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Description
Symphony I/O Mk II HD is designed for the Pro Tools HD user who needs a multi-channel audio interface with the best sound quality at an incredible cost per channel value. Whether using a Mac or PC based studio, Symphony I/O Mk II HD can connect directly to your Pro Tools HDX, Pro Tools HD Native or Pro Tools Core/Accel systems.
Symphony I/O Mk II HD can be utilized alongside or in place of Avid® or Digidesign® interfaces for Pro Tools HD. In fact, each I/O module installed in Symphony I/O Mk II HD appears and functions in Pro Tools HD the same if it were a separate Avid HD I/O interface, so set up is easy and you can take advantage of important Pro Tools features such as sample-accurate delay compensation.
A single Symphony I/O Mk II HD unit can have up to 32 simultaneous analog I/O, so you can have more channels with less rack gear. Need even more channels? You can utilize multiple units simultaneously, with one Symphony I/O Mk II HD per every Pro Tools HD port in your system. Calibrating your I/O is easy with Symphony I/O Mk II HD's front panel touchscreen.
Features:
Everything is under Control
Symphony Control software for macOS gives you comprehensive access to all features and functions of Symphony I/O Mk II Thunderbolt. Set gain levels (preamp modules only), manage routing, control output levels, set calibration, set-up multiple mixers and more. And with Symphony I/O Mk II Thunderbolt's new Monitor Workflows, you can effortlessly configure and operate your monitoring system for Dolby Atmos, Sony 360 Reality Audio and other immersive audio systems with control of up to 32 Speaker outputs. Symphony Control also features compatibility with the new Apogee Control hardware remote.
Legendary Sound Quality
Apogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30 year commitment and raises the bar on all Apogee products before it with even better audio clarity and sonic transparency. In fact, when equipped with either the 8×8 or 16×16 modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD, network or Thunderbolt based systems, making it the flagship audio interface for the entire professional audio industry and the obvious choice for countless GRAMMY winning artists, producers, songwriters and engineers.
Input and Output flexibility
There is a Symphony I/O Mk II solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base I/O configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A/D - D/A conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category.
Ready for Immersive Audio
Mixing for Dolby Atmos and other immersive 3D formats is rapidly becoming an essential skill for the modern creator and engineer. As streaming services highlight immersive content and record companies require immersive audio deliverables, you may be asking yourself "how do I get started"? With Symphony I/O Mk II Thunderbolt's Monitor Workflows, you'll effortlessly configure and operate your monitoring system for Dolby Atmos, Sony 360 Reality Audio and other immersive audio systems with control of up to 32 Speaker outputs.
The Magic is in the Modules
The I/O Modules are the sound and soul of Symphony I/O Mk II, and represent over 30 years of Apogee R+D and design excellence. These powerful Modules deliver Apogee's core competency: superior sounding digital audio recording. With multiple I/O and Mic Preamp modules available, you can choose from base configurations or expand to grow your studio's capabilities.
Front Panel Touchscreen
All of Symphony I/O Mk II's essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system.
A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit.
Stay Cool with Dynamic Temperature
Symphony I/O Mk II features advanced controls to keep the unit running at an ideal temperature, ensuring the highest level of performance and reliability. The new temperature controls can be accessed form the touch screen and control software and are complemented by an improved fan and chassis ventilation design, which allows adequate component cooling to occur quietly.
Symphony Control Software
Symphony Control software for macOS gives you comprehensive access to all features and functions of Symphony I/O Mk II Thunderbolt. Set gain levels (preamp modules only), manage routing, control output levels, set calibration, set-up multiple mixers and more. And with Symphony I/O Mk II Thunderbolt's new Monitor Workflows, you can effortlessly configure and operate your monitoring system for Dolby Atmos, Sony 360 Reality Audio and other immersive audio systems with control of up to 32 Speaker outputs. Symphony Control also features compatibility with the new Apogee Control hardware remote.
Control Hardware Remote
Symphony Control also provides compatibility between Symphony I/O Mk II audio interfaces and the Apogee Control hardware remote accessory. Apogee Control gives you instant access to input and output levels using the large Symphony-inspired Control knob and 3 control knob focus buttons, plus direct access to a wide range of software functions using the 8 user-configurable hardware buttons. Apogee Control hardware remote connects directly to your Mac using the included USB cable.
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Product Specs
Analog to Digital | Â |
THD+N | -114dB @ 22dBu (0.00020%) |
Dynamic range | 122dB A weighted |
Maximum input levels | +4dB setting: +24dBu -10dB setting: +6dBV |
Frequency response at 44.1kHz | 1-20,000 Hz (+/- 0.05dB) |
Input impedance | 10K |
Digital to Analog | Â |
THD+N | -117dB @ 21dBu (0.00014%) |
Dynamic Range | 129dB A weighted |
Max output levels | – to +24dBu |
Frequency response at 44.1 kHz | dc to 20kHz (+/- 0.05dB) |
Output impedance | 25 Ohm |
Note | Outputs are balanced through Apogee’s proprietary Perfect Symmetry Circuitry (PSC) |
Headphone Output | Â |
Jack | 1 stereo 1/4 headphone output on front panel |
THD+N | -110dB @19dBu into 600 Ohm (=80mW) -101dB @14dBu into 32 Ohm (=470mW) |
Dynamic Range | 121db A weighted |
Output | Apogee’s proprietary Constant Current Drive™ provides smooth frequency response with any headphones |
Power | Â |
Requirements | 90-240VAC, 50-60Hz, 150W |
Operating System | Thunderbolt: Mac OS only 10.9.5 and above HD: Any Mac or PC running Pro Tools HD 9 or greater |
Package Contents | Symphony I/O Mk II Interface Power Cable Quick Start Guide Warranty Booklet |
Symphony I/O Mk II Dimensions | Inches: 17.75 (19 with Rack Ears) x 11.5 x 3.5 Centimeters: 45 (48.26 with Rack Ears) x 29.2 x 8.9 |
Packaging Dimensions | Symphony I/O Chassis Box Inches: 22.875 x 17.75 x 9.25 Centimeters: 58.1 x 45.1 x 23.5 I/O Module Box Inches: 13.75 x 12.25 x 3.25 Centimeters: 34.9 x 31.1 x 8.3 |
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