DPA Microphones 4098 CORE - Supercardioid Floor Stand Microphone (48" Boom / Single Mic)
Availability:
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Description
A complete cardioid microphone floor stand solution, offering a high-quality stage voice or instrument mic.
This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned.
These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another pencil mic capsule and preamplifier.
4098 Floor Stand Microphones
CORE by DPA technology has been added to the 4098 floor stand microphone solutions, lifting sound quality even more, just like all of the other products using CORE technology. The 4098s dynamic range has been increased by 8 dB, so that the 1% THD is lifted significantly to 133 dB.
With very low noise and a high sensitivity, our supercardioid microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment.
Features:
- Low noise and natural voice
- Highly directional for high isolation
- Uniform, frequency independent directionality
- Exclusive, elegant design
- Integrated shock-mounting in floor base
- Rapidly stabilizing microphone boom pole
- Modular flexibility
| Directional pattern | Supercardioid |
| Principle of operation | Pressure gradient |
| Cartridge type | Pre-polarized condenser |
| Frequency response | 20 Hz - 20 kHz |
| Effective frequency range ±2 dB, at 20 cm (7.9 in) | MicroDot: 80 Hz - 15 kHz with 3 dB soft boost at 8-15 kHz XLR-3M: 100 Hz - 15 kHz with 3 dB soft boost at 8-15 kHz and permanent 2nd order low-cut filter at 80 Hz |
| Sensitivity, nominal, ±3 dB at 1 kHz | 16 mV/Pa; -36 dB re. 1 V/Pa |
| Equivalent noise level, A-weighted | Typ. 23 dB(A) re. 20 µPa (max. 26 dB(A)) |
| Equivalent noise level, ITU-R BS.468-4 | Typ. 35 dB (max. 38 dB) |
| Distortion, THD < 1% - Legacy | 122 dB SPL RMS, 125 dB SPL peak |
| Distortion, THD < 1% - CORE | 130 dB SPL RMS, 133 dB SPL peak |
| Dynamic range - Legacy | Typ. 102 dB |
| Dynamic range - CORE | Typ. 110 dB |
| Max. SPL, THD 10% | 135 dB SPL peak |
| Rated output impedance | From MicroDot: 30 - 40 ? From XLR connector or DAD6001-BC XLR Adapter: 100 ? |
| Minimum load impedance | 2 k? |
| Cable drive capability | MicroDot: Up to 300 m (984 ft) with DAD6001-BC XLR Adapter XLR-3M: Up to 100 m (328 ft) |
| Output balance principle | Signal balanced with XLR connector or DAD6001-BC XLR Adapter |
| Common mode rejection ratio (CMRR) | > 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR Adapter |
| Power supply (for full performance) | MicroDot: Min. 5 V to max. 10 V through DPA adapter for wireless systems or P48 (Phantom Power) with DAD6001-BC XLR adapter XLR-3M: P48 (Phantom Power) |
| Current consumption | Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter |
| Connector | MicroDot or XLR-3M |
| Color | Black or white |
| Weight | Microdot: 16 cm (6 in): 12 g (0.4 oz) 28 cm (11 in): 20 g (0.7 oz) 43 cm (17 in): 28 g (1.0 oz) 77 cm (30 in): 55 g (1.9 oz) 122 cm (48 in): 67 g (2.4 oz) XLR-3M: 20 cm (8 in): 75 g (2.6 oz) 32 cm (13 in): 80 g (2.8 oz) 47 c |
| Microphone diameter | 5.7 mm (0.22 in) |
| Microphone length | Microdot: 16 cm (6 in), 28 cm (11 in), 43 cm (17 in), 77 cm (30 in), 122 cm (48 in) XLR-3M: 20 cm (8 in), 32 cm (13 in), 47 cm (18 in), 77 cm (30 in), 122 cm (48 in). |
| Polarity | +V at MicroDot pin for positive sound pressure (and pin 2 on XLR connector or DAD6001-BC XLR adapter) |
| Temperature range | -40¡C to 45¡C (-40¡F to 113¡F) |
| Relative humidity (RH) | Up to 90% |
A complete cardioid microphone floor stand solution, offering a high-quality stage voice or instrument mic.
