AC-4
- Dual 3Gb/s HD/SD-SDI, 5 pairs of AES-3 I/O, and AES67 I/O in support of SMPTE ST 2110-30 and -31 workflows
- Optional Quad-Link 3Gb/s SDI I/O for supporting 4K workflows or MADI I/O (mutually exclusive)
- Dual 1000BaseT Ethernet connections (AES67 and control)
- SNMP alarm and status reporting
- Web-based user interface provides comprehensive setup, configuration, routing, control, and metering
A Complete ATSC 3.0/NEXTGEN TV Audio Solution
The roll-out of ATSC 3.0 - better known to consumers as NEXTGEN TV - brings with it a unique set of requirements, challenges, and opportunities for television broadcasters. The Linear Acoustic LA-5300 provides a single solution for loudness control, upmixing, decoding AC-4 for audience measurement watermark insertion, bitstream analysis, and monitoring, transcoding of Dolby Digital and Dolby Digital Plus to AC-4, and Dolby AC-4 encoding. The ability to handle up to 4 programs means one LA-5300 can provide unique encoded streams for the main program audio, SAP, and video descriptive services—all in a single 1RU solution. A decode and monitor-only version is also available which omits upmixing, watermarking, and AC-4 encoding.
I/O for Any Facility
The LA-5300 comes standard with 5 pairs of AES-3 I/O, dual 3G SDI I/O, and AES67 I/O to support SMPTE ST 2110-30 and -31 workflows. Options include Quad-Link 3G SDI for facilities utilizing 4K workflows, or MADI I/O. Two Gigabit Ethernet ports are provided, one for AES67, and one for remote control via the web-based GUI.
Ready for Today, Ready for Tomorrow
The LA-5300 meets the immediate requirements for NEXTGEN TV/ATSC 3.0 audio right out of the box, with channel-based AC-4 encoding, loudness control, and upmixing for multiple programs. As ATSC 3.0 adoption grows, support for its additional features and benefits such as immersive and object-based audio, interactive consumer control, personalized audio, and multiple presentations within a single stream will be incorporated into the LA-5300 via software updates.
Processing | Processing for up to four independent program streams Dolby Real-Time Loudness Leveler (RTLL) when encoding AC-4 Linear Acoustic UPMAX ISC stereo to 5.1-channel upmixing Optional Nielsen and Verance audience measurement watermarking |
Decoding | Decodes Dolby AC-4 at the input for watermarking and monitoring, with pass through ability |
Transcoding | Transcodes Dolby Digital and Dolby Digital Plus to Dolby AC-4 |
Encoding | Encodes to Dolby AC-4 |
Watermarking | Optional Nielsen and Verance audience measurement watermarking |
Bitstream Analysis and Monitoring | AC-4 decoding for simultaneous bitstream analysis of all streams plus confidence monitoring output for one stream at a time |
HD/SD-SDI I/O | Two independent auto-sensing 3Gb/s HD/SD-SDI inputs (SMPTE ST 425-1, 292M, and 259M), up to 1080i/60/59.94/50Hz, each with de-embedding/re-embedding for up to 8 audio pairs Optional quad-link 3Gb/s SDI for 4k workflows (mutually exclusive option with MADI option) |
AES-3 I/O | 4 inputs/outputs via 75 Ohm BNC unbalanced female connectors, internally terminated; signal levels per SMPTE 276M/AES-3ID-2001, plus dedicated encoder output connection |
AES67 I/O | 32 channels of bi-directional AES67 I/O in support of SMPTE ST 2110-30 and -31 workflows |
MADI I/O | Optional 64 channels of MADI I/O; I/O connection, coax, or optical via SFP socket per AES-10id-2005 (r2017) (mutually exclusive with quad-link SDI option) |
Reference | 48kHz reference via SDI, PTP, AES-3, or internal clock (standalone use only) |
Sample Rate/Resolution/Frequency Response | 48kHz, 24-bit, 20Hz Ð 20kHz |
Ethernet | Two Gigabit RJ-45 connections Ð one for AES67, one for networked remote control |
Parallel GPI/O Control Port | 15-pin female D connector, 0-5V TTL levels, 5 GPI/O inputs, 5 GPI/O outputs for preset recalls |
Power | Dual internal redundant auto-ranging power supplies 95-240 VAC, 50/60 Hz, 100W maximum total |
Dimensions | 19Ó W x 15.5Ó D x 1.75Ó H (approximately 48.2 x 39.4 x4.5 cm ) |
Weight | Net weight: Approximately 9.0 lbs (4.08 kg) Shipping weight: Approximately 12.0 lbs (5.44 kg) |
Regulatory | FCC and CE tested and compliant with UL-approved power supplies |
Warranty | Standard Telos Alliance 2-year limited parts and labor |
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Your home for all things pro audio—backed by expertise and experience. Connect with us today.