DALE SKU # GRAC-REX

Grace Design REX - Microphone Preamp Pedal

Sale price$615.00 Regular price$683.00
Save $68.00

Please Note: Orders will not be available for shipment until on or about Wednesday August, 19.


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Description

This is the little nipper, but don’t judge – Grace Design piled up everything they know from 30 years of designing mic preamps, zapped it with a shrink ray and crammed it all into a minty-fresh green BIX style chassis. With bonafide Grace Design mic preamp pedigree, it will give any studio rack preamp a run for its money. But REX is really designed to be velcroed to a pedal board and hit the stage. Simple high and low tone controls, a 10dB boost circuit (sorry FOH), a mute switch, and an FX loop will all help you get your sound dialed. Are you a singer with your own vocal mic and wish you could have that extra studio clarity and presence on stage? REX to the REXcue (ugh). You get the idea.

Features:

  • Mic input (only) with 48V phantom power
  • Switchable 75Hz High Pass Filter
  • High and Low shelving EQ
  • FX loop with individual send and return jacks
  • Variable boost circuit
  • Mute switch
  • ¼ in unbalanced output / XLR balanced ISO output
  • 9VDC power supply


Why a MIC PREAMP pedal?

Singers
A singer can plug their favorite microphone into a Grace Design mic preamp with their own effect pedals in the FX loop and control their reverb, old-timey AM radio or distorted vocal effects however they want. Singers with pedal boards? Your time has come.

Horn Players
Horn players looking to expand their sonic palette. Flugelhorn into a wha-wha pedal with distortion and delay? All day. Baritone sax through an octave pedal? Dude.

In the Studio
Recording engineers can harness the creative possibilities in the studio by inserting various guitar effect pedals into their recording signal chain. The possibilities are vast.

Acoustic Music
Hardworking one-mic bluegrass bands with their very own high-fidelity Grace Design mic preamp on stage. If the banjo and bass player get in a fight, someone can please just tap the mute switch while they sort it out. Embarrassing situation averted.

Creative Souls
Any sonic explorer looking to add a single channel of Grace Design preamp to their kit with some unexpectedly cool extra features. Nice.

GAIN RANGE
Mic In, Line Out, Boost 0dB +7dB to +57dB
Mic In, Line Out, Boost 12.47dB +20.0dB to +69dB
Mic IN, DI Out, Boost 0dB -21dB to +28dB
Mic IN, DI Out, Boost 12.47dB -9dB to +41dB
Boost 0-10dB
THD+N 1kHz, 22Hz-22kHz BW (MIC Input to Line Output)
@ 20dB Gain Line out +10dBu < -95dB
DI out -18.8dB < -80dB
@ 40dB Gain Line out +10dBu < -90dB
DI out -18.8dB < -80dB
@ 57dB Gain Line out +10dBu < -81dB
DI out -18.8dB < -77dB
@ 69dB Gain Line out +10dBu out (boost at max) < -69dB
DI out -18.8dB < -69dB
INTERMODULATION DISTORTION - SMPTE/DIN 4:1 7kHz/50Hz
@ 40dB Gain Line out +10dBu < 0.009%
DI out -18.8dB < 0.030%
FREQUENCY RESPONSE (Input to DI Output)
Mic input @ 0.5dB Gain -3dB 11Hz Ð 63kHz
FREQUENCY RESPONSE (Input to Line Output)
Mic input @ 0.5dB Gain -3dB 9Hz Ð 180kHz
I/O IMPEDANCE
Mic Input 8.1k½
Insert Input 200k½
Insert Output 375½
DI Outputs 150½
Line Output 500½
SIGNAL / PEAK LED METER
Green threshold -13dBu
Red threshold +12dBu
MAXIMUM INPUT LEVEL
Instrument Input +10dBu
Insert Return (0dB Boost) +22dBu
MAXIMUM OUTPUT LEVEL - 100k Ohm load, 0.1% THD
DI Outputs +20dBu
Line Out +20.9dBu
Insert Send +15.6dBu
EQ
Gain +/- 10dB
Low Frequency 250Hz Shelving
High Frequency 2kHz Shelving
DYNAMIC RANGE 22Hz-22kHz BW
Minimum Gain, Line Out 129dB
Minimum Gain, DI Out 129dB
OUTPUT NOISE 22Hz-22kHz BW
DI Out -117.5dBu (-102dBu A weighting)
Line Out -98dBu (-100dBu A weighting)
OUTPUT MUTE ATTENUATION
DI Output -98.2dB
Line Out -95.5dB
POWER
Connector 2.1mm Center Negative
Nominal Input Voltage 9VDC
Nominal Input Current 3.06W (340mA)
GENERAL
DIMENSIONS H2.5Ó x W5.1Ó x D4.5Ó (H6.35cm x W13.0cm x D11.4cm
WEIGHT 0.8lbs (0.4kg)