This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned.
These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another pencil mic capsule and preamplifier.
4098 Floor Stand Microphones
CORE by DPA technology has been added to the 4098 floor stand microphone solutions, lifting sound quality even more, just like all of the other products using CORE technology. The 4098s dynamic range has been increased by 8 dB, so that the 1% THD is lifted significantly to 133 dB.
With very low noise and a high sensitivity, our supercardioid microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment.
Features:
- Low noise and natural voice
- Highly directional for high isolation
- Uniform, frequency independent directionality
- Exclusive, elegant design
- Integrated shock-mounting in floor base
- Rapidly stabilizing microphone boom pole
- Modular flexibility
| Directional pattern | Supercardioid |
| Principle of operation | Pressure gradient |
| Cartridge type | Pre-polarized condenser |
| Frequency response | 20 Hz - 20 kHz |
| Effective frequency range ±2 dB, at 20 cm (7.9 in) | MicroDot: 80 Hz - 15 kHz with 3 dB soft boost at 8-15 kHz XLR-3M: 100 Hz - 15 kHz with 3 dB soft boost at 8-15 kHz and permanent 2nd order low-cut filter at 80 Hz |
| Sensitivity, nominal, ±3 dB at 1 kHz | 16 mV/Pa; -36 dB re. 1 V/Pa |
| Equivalent noise level, A-weighted | Typ. 23 dB(A) re. 20 µPa (max. 26 dB(A)) |
| Equivalent noise level, ITU-R BS.468-4 | Typ. 35 dB (max. 38 dB) |
| Distortion, THD < 1% - Legacy | 122 dB SPL RMS, 125 dB SPL peak |
| Distortion, THD < 1% - CORE | 130 dB SPL RMS, 133 dB SPL peak |
| Dynamic range - Legacy | Typ. 102 dB |
| Dynamic range - CORE | Typ. 110 dB |
| Max. SPL, THD 10% | 135 dB SPL peak |
| Rated output impedance | From MicroDot: 30 - 40 ? From XLR connector or DAD6001-BC XLR Adapter: 100 ? |
| Minimum load impedance | 2 k? |
| Cable drive capability | MicroDot: Up to 300 m (984 ft) with DAD6001-BC XLR Adapter XLR-3M: Up to 100 m (328 ft) |
| Output balance principle | Signal balanced with XLR connector or DAD6001-BC XLR Adapter |
| Common mode rejection ratio (CMRR) | > 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR Adapter |
| Power supply (for full performance) | MicroDot: Min. 5 V to max. 10 V through DPA adapter for wireless systems or P48 (Phantom Power) with DAD6001-BC XLR adapter XLR-3M: P48 (Phantom Power) |
| Current consumption | Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter |
| Connector | MicroDot or XLR-3M |
| Color | Black or white |
| Weight | Microdot: 16 cm (6 in): 12 g (0.4 oz) 28 cm (11 in): 20 g (0.7 oz) 43 cm (17 in): 28 g (1.0 oz) 77 cm (30 in): 55 g (1.9 oz) 122 cm (48 in): 67 g (2.4 oz) XLR-3M: 20 cm (8 in): 75 g (2.6 oz) 32 cm (13 in): 80 g (2.8 oz) 47 c |
| Microphone diameter | 5.7 mm (0.22 in) |
| Microphone length | Microdot: 16 cm (6 in), 28 cm (11 in), 43 cm (17 in), 77 cm (30 in), 122 cm (48 in) XLR-3M: 20 cm (8 in), 32 cm (13 in), 47 cm (18 in), 77 cm (30 in), 122 cm (48 in). |
| Polarity | +V at MicroDot pin for positive sound pressure (and pin 2 on XLR connector or DAD6001-BC XLR adapter) |
| Temperature range | -40¡C to 45¡C (-40¡F to 113¡F) |
| Relative humidity (RH) | Up to 90% |
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Your home for all things pro audio—backed by expertise and experience. Connect with us today.
