DALE SKU # ALLE-AHSQ6

Allen and Heath SQ-6 - 48 Channel/36 Bus Digital Mixer

Sale price$4,999.00 Regular price$6,199.00
Save $1,200.00
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    Description

    SQ-6 is a next generation digital mixer, powered by Allen & Heath's revolutionary XCVI 96kHz FPGA engine. Created to excel in demanding scenarios such as AV, corporate events, live productions and houses of worship, SQ-6 offers class-leading high-resolution audio fidelity and an ultra-low latency of <0.7ms. The console features 24 exceptional onboard mic preamps, plus 8 stereo FX engines with dedicated return channels and access to the renowned RackExtra FX library. SQ is a natural choice for in-ear monitor setups, providing 12 stereo mixes (configurable as groups or auxes), whilst Automatic Mic Mixing*makes it an excellent choice for conferences, panel talks and more.

    Features:

    • 96kHz FPGA processing
    • 48 Input Channels
    • DEEP Processing ready
    • 25 Faders / 6 Layers
    • 12 Stereo mixes + LR
    • 3 Stereo Matrix
    • 8 Stereo FX Engines + dedicated returns
    • 7" capacitive touchscreen
    • SLink port for remote audio / expansion
    • 64ch I/O Port for audio networking
    • 32x32 USB audio interface
    • SQ-Drive direct recording to USB
    • AES output
    • Chromatic channel metering
    • Integrated LED illumination
    • Dedicated physical controls
    • 16 Assignable SoftKeys
    • 4 Assignable Soft Rotaries
    • Channel LCD displays


    96kHz XCVI Core
    SQ is a future-proofed, next-generation console, powered by Allen & Heath's 96kHz XCVI FPGA engine. XCVI delivers class-leading high resolution audio quality, ultra-low latency of <0.7ms, variable bit depth for ultimate precision and noise performance, mix coherency down to the sample, and the sheer power to handle high channel / mix counts and ample FX / processing.

    DEEP processing ready
    SQ's DEEP processing architecture allows owners to hand-pick boutique compressor and preamp emulations to suit their style and needs. DEEP plugins can be embedded directly within the mixer's inputs and mix channels, all without adding system latency or setup hassles.

    The Ultimate IEM Mixer
    With no less than 12 stereo mixes and super-low latency, and both parametric and graphic EQ on every mix, SQ is the perfect companion for in-ear monitoring setups. SQ's airline-friendly compactness and rugged build quality mean there's no reason to gamble on house monitor consoles again.

    Expandable up to 48 mics
    SQ-6 has all the onboard I/O you need for standalone operation. Thanks to its SLink intelligent port, SQ can also be expanded up to a total of 48 mic inputs via a family of 96kHz and 48kHz rack and stage box expanders (e.g. AB168, AR2412, AR84 and DX168), making it a flexible, mix 'n' match solution for owners of other Allen & Heath digital systems. You can also link your SQ directly to another SQ or even a dLive system.

    Dante, Waves and more
    SQ is the centrepiece of a growing ecosystem of apps, expanders, audio networking, personal mixers and more, allowing you to connect, adapt and expand to your heart's content. It's compatible with leading audio networking standards too - add an audio networking card such as Dante or Waves to SQ's I/O port and you're ready to integrate with installed systems, provide a digital FoH / Monitor split and more.

    Flexible multitrack recording
    The integrated SQ-Drive makes it quick and easy to capture a 96kHz multitrack or stereo recording of the show direct to a USB key or drive. No software setup, no soundcard driver issues and no extra laptop to bring to the performance. SQ-Drive is also a smart way to manage walk-in music.

    Also provided is a built-in 32x32 96kHz audio interface for multitrack recording, backing tracks or virtual soundcheck applications. The interface is Core Audio and ASIO compliant and comes complete with MIDI and DAW control capabilities.

    Advanced AMM*
    SQ's advanced automatic mic mixer (AMM) features make it ideally suited to mixing conferences, panel talks and TV shows. It's fully integrated in the mixer too, with no extra latency, so you don't need to route the audio to an internal DSP rack or an external plugin system.