This is the little nipper, but don’t judge – Grace Design piled up everything they know from 30 years of designing mic preamps, zapped it with a shrink ray and crammed it all into a minty-fresh green BIX style chassis. With bonafide Grace Design mic preamp pedigree, it will give any studio rack preamp a run for its money. But REX is really designed to be velcroed to a pedal board and hit the stage. Simple high and low tone controls, a 10dB boost circuit (sorry FOH), a mute switch, and an FX loop will all help you get your sound dialed. Are you a singer with your own vocal mic and wish you could have that extra studio clarity and presence on stage? REX to the REXcue (ugh). You get the idea.

Features:

  • Mic input (only) with 48V phantom power
  • Switchable 75Hz High Pass Filter
  • High and Low shelving EQ
  • FX loop with individual send and return jacks
  • Variable boost circuit
  • Mute switch
  • ¼ in unbalanced output / XLR balanced ISO output
  • 9VDC power supply


Why a MIC PREAMP pedal?

Singers
A singer can plug their favorite microphone into a Grace Design mic preamp with their own effect pedals in the FX loop and control their reverb, old-timey AM radio or distorted vocal effects however they want. Singers with pedal boards? Your time has come.

Horn Players
Horn players looking to expand their sonic palette. Flugelhorn into a wha-wha pedal with distortion and delay? All day. Baritone sax through an octave pedal? Dude.

In the Studio
Recording engineers can harness the creative possibilities in the studio by inserting various guitar effect pedals into their recording signal chain. The possibilities are vast.

Acoustic Music
Hardworking one-mic bluegrass bands with their very own high-fidelity Grace Design mic preamp on stage. If the banjo and bass player get in a fight, someone can please just tap the mute switch while they sort it out. Embarrassing situation averted.

Creative Souls
Any sonic explorer looking to add a single channel of Grace Design preamp to their kit with some unexpectedly cool extra features. Nice.

GAIN RANGE
Mic In, Line Out, Boost 0dB +7dB to +57dB
Mic In, Line Out, Boost 12.47dB +20.0dB to +69dB
Mic IN, DI Out, Boost 0dB -21dB to +28dB
Mic IN, DI Out, Boost 12.47dB -9dB to +41dB
Boost 0-10dB
THD+N 1kHz, 22Hz-22kHz BW (MIC Input to Line Output)
@ 20dB Gain Line out +10dBu < -95dB
DI out -18.8dB < -80dB
@ 40dB Gain Line out +10dBu < -90dB
DI out -18.8dB < -80dB
@ 57dB Gain Line out +10dBu < -81dB
DI out -18.8dB < -77dB
@ 69dB Gain Line out +10dBu out (boost at max) < -69dB
DI out -18.8dB < -69dB
INTERMODULATION DISTORTION - SMPTE/DIN 4:1 7kHz/50Hz
@ 40dB Gain Line out +10dBu < 0.009%
DI out -18.8dB < 0.030%
FREQUENCY RESPONSE (Input to DI Output)
Mic input @ 0.5dB Gain -3dB 11Hz Ð 63kHz
FREQUENCY RESPONSE (Input to Line Output)
Mic input @ 0.5dB Gain -3dB 9Hz Ð 180kHz
I/O IMPEDANCE
Mic Input 8.1k½
Insert Input 200k½
Insert Output 375½
DI Outputs 150½
Line Output 500½
SIGNAL / PEAK LED METER
Green threshold -13dBu
Red threshold +12dBu
MAXIMUM INPUT LEVEL
Instrument Input +10dBu
Insert Return (0dB Boost) +22dBu
MAXIMUM OUTPUT LEVEL - 100k Ohm load, 0.1% THD
DI Outputs +20dBu
Line Out +20.9dBu
Insert Send +15.6dBu
EQ
Gain +/- 10dB
Low Frequency 250Hz Shelving
High Frequency 2kHz Shelving
DYNAMIC RANGE 22Hz-22kHz BW
Minimum Gain, Line Out 129dB
Minimum Gain, DI Out 129dB
OUTPUT NOISE 22Hz-22kHz BW
DI Out -117.5dBu (-102dBu A weighting)
Line Out -98dBu (-100dBu A weighting)
OUTPUT MUTE ATTENUATION
DI Output -98.2dB
Line Out -95.5dB
POWER
Connector 2.1mm Center Negative
Nominal Input Voltage 9VDC
Nominal Input Current 3.06W (340mA)
GENERAL
DIMENSIONS H2.5Ó x W5.1Ó x D4.5Ó (H6.35cm x W13.0cm x D11.4cm
WEIGHT 0.8lbs (0.4kg)

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