
Description
Together with the MMP-C preamp, this makes a small, lightweight and inconspicuous stereo pair. The compact design and controlled directionality of these mics make them an excellent choice for spot mics for classical recording and on-stage close mics for live sound.
This complete stereo pair contains two handpicked 2011 Twin Diaphragm Cardioid Microphones, selected on sensitivity within ±1.5 dB. These mics make several stereo principles like XY and ORTF easy to obtain. The pair contains mics, windscreens and clips all packaged in a Peli™ Case.
Features:
- Modularity – interchangable capsules and preamplifiers
- Up to 120 dB dynamic range
- RF rejection between 60 and 40 dB
- Linear frequency response
- High SPL
- Superior gain before feedback
The 2006 Twin Diaphragm Omnidirectional Microphone
Inside the MMC2006 Twin Diaphragm Omnidirectional Capsule, two opposite-facing miniature capsules are custom rebuilt. They are placed into a double-diaphragm, one-capsule composition. This combines the advantages of small capsules with the lower inherent noise achieved from a larger diaphragm area. These capsules provide fast impulse response and large frequency bandwidth.
The capsules are loaded to DPA's supreme recording mic series preamplifiers instead of the tiny miniature FET ones. This gives the sound more air and precision.
Comparisons with its big brother, the iconic 4006 Omnidirectional Microphone, are inevitable. The relationship between the two can be clearly heard. The 2000 series performs as well as more exclusive microphones. It is a premium-class microphone and redefines the term value for money.
| Directional pattern | Cardioid |
| Principle of operation | Pressure gradient, with interference tube |
| Cartridge type | Pre-polarized condenser, Twin Diaphragm Capsule |
| Frequency response | 20 Hz - 20 kHz |
| Effective frequency range, ±2 dB, at 30 cm (11.8 in) | 50 Hz - 17 kHz with 3 dB soft boost at 12 kHz |
| Sensitivity, nominal, ±2 dB at 1 kHz | 10 mV/Pa; -40 dB re. 1 V/Pa |
| Equivalent noise level, A-weighted | Typ. 20 dB(A) re. 20 µPa (max. 23 dB(A)) |
| Equivalent noise level, ITU-R BS.468-4 | Typ. 33 dB (max. 36 dB) |
| Distortion, THD < 1% | 134 dB SPL RMS, 137 dB SPL peak |
| Dynamic range | Typ. 117 dB |
| Max. SPL, THD 10% | 146 dB SPL peak |
| Rated output impedance | 200 ? |
| Minimum load impedance | 2 k? |
| Cable drive capability | 100 m (328 ft) |
| Output balance principle | Impedance balancing with Active Drive |
| Common mode rejection ratio (CMRR) | > 50 dB |
| Power supply (for full performance) | P48 (Phantom Power) |
| Current consumption | 2.8 mA |
| Connector | XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase |
| Color | Matte black |
| Weight | 64 g (2.3 oz) |
| Microphone diameter | 19 mm (0.75 in) |
| Microphone length | 92 mm (3.6 in) |
| Maximum output voltage, RMS | 4.5 V |
| Polarity | +V at pin 2 for positive sound pressure |
| Temperature range | -40¡C to 45¡C (-40¡F to 113¡F) |
| Relative humidity (RH) | Up to 90% |
| Sensitivity selection tolerance (at 1 kHz) | ±1.5 dB |
Together with the MMP-C preamp, this makes a small, lightweight and inconspicuous stereo pair. The compact design and controlled directionality of these mics make them an excellent choice for spot mics for classical recording and on-stage close mics for live sound.
This complete stereo pair contains two handpicked 2011 Twin Diaphragm Cardioid Microphones, selected on sensitivity within ±1.5 dB. These mics make several stereo principles like XY and ORTF easy to obtain. The pair contains mics, windscreens and clips all packaged in a Peli™ Case.
Features:
- Modularity – interchangable capsules and preamplifiers
- Up to 120 dB dynamic range
- RF rejection between 60 and 40 dB
- Linear frequency response
- High SPL
- Superior gain before feedback
The 2006 Twin Diaphragm Omnidirectional Microphone
Inside the MMC2006 Twin Diaphragm Omnidirectional Capsule, two opposite-facing miniature capsules are custom rebuilt. They are placed into a double-diaphragm, one-capsule composition. This combines the advantages of small capsules with the lower inherent noise achieved from a larger diaphragm area. These capsules provide fast impulse response and large frequency bandwidth.
The capsules are loaded to DPA's supreme recording mic series preamplifiers instead of the tiny miniature FET ones. This gives the sound more air and precision.
Comparisons with its big brother, the iconic 4006 Omnidirectional Microphone, are inevitable. The relationship between the two can be clearly heard. The 2000 series performs as well as more exclusive microphones. It is a premium-class microphone and redefines the term value for money.
| Directional pattern | Cardioid |
| Principle of operation | Pressure gradient, with interference tube |
| Cartridge type | Pre-polarized condenser, Twin Diaphragm Capsule |
| Frequency response | 20 Hz - 20 kHz |
| Effective frequency range, ±2 dB, at 30 cm (11.8 in) | 50 Hz - 17 kHz with 3 dB soft boost at 12 kHz |
| Sensitivity, nominal, ±2 dB at 1 kHz | 10 mV/Pa; -40 dB re. 1 V/Pa |
| Equivalent noise level, A-weighted | Typ. 20 dB(A) re. 20 µPa (max. 23 dB(A)) |
| Equivalent noise level, ITU-R BS.468-4 | Typ. 33 dB (max. 36 dB) |
| Distortion, THD < 1% | 134 dB SPL RMS, 137 dB SPL peak |
| Dynamic range | Typ. 117 dB |
| Max. SPL, THD 10% | 146 dB SPL peak |
| Rated output impedance | 200 ? |
| Minimum load impedance | 2 k? |
| Cable drive capability | 100 m (328 ft) |
| Output balance principle | Impedance balancing with Active Drive |
| Common mode rejection ratio (CMRR) | > 50 dB |
| Power supply (for full performance) | P48 (Phantom Power) |
| Current consumption | 2.8 mA |
| Connector | XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase |
| Color | Matte black |
| Weight | 64 g (2.3 oz) |
| Microphone diameter | 19 mm (0.75 in) |
| Microphone length | 92 mm (3.6 in) |
| Maximum output voltage, RMS | 4.5 V |
| Polarity | +V at pin 2 for positive sound pressure |
| Temperature range | -40¡C to 45¡C (-40¡F to 113¡F) |
| Relative humidity (RH) | Up to 90% |
| Sensitivity selection tolerance (at 1 kHz) | ±1.5 dB |
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