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Description
This is a complete Surround Kit with five carefully factory-matched omnidirectional microphones. Even though the standard tolerances on the 4006A Omnidirectional Microphones are extremely low, the surround match is even closer. The specially selected 4006As are matched within ±0.5 dB on both freq... Read MoreOur Price: $12,600.00
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Description
This is a complete Surround Kit with five carefully factory-matched omnidirectional microphones. Even though the standard tolerances on the 4006A Omnidirectional Microphones are extremely low, the surround match is even closer. The specially selected 4006As are matched within ±0.5 dB on both frequency response and sensitivity from mean of set.
The natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 Hz to 20 kHz (±2 dB) of the microphones make the 4006A Omnidirectional Microphones the perfect choice for all AB Stereo, Decca Tree or surround main array recordings. The precise reproduction, total transparency and natural-sounding clarity of 4006A Omnidirectional Microphones will provide you with a lifetime of satisfying listening.
The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone / accessory inlays.
Features:
Surround Kits all have unique features for surround sound recording. There are three different types of microphone kits and you can read about the details for the individual kits below and their qualities and applications. The microphones can be used in any given configuration, but when used with the dedicated S5 Surround/Decca Tree Mount you’ll have endless of possibilities to capture the nature of the environment in which the mics are placed. The S5 Surround Mount can be used for both Decca as well as numerous Surround main array setups.
The S5 Surround/Decca Tree Mount is a highly versatile and stylish microphone mount. The Surround Mount provides extreme flexibility due to its unique building block design. It allows for numerous configurations while providing visual elegance.
On stage, the mount is hardly visible and completely non-light reflective. The mount is equally suitable for fixed installations and mobile setups and can be neatly packed away into the supplied briefcase for easy transportation. Compact and extremely lightweight, the S5 Surround Mount is very strong and stable.
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Product Specs
Directional pattern | Omnidirectional |
Principle of operation | Pressure |
Cartridge type | Pre-polarized condenser |
Frequency response | 10 Hz - 20 kHz |
Effective frequency range | ±2 dB10 Hz - 20 kHz |
Sensitivity, nominal, ±2 dB at 250 Hz | S/N up to 3170324: 40 mV/Pa; -28 dB re. 1 V/Pa S/N from 3170325: 36 mV/Pa; -28,9 dB re. 1 V/Pa |
Equivalent noise level, A-weighted | Typ. 15 dB(A) re. 20 µPa (max. 17 dB(A)) |
Equivalent noise level, ITU-R BS.468-4 | Typ. 27 dB (max. 29 dB) |
Distortion, THD < 1% | S/N up to 3170324: 136 dB SPL RMS, 139 dB SPL peak S/N from 3170325: 133 dB SPL RMS, 136 dB SPL peak |
Dynamic range | S/N up to 3170324: Typ. 124 dB S/N from 3170325: Typ. 121 dB |
Max. SPL, THD 10% | 146 dB SPL peak |
Switchable attenuator, filters etc. | 0 dB / -20 dB |
Rated output impedance | 200 ? |
Minimum load impedance | 2 k? |
Cable drive capability | 100 m (328 ft) |
Output balance principle | Impedance balancing with Active Drive |
Common mode rejection ratio (CMRR) | > 60 dB |
Power supply (for full performance) | P48 (Phantom Power) |
Current consumption | 2.8 mA |
Connector | XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase |
Color | Matte black |
Weight | 163 g (5.7 oz) |
Microphone diameter | 16 - 19 mm (0.6 - 0.75 in) |
Capsule diameter | 16 mm (0.6 in) |
Microphone length | 170 mm (6.7 in) |
Maximum output voltage, RMS | 8 V |
Polarity | +V at pin 2 for positive sound pressure |
Temperature range | -40¡C to 45¡C (-40¡F to 113¡F) |
Relative humidity (RH) | Up to 90 % |
Matching tolerance (frequency response and sensitivity) | ±0.5 dB |
Phase deviation for kit | < 5¡ |
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