


Shure ADTQ-DC - Axient Digital PSM Quad-Channel Wireless IEM Transmitter with DC Option (K54 Band / 606-663 MHz)
Availability:
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Description
The ADTQ Wireless Quad Transmitter reimagines in-ear monitoring wireless transmission. Groundbreaking performance features – including scalable channel count, Multichannel Wideband RF, and Spatial Diversity Transmission – ensures faultless performance in the most challenging RF environments. ShowLink® remote control, networkable monitoring with Wireless Workbench®, analog and digital (AES3, AES67, Dante) inputs, and internal antenna combining, bring a new level of management and flexibility to your entire in-ear monitor workflow. Axient Digital PSM ADTQ is compatible with the Axient Digital PSM ADXR Bodypack Receiver.
Features:
- Four-radio, digital wireless stereo transmitter for Shure Axient Digital PSM in-ear monitoring system
- Powered by Shure WMAS** innovation, ADTQ delivers flexible, pioneering spectral efficiency and access to scalable channel count
- Patented Spatial Diversity transmission defends against multipath interference
- Four different transmission modes to choose from:
- Multichannel Wideband – Shure WMAS innovation powers the ADTQ to deliver up to four stereo audio channels, not just one, with each ADTQ radio
- Narrowband – Access more RF output power for greater range with this traditional option
- Analog FM – Achieve virtually zero latency performance with updated hybrid technology
- Axient Digital Standard* – Turn the ADTQ into an AD series Axient Digital transmitter and send high-quality, long-distance wireless audio to any Axient Digital wireless receiver - Encrypted RF signal ensures every transmission is secure
- Five-segment Channel Quality meter displays RF signal-to-noise
- Wide tuning range to cover more cities, festivals, and events on tour
- Real-time remote control of all ADXR bodypack wireless receiver parameters from the monitor mix position and elsewhere with exclusive ShowLink technology Large, 6.6-inch front panel color display
- Networked control with Shure Wireless Workbench for extended and enhanced RF monitor and management
- Optional internal antenna combining reduces or eliminates external combiners
- 8 x switchable combo connectors for analog or AES3 digital options
- 4 x Ethernet ports for network control and Dante/AES67 digital input options
- 4 x coaxial RF antenna output connectors
- 1 x 3.5mm front-panel headphone connector with adjustable volume
- Locking AC power connection that cascades to additional components
- DC module version available to support redundant power
System Specifications | |
RF Carrier Frequency Range | 470 to 1260 MHz, varies by region (see frequency tables) |
Working Range | 100 m (330 ft) Note: Actual range depends on RF signal absorption, reflection and interference. |
RF Tuning Step Size | 25 kHz (typical) |
Sensitivity | Analog FM -94 dBm (typical) at 27 dB SINAD Digital -93 dBm (typical) at 10e-5 BER |
Latency (Analog Input) | Analog FM 1.29 ms Digital ²2.8 ms |
Audio Frequency Response | 20 Hz _ 15 kHz (±1 dB) |
Signal-to-Noise Ratio | Digital: 110 dB (typical) |
Total Harmonic Distortion | Analog FM < 0.5% (typical)Ref. at ±34 kHz deviation @1 kHz Ref. at ±34 kHz deviation @1 kHz Digital < 0.01% (typical)Ref. at ±18 dBv, 1 kHz, digital gain @ 0 dB Ref. at ±18 dBv, 1 kHz, digital gain @ 0 dB |
MPX Pilot Tone (Analog FM) | 19 kHz |
