
Description
The C414 XLII multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live-sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLII version differs from the C414 XLS version in one major respect – the capsule. The C414 XLII's slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953.
For over 60 years, leading musicians and engineers have used legendary AKG microphones to capture their sound so their audience hears every nuance. The C 414 family has been one of the world’s most widely-used and respected studio and stage microphones in audio history. AKG has continually set new benchmarks for useful features, improved technical specifications and ease of use to answer requests from ever-demanding recording studios, broadcast stations and audio engineers.
The AKG C 414 XLS and C 414 XLII offer nine pickup patterns which enable to choose the perfect setting for every application. For live-sound applications and permanent installations all controls can be disabled easily for trouble-free use. A Peak Hold LED displays even shortest overload peaks.
The C 414 comes complete with carrying case, pop filter, windscreen, and spider-type shock mount.
| Audio Frequency Bandwidth | 20 - 20000 Hz |
| Equivalent Noise Level | 6 dB-A |
| Sensitivity | 23 mV/Pa |
| Signal to Noise | 88 dB-A |
| Preattenuation Pad | -6; -12; -18 dB |
| Bass Cut Filter | 160; 80; 40 Hz |
| Electrical Impedance | 200 Ohms |
| Recommended Load Impedance | 2200 Ohms |
Polar Patterns |
Omnidirectional, Wide Cardioid, Cardioid, Hypercardioid, and Figure of Eight |
| Voltage | 44 to 52 V |
| Current | 4.5 mA |
| Weight | .3 kg |
| Height | 160 mm |
| Finish | dark gary/gold |
| Audio Output | |
| Type | Balanced XLR |
| Gender | Male |
| Contacts | 3-pin |
| Included |
|
The C414 XLII multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live-sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLII version differs from the C414 XLS version in one major respect – the capsule. The C414 XLII's slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953.
For over 60 years, leading musicians and engineers have used legendary AKG microphones to capture their sound so their audience hears every nuance. The C 414 family has been one of the world’s most widely-used and respected studio and stage microphones in audio history. AKG has continually set new benchmarks for useful features, improved technical specifications and ease of use to answer requests from ever-demanding recording studios, broadcast stations and audio engineers.
The AKG C 414 XLS and C 414 XLII offer nine pickup patterns which enable to choose the perfect setting for every application. For live-sound applications and permanent installations all controls can be disabled easily for trouble-free use. A Peak Hold LED displays even shortest overload peaks.
The C 414 comes complete with carrying case, pop filter, windscreen, and spider-type shock mount.
| Audio Frequency Bandwidth | 20 - 20000 Hz |
| Equivalent Noise Level | 6 dB-A |
| Sensitivity | 23 mV/Pa |
| Signal to Noise | 88 dB-A |
| Preattenuation Pad | -6; -12; -18 dB |
| Bass Cut Filter | 160; 80; 40 Hz |
| Electrical Impedance | 200 Ohms |
| Recommended Load Impedance | 2200 Ohms |
Polar Patterns |
Omnidirectional, Wide Cardioid, Cardioid, Hypercardioid, and Figure of Eight |
| Voltage | 44 to 52 V |
| Current | 4.5 mA |
| Weight | .3 kg |
| Height | 160 mm |
| Finish | dark gary/gold |
| Audio Output | |
| Type | Balanced XLR |
| Gender | Male |
| Contacts | 3-pin |
| Included |
|
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