    Designed for the pro
    We know that the live environment can be tough on gear - that's why we devised our most punishing regime of testing and retesting yet for SQ. From its 3-tier, all metal chassis to its extruded aluminium light bar, SQ has tremendous strength and rigidity underlying its good looks.

    The Mixing Experience
    With each new design, the Allen & Heath team strives to get closer to the ultimate mixing experience. SQ's dashboard is centred around a high-res 7" capacitive touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control. Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the colour strip displays, allowing you to build a mixing environment that mirrors your own workflow. Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour. SQ-6 also offers 16 Softkeys and 4 Soft Rotaries with displays that can be assigned to the functions you want at your fingertips, and a 'channel to all' mix button to instantly access all sends from the selected channel.

    RackExtra FX
    Allen & Heath has a well-earned reputation for crafting FX emulations that rival the very best plug-ins, but with none of the associated hassle. SQ is armed with 8 stereo FX engines and features the acclaimed RackExtra library of emulations of legendary classic reverbs, gated reverbs, delays, modulators and more. All FX have dedicated stereo returns so you don't need to waste input channels.

    ME Personal Mixing System
    SQ is fully compatible with the ME Personal Mixing System, allowing the performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer's SLink port, or from a connected remote expander.

    Mic/Line Inputs
    Type Balanced XLR, fully recallable
    Input Sensitivity -60 to +0dBu
    Switchable Pad -20dB
    Analogue Gain 0dB to +60dB, 1dB steps
    Maximum Input Level +30dBu
    Input Impedance >5k½
    THD+N, Unity gain 0dB 0.002% -92dBu (20Hz-20kHz, AES Direct Out, @0dBu 1kHz)
    THD+N, Mid gain +30dB 0.003% -91dBu (20Hz-20kHz, AES Direct Out, @-30dBu INPUT 1kHz)
    Phantom Power +48V (+3V / -2V)
    Stereo Line Inputs
    ST1, ST2 connectors Balanced, 1/4" TRS jack
    ST3 connector Unbalanced, stereo 3.5mm Mini Jack
    Input Sensitivity (ST1, ST2 / ST3) Nominal +4dBu ST1, ST2 / 0dBu ST3
    Trim +/-24dB
    Maximum Input Level (ST1,ST2 / ST3) +22dBu / +18dBu
    Input Impedance >7k½
    Outputs 1-14
    Type Balanced, XLR
    Outputs A and B
    Type Balanced 1/4" TRS Jack
    Source Patchable
    Output Impedance <75½
    Nominal Output +4dBu = 0dB meter reading
    Maximum Output Level +22dBu
    Residual Output Noise -90dBu (muted, 20Hz-20kHz)
    AES Digital Output
    Type Balanced XLR 2 channel, 96kHz sampling rate (Default with SRC Bypassed)
    Switchable output sample rates,44.1kHz/ 48kHz/ 88.2kHz/ (96kHz)
    2.5Vpp balanced terminated 110½
    Connection Neutrik EtherCON (RJ45)
    dsnake mode (48kHz devices)* 64 channels assignable, compatible with AR2412, AR84, AB168, ME
    dx mode (96kHz devices) 32 channels assignable*, compatible with DX168
    gigaACE (96kHz devices) 128 channels assignable, compatible with dLive, SQ and DXHub*
    Inputs Fully Patchable
    Outputs Fully Patchable
    Sync/SRC assignable as master audio sync for all modes, *
    SRC 64 channel Multi-channel IO option module
    Inputs Fully Patchable
    Outputs Fully Patchable
    Sync/SRC assignable as master audio sync
    Dynamic Range Measured balanced XLR in to XLR out, 0dB gain, 0dBu input
    112 dB
    Frequency Response +0/-0.5dB 20Hz to 20kHz
    Headroom +18dB
    Internal operating Level 0dBu
    THD+N, Mic/Line routed to Main L/R Out Unity gain faders@0dB, 0.006%, - 84dBu (20 - 20kHz)