System Audio Polarity | Not inverted |
ADTQ (Quad) and ADTD (Dual) Transmitters | |
Dimensions | 44 mm _ 482 mm _ 385 mm (1.7" _ 19.0" _ 15.2") H _ W _ D |
Weight | ADTQ 4.7 kg (10.4 lb) ADTQDC 5.0 kg (11.1 lb) ADTD 4.7 kg (10.1 lb) ADTDDC 4.9 kg (10.8 lb) |
Housing | Steel; Extruded aluminum |
AC Power Requirements | AC Input 100 to 240 V AC, 50-60 Hz, 1.2 A max (6.2 A max outlet loaded) AC Output 100-240 V AC, 5A max, 50/60 Hz UNSW DC Input* 12-48 V DC, 10.1 A max * ADTQDC and ADTDDC only |
RF Connector Type | BNC |
RF Output Impedance | 50 ½ |
Network Interface | 10/100 Mbps, 1Gbps, Dante Digital Audio |
Fuse | T5A |
Operating Temperature Range | -18¡C (0¡F) to 50¡C (122¡F) |
Storage Temperature Range | -29¡C (-20¡F) to 74¡C (165¡F) |
Audio Input Polarity | Positive |
Nominal Input Level | Switchable +4 dB u, -10 dBV |
Maximum Input Level | +4 dBV 28 dBV -10 dBV 16 dBV |
Connector Types and Pin Assignments | Analog XLR 1 = ground, 2 = hot, 3 = cold 6.35mm (_") TRS Tip = hot, Ring = cold, Sleeve = ground) AES3 XLR 1 = ground, 2 = hot, 3 = cold dig audio |
Impedance | 32.59 K ½ |
Gain Adjustment Range | Analog 12 dB analog (auxiliary mode) Digital _16 to +20 dB |
Phantom Power Protection | Analog 50 V DC AES3 100 V DC |
AES3 | 48, 96 and 192 KHz sample rates |
Dante Digital Audio (when applicable) | Min. Latency 250 µs Supported Sample Rates 48K, 96K Bit Depth 24bit |
Audio Output (Headphone) | |
Connector Type | Locking 3.5mm (_") TRS |
Minimum Load Impedance | 2 ½ |
Output Impedance | <1 ½ |
Audio Output Power | 100 mW @ 32 ½ |
L/R Stereo Separation | 300 ½>75 dB 600 ½>90 dB 1 k½>100 dB |
Dynamic Range | 110 dB, A-weighted |
Transmitter Frequency Bands | |
Band Frequency Range ( MHz) | G57 470 to 608 K54 606 to 663 (with duplex gap) X55 941 to 960 |
The ADTQ Wireless Quad Transmitter reimagines in-ear monitoring wireless transmission. Groundbreaking performance features – including scalable channel count, Multichannel Wideband RF, and Spatial Diversity Transmission – ensures faultless performance in the most challenging RF environments. ShowLink® remote control, networkable monitoring with Wireless Workbench®, analog and digital (AES3, AES67, Dante) inputs, and internal antenna combining, bring a new level of management and flexibility to your entire in-ear monitor workflow. Axient Digital PSM ADTQ is compatible with the Axient Digital PSM ADXR Bodypack Receiver.
Features:
- Four-radio, digital wireless stereo transmitter for Shure Axient Digital PSM in-ear monitoring system
- Powered by Shure WMAS** innovation, ADTQ delivers flexible, pioneering spectral efficiency and access to scalable channel count
- Patented Spatial Diversity transmission defends against multipath interference
- Four different transmission modes to choose from:
- Multichannel Wideband – Shure WMAS innovation powers the ADTQ to deliver up to four stereo audio channels, not just one, with each ADTQ radio
- Narrowband – Access more RF output power for greater range with this traditional option
- Analog FM – Achieve virtually zero latency performance with updated hybrid technology
- Axient Digital Standard* – Turn the ADTQ into an AD series Axient Digital transmitter and send high-quality, long-distance wireless audio to any Axient Digital wireless receiver - Encrypted RF signal ensures every transmission is secure
- Five-segment Channel Quality meter displays RF signal-to-noise
- Wide tuning range to cover more cities, festivals, and events on tour
