Description
The FLX-AES50 is a compact AES50-to-anything converter. It has two ports (96x96 channels@48k, 48x48 channels@96k) of AES50 built in, which can be converted to any protocol installed into the AUX slot. For larger systems, the built-in channels plus everything which the AUX card provides are also available on the FlexLink port, making it possible to use it as extension to the MVR-64 or another Flexiverter.
Features:
- Two AES50 ports compatible to Behringer™ and MIDAS™ equipment
 - AUX port accepting any AUX card as conversion source/destination
 - Supports sample rates: 44.1/48/88.2/96kHz
 - Forwarding of remote control (auxiliary) data between AES50 ports
 - FlexLink port for lowest latency, bi-directional transfer of 192 channels audio, clock and power
 - Triple-redundant power supply
 
Additional features when connected to the MVR-64
- True channel-wise routing of all available channels (built-in plus AUX card)
 - Sample-rate conversion using the SRC-64
 - Web- or telnet based remote control
 
| Dimensions | 152x44x153mm (WxHxD) excluding connectors/buttons 152x44x163mm (WxHxD) including device-side connectors/buttons  |  
 
| Weight | 560g | 
| Operating temperature | 0..+55¡C, non-condensing | 
| Storage temperature | -40..+85¡C, non-condensing | 
| Power consumption | +15V DC, 9W max (18W to power two devices via FlexLink) Triple-redundant input (2x DC, 1x via FlexLink)  |  
 
| AES50 Ports | Compatible to Behringer/MIDAS implementations at 44.1/48kHz and 88.2/96kHz Forwarding of Behringer/MIDAS Stagebox Remote Control Data between A and B  |  
 
| Cable lengths | FlexLink 1m/3ft. max. recommended AES50 100m/300 ft.  |  
 
| Channel count | 96x96 @ 48kHz 32x32 @ 96kHz, plus additional AUX channels depending on AUX card  |  
 
| Sample rates | 44.1kHz, 48kHz, 88.2kHz, 96kHz | 
| Latency | Conversion AES50 <> FlexLink: 4 samples Conversion AES50 <> AUX: 4 samples plus AUX card latency (depending on AUX card)  |  
 
| Internal clock precision | Jitter: Phase RMS: <1ps, Peak-peak: <50ps. Stability: ±25 ppm including all effects including aging, temperatur, supply, calibration, shock, vibration  |  
 
The FLX-AES50 is a compact AES50-to-anything converter. It has two ports (96x96 channels@48k, 48x48 channels@96k) of AES50 built in, which can be converted to any protocol installed into the AUX slot. For larger systems, the built-in channels plus everything which the AUX card provides are also available on the FlexLink port, making it possible to use it as extension to the MVR-64 or another Flexiverter.
Features:
- Two AES50 ports compatible to Behringer™ and MIDAS™ equipment
 - AUX port accepting any AUX card as conversion source/destination
 - Supports sample rates: 44.1/48/88.2/96kHz
 - Forwarding of remote control (auxiliary) data between AES50 ports
 - FlexLink port for lowest latency, bi-directional transfer of 192 channels audio, clock and power
 - Triple-redundant power supply
 
Additional features when connected to the MVR-64
- True channel-wise routing of all available channels (built-in plus AUX card)
 - Sample-rate conversion using the SRC-64
 - Web- or telnet based remote control
 
| Dimensions | 152x44x153mm (WxHxD) excluding connectors/buttons 152x44x163mm (WxHxD) including device-side connectors/buttons  |  
 
| Weight | 560g | 
| Operating temperature | 0..+55¡C, non-condensing | 
| Storage temperature | -40..+85¡C, non-condensing | 
| Power consumption | +15V DC, 9W max (18W to power two devices via FlexLink) Triple-redundant input (2x DC, 1x via FlexLink)  |  
 
| AES50 Ports | Compatible to Behringer/MIDAS implementations at 44.1/48kHz and 88.2/96kHz Forwarding of Behringer/MIDAS Stagebox Remote Control Data between A and B  |  
 
| Cable lengths | FlexLink 1m/3ft. max. recommended AES50 100m/300 ft.  |  
 
| Channel count | 96x96 @ 48kHz 32x32 @ 96kHz, plus additional AUX channels depending on AUX card  |  
 
| Sample rates | 44.1kHz, 48kHz, 88.2kHz, 96kHz | 
| Latency | Conversion AES50 <> FlexLink: 4 samples Conversion AES50 <> AUX: 4 samples plus AUX card latency (depending on AUX card)  |  
 
| Internal clock precision | Jitter: Phase RMS: <1ps, Peak-peak: <50ps. Stability: ±25 ppm including all effects including aging, temperatur, supply, calibration, shock, vibration  |  
 
Your home for all things pro audio—backed by expertise and experience. Connect with us today.
Your home for all things pro audio—backed by expertise and experience. Connect with us today.