    dBFS Alignment +18dBu = 0dBFS (+22dBu at XLR output)
    Meter Calibration 0dB meter = -18dBFS (+4dBu at XLR out)
    Main Meter Type 2 x 12 segment, fast (peak) response
    Channel Meter Type Single Point Metering, fully programmable colour/brightness
    Peak Indication -3dBFS (+19dBu at XLR out), multi- point sensing
    Sampling Rate 96kHz
    Bit Depth Uses XCVI core custom bit widths in algorithms, up to 96bits
    Latency <0.7mS, Local Mic Input routed to Main L/R. (Direct, No EQ/ Effects)
    Operating Temperature Range 0 deg C to 40 deg C (32 deg F to 104 deg F)
    Mains Power 100-240V AC, 50/60Hz
    Max Power Consumption 75W / 90W
    Faders 100mm motorised
    Touch Screen 7" Capacitive, 800 x 480 resolution, 24 bit RGB
    SoftKeys 16
    Mute Groups / DCA Groups 8
    Network TCP/IP Ethernet for MIDI and Control
    MIDI TCP/IP and USB B
    Footswitch Single or Dual, Momentary or Latching*
    Source
    CH1-48 Fully patchable
    USB Global Source SQ-Drive or USB B Streaming
    Polarity Normal/Invert
    Trim -24 to +24dB
    High Pass Filter 12dB/octave 20Hz Ð 2kHz
    Insert (Pre EQ/Comp) Fully Patchable
    Delay Up to 341ms
    Gate Patchable Sidechain
    Sidechain filter Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k)
    Threshold / Depth -72dBu to +18dBu / 0 to 60dB
    Attack / Hold / Release 50_s to 300ms / 10ms to 5s / 10ms to 1s
    PEQ 4-Band fully parametric, 20-20kHz, +/-15dB
    Band 1, Band 4 Selectable Shelving (Baxandall), Bell
    Band 2, Band 3 Bell
    Bell Width Variable Q, 1.5 to 1/9th octave
    Compressor Patchable Sidechain
    Sidechain filter Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k), Q=1
    Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity
    Attack / Release 30_s to 300ms / 50ms to 2s
    Knee Soft/Hard
    Detector response Peak/RMS switchable
    Parallel Path Compression dry/wet -infin to 0dB
    Channel Direct Out Follow Fader, Mute, Mute Group, DCA (global all ch)
    Source select Post-Preamp, Post-HPF, Post Gate, Insert Return, Post PEQ, Post Comp, Post Delay
    trim -infin to 10dB per channel
    Insert (Pre EQ/Comp) Fully Patchable
    Delay Up to 682ms
    GEQ 28 bands 31Hz-16kHz, +/-12dB Gain, Constant 1/3 oct
    PEQ Same As Input PEQ
    Compressor Same As Input Compressor
    Internal FX 8 x RackFX engine, Send>Return or Inserted (4 dedicated fx bus)
    Types SMR Reverb, StereoTap Delay, Gated Reverb, ADT, BlueChorus
    Symphonic Chorus, Flanger, Phaser
    8 dedicated Stereo FX returns Fader, Pan, Mute, Routing to Mix/LR, 4-Band PEQ
    PAFL PFL or stereo in-place AFL, 0 to -24dB Trim, PAFL Delay Up to 682ms
    Talkback dedicated input, Assignable to any mix, Gain, Pad, 48V, 12dB/oct HPF
    Signal Generator Assignable to any mix, Sine/White/Pink/Bandpass Noise
    RTA 31-Bands 1/3 octave 20-20kHz, follows PAFL source
    SQ-Drive
    Connection USB A
    Stereo Record 2 channel, WAV, 96kHz, 24-bit, source fully patchable
    Stereo Playback 1/2 channel, WAV, 44.1, 48, 96kHz 16,24-bit, source fully patchable
    Multitrack Record 16 channel, WAV, 96kHz, 24-bit, track sources fully patchable
    Multitrack Playback 16 channel, WAV, 96kHz, 24-bit fully patchable
    USB Audio Streaming USB B, Core Audio compliant, ASIO/WDM for Windows
    Send (upstream) 32 channel, 96kHz, 24-bit
    Return (downstream) 32 channel, 96kHz, 24-bit
    Dimensions (Width x Depth x Height)
    Desk mounted 638 x 514.9 x 198 mm (25.1" x 20.3" x 7.8")
    Packed in shipping box 820 x 680 x 360 mm (32.3" x 26.8" x 14.2")
    Unpacked weight 13.3 kg (29.3 lbs)
    Packed weight 17.3 kg (38.1 lbs)

