DPA Microphones 4011-DF-F-B01-120T - Cardioid Floor Stand Microphone (48" Boom / Twin)
Availability:
Special Order ItemThis item is not stocked and needs to be ordered from the manufacturer. Please contact our sales team for more information.
Description
A complete cardioid microphone floor stand solution, offering a high-quality stage voice or instrument mic.
This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned.
These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another pencil mic capsule and preamplifier.
4011 Floor Stand Microphones
Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels.
A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern.
Features:
- Low noise and natural voice
- Highly directional for high isolation
- Uniform, frequency independent directionality
- Exclusive, elegant design
- Integrated shock-mounting in floor base
- Rapidly stabilizing microphone boom pole
- Modular flexibility
| Directional pattern | Cardioid |
| Principle of operation | Pressure gradient |
| Cartridge type | Pre-polarized condenser |
| Frequency response | 20 Hz - 20 kHz |
| Effective frequency range, ±2 dB, at 30 cm (11.8 in) | 40 Hz - 20 kHz |
| Sensitivity, nominal, ±2 dB at 1 kHz | 10 mV/Pa; -40 dB re. 1 V/Pa |
| Equivalent noise level, A-weighted | Typ. 18 dB(A) re. 20 µPa (max. 20 dB(A)) |
| Equivalent noise level, ITU-R BS.468-4 | Typ. 25 dB (max. 27 dB) |
| Distortion, THD < 1% | 136 dB SPL RMS, 139 dB SPL peak |
| Dynamic range | Typ. 121 dB |
| Max. SPL, THD 10% | 144 dB SPL peak |
| Rated output impedance | 100 ? |
| Minimum load impedance | 2 k? |
| Cable drive capability | 100 m (328 ft) |
| Output balance principle | Impedance balancing |
| Common mode rejection ratio (CMRR) | > 40 dB |
| Power supply (for full performance) | P48 (Phantom Power) |
| Current consumption | 3.5 mA |
| Connector | XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase |
| Color | Matte black |
| Microphone diameter | 19 mm (0.75 in) |
| Capsule diameter | 19 mm (0.75 in) |
| Microphone length | Capsule: 23 mm (0.9 in), Boom poles: 20 cm (8 in), 32 cm (13 in), 47 cm (18 in), 77 cm (30 in), 122 cm (48 in) |
| Maximum output voltage, RMS | 2.2 V |
| Polarity | +V at pin 2 for positive sound pressure |
| Temperature range | -40¡C to 45¡C (-40¡F to 113¡F) |
| Relative humidity (RH) | Up to 90% |
| Matching tolerance (frequency response and sensitivity) | ±1 dB |
| Phase deviation for kit | < 10¡ |
A complete cardioid microphone floor stand solution, offering a high-quality stage voice or instrument mic.
This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned.
These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another pencil mic capsule and preamplifier.
4011 Floor Stand Microphones
Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels.
A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern.
Features:
- Low noise and natural voice
- Highly directional for high isolation
- Uniform, frequency independent directionality
- Exclusive, elegant design
- Integrated shock-mounting in floor base
- Rapidly stabilizing microphone boom pole
- Modular flexibility
| Directional pattern | Cardioid |
| Principle of operation | Pressure gradient |
| Cartridge type | Pre-polarized condenser |
| Frequency response | 20 Hz - 20 kHz |
| Effective frequency range, ±2 dB, at 30 cm (11.8 in) | 40 Hz - 20 kHz |
| Sensitivity, nominal, ±2 dB at 1 kHz | 10 mV/Pa; -40 dB re. 1 V/Pa |
| Equivalent noise level, A-weighted | Typ. 18 dB(A) re. 20 µPa (max. 20 dB(A)) |
| Equivalent noise level, ITU-R BS.468-4 | Typ. 25 dB (max. 27 dB) |
| Distortion, THD < 1% | 136 dB SPL RMS, 139 dB SPL peak |
| Dynamic range | Typ. 121 dB |
| Max. SPL, THD 10% | 144 dB SPL peak |
| Rated output impedance | 100 ? |
| Minimum load impedance | 2 k? |
| Cable drive capability | 100 m (328 ft) |
| Output balance principle | Impedance balancing |
| Common mode rejection ratio (CMRR) | > 40 dB |
| Power supply (for full performance) | P48 (Phantom Power) |
| Current consumption | 3.5 mA |
| Connector | XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase |
| Color | Matte black |
| Microphone diameter | 19 mm (0.75 in) |
| Capsule diameter | 19 mm (0.75 in) |
| Microphone length | Capsule: 23 mm (0.9 in), Boom poles: 20 cm (8 in), 32 cm (13 in), 47 cm (18 in), 77 cm (30 in), 122 cm (48 in) |
| Maximum output voltage, RMS | 2.2 V |
| Polarity | +V at pin 2 for positive sound pressure |
| Temperature range | -40¡C to 45¡C (-40¡F to 113¡F) |
| Relative humidity (RH) | Up to 90% |
| Matching tolerance (frequency response and sensitivity) | ±1 dB |
| Phase deviation for kit | < 10¡ |
Your home for all things pro audio—backed by expertise and experience. Connect with us today.
Your home for all things pro audio—backed by expertise and experience. Connect with us today.