- Real-time remote control of all ADXR bodypack wireless receiver parameters from the monitor mix position and elsewhere with exclusive ShowLink technology Large, 6.6-inch front panel color display
- Networked control with Shure Wireless Workbench for extended and enhanced RF monitor and management
- Optional internal antenna combining reduces or eliminates external combiners
- 8 x switchable combo connectors for analog or AES3 digital options
- 4 x Ethernet ports for network control and Dante/AES67 digital input options
- 4 x coaxial RF antenna output connectors
- 1 x 3.5mm front-panel headphone connector with adjustable volume
- Locking AC power connection that cascades to additional components
- DC module version available to support redundant power
System Specifications | |
RF Carrier Frequency Range | 470 to 1260 MHz, varies by region (see frequency tables) |
Working Range | 100 m (330 ft) Note: Actual range depends on RF signal absorption, reflection and interference. |
RF Tuning Step Size | 25 kHz (typical) |
Sensitivity | Analog FM -94 dBm (typical) at 27 dB SINAD Digital -93 dBm (typical) at 10e-5 BER |
Latency (Analog Input) | Analog FM 1.29 ms Digital ²2.8 ms |
Audio Frequency Response | 20 Hz _ 15 kHz (±1 dB) |
Signal-to-Noise Ratio | Digital: 110 dB (typical) |
Total Harmonic Distortion | Analog FM < 0.5% (typical)Ref. at ±34 kHz deviation @1 kHz Ref. at ±34 kHz deviation @1 kHz Digital < 0.01% (typical)Ref. at ±18 dBv, 1 kHz, digital gain @ 0 dB Ref. at ±18 dBv, 1 kHz, digital gain @ 0 dB |
MPX Pilot Tone (Analog FM) | 19 kHz |
System Audio Polarity | Not inverted |
ADTQ (Quad) and ADTD (Dual) Transmitters | |
Dimensions | 44 mm _ 482 mm _ 385 mm (1.7" _ 19.0" _ 15.2") H _ W _ D |
Weight | ADTQ 4.7 kg (10.4 lb) ADTQDC 5.0 kg (11.1 lb) ADTD 4.7 kg (10.1 lb) ADTDDC 4.9 kg (10.8 lb) |
Housing | Steel; Extruded aluminum |
AC Power Requirements | AC Input 100 to 240 V AC, 50-60 Hz, 1.2 A max (6.2 A max outlet loaded) AC Output 100-240 V AC, 5A max, 50/60 Hz UNSW DC Input* 12-48 V DC, 10.1 A max * ADTQDC and ADTDDC only |
RF Connector Type | BNC |
RF Output Impedance | 50 ½ |
Network Interface | 10/100 Mbps, 1Gbps, Dante Digital Audio |
Fuse | T5A |
Operating Temperature Range | -18¡C (0¡F) to 50¡C (122¡F) |
Storage Temperature Range | -29¡C (-20¡F) to 74¡C (165¡F) |
Audio Input Polarity | Positive |
Nominal Input Level | Switchable +4 dB u, -10 dBV |
Maximum Input Level | +4 dBV 28 dBV -10 dBV 16 dBV |
Connector Types and Pin Assignments | Analog XLR 1 = ground, 2 = hot, 3 = cold 6.35mm (_") TRS Tip = hot, Ring = cold, Sleeve = ground) AES3 XLR 1 = ground, 2 = hot, 3 = cold dig audio |
Impedance | 32.59 K ½ |
Gain Adjustment Range | Analog 12 dB analog (auxiliary mode) Digital _16 to +20 dB |
Phantom Power Protection | Analog 50 V DC AES3 100 V DC |
AES3 | 48, 96 and 192 KHz sample rates |
Dante Digital Audio (when applicable) | Min. Latency 250 µs Supported Sample Rates 48K, 96K Bit Depth 24bit |
Audio Output (Headphone) | |
Connector Type | Locking 3.5mm (_") TRS |
Minimum Load Impedance | 2 ½ |
Output Impedance | <1 ½ |
Audio Output Power | 100 mW @ 32 ½ |
L/R Stereo Separation | 300 ½>75 dB 600 ½>90 dB 1 k½>100 dB |
Dynamic Range | 110 dB, A-weighted |
Transmitter Frequency Bands | |
Band Frequency Range ( MHz) | G57 470 to 608 K54 606 to 663 (with duplex gap) X55 941 to 960 |
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We are your source for all your pro audio needs, delivered by experts. Call us today.