    SQ-6 is a next generation digital mixer, powered by Allen & Heath's revolutionary XCVI 96kHz FPGA engine. Created to excel in demanding scenarios such as AV, corporate events, live productions and houses of worship, SQ-6 offers class-leading high-resolution audio fidelity and an ultra-low latency of <0.7ms. The console features 24 exceptional onboard mic preamps, plus 8 stereo FX engines with dedicated return channels and access to the renowned RackExtra FX library. SQ is a natural choice for in-ear monitor setups, providing 12 stereo mixes (configurable as groups or auxes), whilst Automatic Mic Mixing*makes it an excellent choice for conferences, panel talks and more.

    Features:

    • 96kHz FPGA processing
    • 48 Input Channels
    • DEEP Processing ready
    • 25 Faders / 6 Layers
    • 12 Stereo mixes + LR
    • 3 Stereo Matrix
    • 8 Stereo FX Engines + dedicated returns
    • 7" capacitive touchscreen
    • SLink port for remote audio / expansion
    • 64ch I/O Port for audio networking
    • 32x32 USB audio interface
    • SQ-Drive direct recording to USB
    • AES output
    • Chromatic channel metering
    • Integrated LED illumination
    • Dedicated physical controls
    • 16 Assignable SoftKeys
    • 4 Assignable Soft Rotaries
    • Channel LCD displays


    96kHz XCVI Core
    SQ is a future-proofed, next-generation console, powered by Allen & Heath's 96kHz XCVI FPGA engine. XCVI delivers class-leading high resolution audio quality, ultra-low latency of <0.7ms, variable bit depth for ultimate precision and noise performance, mix coherency down to the sample, and the sheer power to handle high channel / mix counts and ample FX / processing.

    DEEP processing ready
    SQ's DEEP processing architecture allows owners to hand-pick boutique compressor and preamp emulations to suit their style and needs. DEEP plugins can be embedded directly within the mixer's inputs and mix channels, all without adding system latency or setup hassles.

    The Ultimate IEM Mixer
    With no less than 12 stereo mixes and super-low latency, and both parametric and graphic EQ on every mix, SQ is the perfect companion for in-ear monitoring setups. SQ's airline-friendly compactness and rugged build quality mean there's no reason to gamble on house monitor consoles again.

    Expandable up to 48 mics
    SQ-6 has all the onboard I/O you need for standalone operation. Thanks to its SLink intelligent port, SQ can also be expanded up to a total of 48 mic inputs via a family of 96kHz and 48kHz rack and stage box expanders (e.g. AB168, AR2412, AR84 and DX168), making it a flexible, mix 'n' match solution for owners of other Allen & Heath digital systems. You can also link your SQ directly to another SQ or even a dLive system.

    Dante, Waves and more
    SQ is the centrepiece of a growing ecosystem of apps, expanders, audio networking, personal mixers and more, allowing you to connect, adapt and expand to your heart's content. It's compatible with leading audio networking standards too - add an audio networking card such as Dante or Waves to SQ's I/O port and you're ready to integrate with installed systems, provide a digital FoH / Monitor split and more.

    Flexible multitrack recording
    The integrated SQ-Drive makes it quick and easy to capture a 96kHz multitrack or stereo recording of the show direct to a USB key or drive. No software setup, no soundcard driver issues and no extra laptop to bring to the performance. SQ-Drive is also a smart way to manage walk-in music.

    Also provided is a built-in 32x32 96kHz audio interface for multitrack recording, backing tracks or virtual soundcheck applications. The interface is Core Audio and ASIO compliant and comes complete with MIDI and DAW control capabilities.

    Advanced AMM*
    SQ's advanced automatic mic mixer (AMM) features make it ideally suited to mixing conferences, panel talks and TV shows. It's fully integrated in the mixer too, with no extra latency, so you don't need to route the audio to an internal DSP rack or an external plugin system.

    Designed for the pro
    We know that the live environment can be tough on gear - that's why we devised our most punishing regime of testing and retesting yet for SQ. From its 3-tier, all metal chassis to its extruded aluminium light bar, SQ has tremendous strength and rigidity underlying its good looks.

    The Mixing Experience
    With each new design, the Allen & Heath team strives to get closer to the ultimate mixing experience. SQ's dashboard is centred around a high-res 7" capacitive touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control. Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the colour strip displays, allowing you to build a mixing environment that mirrors your own workflow. Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour. SQ-6 also offers 16 Softkeys and 4 Soft Rotaries with displays that can be assigned to the functions you want at your fingertips, and a 'channel to all' mix button to instantly access all sends from the selected channel.

    RackExtra FX
    Allen & Heath has a well-earned reputation for crafting FX emulations that rival the very best plug-ins, but with none of the associated hassle. SQ is armed with 8 stereo FX engines and features the acclaimed RackExtra library of emulations of legendary classic reverbs, gated reverbs, delays, modulators and more. All FX have dedicated stereo returns so you don't need to waste input channels.

    ME Personal Mixing System
    SQ is fully compatible with the ME Personal Mixing System, allowing the performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer's SLink port, or from a connected remote expander.

    Mic/Line Inputs
    Type Balanced XLR, fully recallable
    Input Sensitivity -60 to +0dBu
    Switchable Pad -20dB
    Analogue Gain 0dB to +60dB, 1dB steps
    Maximum Input Level +30dBu
    Input Impedance >5k½
    THD+N, Unity gain 0dB 0.002% -92dBu (20Hz-20kHz, AES Direct Out, @0dBu 1kHz)
    THD+N, Mid gain +30dB 0.003% -91dBu (20Hz-20kHz, AES Direct Out, @-30dBu INPUT 1kHz)
    Phantom Power +48V (+3V / -2V)
    Stereo Line Inputs
    ST1, ST2 connectors Balanced, 1/4" TRS jack
    ST3 connector Unbalanced, stereo 3.5mm Mini Jack
    Input Sensitivity (ST1, ST2 / ST3) Nominal +4dBu ST1, ST2 / 0dBu ST3
    Trim +/-24dB
    Maximum Input Level (ST1,ST2 / ST3) +22dBu / +18dBu
    Input Impedance >7k½
    Outputs 1-14
    Type Balanced, XLR
    Outputs A and B
    Type Balanced 1/4" TRS Jack
    Source Patchable
    Output Impedance <75½
    Nominal Output +4dBu = 0dB meter reading
    Maximum Output Level +22dBu
    Residual Output Noise -90dBu (muted, 20Hz-20kHz)
    AES Digital Output
    Type Balanced XLR 2 channel, 96kHz sampling rate (Default with SRC Bypassed)
    Switchable output sample rates,44.1kHz/ 48kHz/ 88.2kHz/ (96kHz)
    2.5Vpp balanced terminated 110½
    Connection Neutrik EtherCON (RJ45)
    dsnake mode (48kHz devices)* 64 channels assignable, compatible with AR2412, AR84, AB168, ME
    dx mode (96kHz devices) 32 channels assignable*, compatible with DX168
    gigaACE (96kHz devices) 128 channels assignable, compatible with dLive, SQ and DXHub*
    Inputs Fully Patchable
    Outputs Fully Patchable
    Sync/SRC assignable as master audio sync for all modes, *
    SRC 64 channel Multi-channel IO option module
    Inputs Fully Patchable
    Outputs Fully Patchable
    Sync/SRC assignable as master audio sync
    Dynamic Range Measured balanced XLR in to XLR out, 0dB gain, 0dBu input
    112 dB
    Frequency Response +0/-0.5dB 20Hz to 20kHz
    Headroom +18dB
    Internal operating Level 0dBu
    THD+N, Mic/Line routed to Main L/R Out Unity gain faders@0dB, 0.006%, - 84dBu (20 - 20kHz)
    dBFS Alignment +18dBu = 0dBFS (+22dBu at XLR output)
    Meter Calibration 0dB meter = -18dBFS (+4dBu at XLR out)
    Main Meter Type 2 x 12 segment, fast (peak) response
    Channel Meter Type Single Point Metering, fully programmable colour/brightness
    Peak Indication -3dBFS (+19dBu at XLR out), multi- point sensing
    Sampling Rate 96kHz
    Bit Depth Uses XCVI core custom bit widths in algorithms, up to 96bits
    Latency <0.7mS, Local Mic Input routed to Main L/R. (Direct, No EQ/ Effects)
    Operating Temperature Range 0 deg C to 40 deg C (32 deg F to 104 deg F)
    Mains Power 100-240V AC, 50/60Hz
    Max Power Consumption 75W / 90W
    Faders 100mm motorised
    Touch Screen 7" Capacitive, 800 x 480 resolution, 24 bit RGB
    SoftKeys 16
    Mute Groups / DCA Groups 8
    Network TCP/IP Ethernet for MIDI and Control
    MIDI TCP/IP and USB B
    Footswitch Single or Dual, Momentary or Latching*
    Source
    CH1-48 Fully patchable
    USB Global Source SQ-Drive or USB B Streaming
    Polarity Normal/Invert
    Trim -24 to +24dB
    High Pass Filter 12dB/octave 20Hz Ð 2kHz
    Insert (Pre EQ/Comp) Fully Patchable
    Delay Up to 341ms
    Gate Patchable Sidechain
    Sidechain filter Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k)
    Threshold / Depth -72dBu to +18dBu / 0 to 60dB
    Attack / Hold / Release 50_s to 300ms / 10ms to 5s / 10ms to 1s
    PEQ 4-Band fully parametric, 20-20kHz, +/-15dB
    Band 1, Band 4 Selectable Shelving (Baxandall), Bell
    Band 2, Band 3 Bell
    Bell Width Variable Q, 1.5 to 1/9th octave
    Compressor Patchable Sidechain
    Sidechain filter Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k), Q=1
    Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity
    Attack / Release 30_s to 300ms / 50ms to 2s
    Knee Soft/Hard
    Detector response Peak/RMS switchable
    Parallel Path Compression dry/wet -infin to 0dB
    Channel Direct Out Follow Fader, Mute, Mute Group, DCA (global all ch)
    Source select Post-Preamp, Post-HPF, Post Gate, Insert Return, Post PEQ, Post Comp, Post Delay
    trim -infin to 10dB per channel
    Insert (Pre EQ/Comp) Fully Patchable
    Delay Up to 682ms
    GEQ 28 bands 31Hz-16kHz, +/-12dB Gain, Constant 1/3 oct
    PEQ Same As Input PEQ
    Compressor Same As Input Compressor
    Internal FX 8 x RackFX engine, Send>Return or Inserted (4 dedicated fx bus)
    Types SMR Reverb, StereoTap Delay, Gated Reverb, ADT, BlueChorus
    Symphonic Chorus, Flanger, Phaser
    8 dedicated Stereo FX returns Fader, Pan, Mute, Routing to Mix/LR, 4-Band PEQ
    PAFL PFL or stereo in-place AFL, 0 to -24dB Trim, PAFL Delay Up to 682ms
    Talkback dedicated input, Assignable to any mix, Gain, Pad, 48V, 12dB/oct HPF
    Signal Generator Assignable to any mix, Sine/White/Pink/Bandpass Noise
    RTA 31-Bands 1/3 octave 20-20kHz, follows PAFL source
    SQ-Drive
    Connection USB A
    Stereo Record 2 channel, WAV, 96kHz, 24-bit, source fully patchable
    Stereo Playback 1/2 channel, WAV, 44.1, 48, 96kHz 16,24-bit, source fully patchable
    Multitrack Record 16 channel, WAV, 96kHz, 24-bit, track sources fully patchable
    Multitrack Playback 16 channel, WAV, 96kHz, 24-bit fully patchable
    USB Audio Streaming USB B, Core Audio compliant, ASIO/WDM for Windows
    Send (upstream) 32 channel, 96kHz, 24-bit
    Return (downstream) 32 channel, 96kHz, 24-bit
    Dimensions (Width x Depth x Height)
    Desk mounted 638 x 514.9 x 198 mm (25.1" x 20.3" x 7.8")
    Packed in shipping box 820 x 680 x 360 mm (32.3" x 26.8" x 14.2")
    Unpacked weight 13.3 kg (29.3 lbs)
    Packed weight 17.3 kg (38.1 lbs)

    We are your source for all your pro audio needs, delivered by experts. Call us today.

    Learn more about Dale

    We are your source for all your pro audio needs, delivered by experts. Call us today.

    Learn more about Dale