
Description
Over 90 years of technological innovation and artist feedback have gone into the design of this unique microphone. No other manufacturer includes the features of the CU-51. What you hear in the studio is what you capture in the control room. The CU-51 offers a new dual-capsule design pioneered by Sanken, providing an exacting cardioid pattern ideal for vocals and a wide range of musical applications. The CU-51 also has a very low proximity effect making vocals and instruments seem bigger than life.
A very special characteristic of the CU-51 is its ability to maintain uniform response in both on-axis and off-axis positions. It is common knowledge that varying the direction of a microphone will change the frequency response and tone. The tone and response of the CU-51 remains consistent through changes in the axis angle while maintaining the benefits of a large capsule design. The CU-51's frequency response is truly flat at 90 degrees, essential in maintaining sonic transparency.
The CU-51's specially designed double capsule has one diaphragm that is optimized for low frequencies, while the other one captures the higher frequencies with guaranteed phase coherency between the two capsules in a meticulously engineered microphone that achieves totally transparent high-resolution results. The PPS (Polyphenylene) membranes are immune to the effects of humidity and temperature change, resulting in consistent response, regardless of the recording environment.
The CU-51 consistently delivers a high transient, natural and uncolored sound with vivid sonic imagery.
Features:
- Perfect for vocals and acoustic instruments
- Dual phase coherent capsules - low and high
- Uniform response in both on-axis and off-axis positions
- Truly flat frequency response even at 90 degrees
- Low proximity effect
Recommended Applications:
- Acoustic Guitar
- Background or Chorus Vocals
- Brass and Woodwind
- Drums Close Mic
- Orchestra Solo
- Percussion
- Piano
- Strings
- Upright Bass
- Vocals
| Transducer | DC biased condenser |
| Directivity | Cardioid |
| Frequency response | 20Hz Ð 20kHzÊ |
| Sensitivity | -30dB (31.6mV , 0dB=1V/Pa) |
| Equivalent noise level (IEC) | 14dB-A |
| Max SPL(1% THD) | 138dB SPL |
| Output impedance( 1kHz ) | 150 ohms |
| Powering | +48V±4V phantom |
| Current consumption | 4mA |
| Weight | 430g/.95lbs |
| Dimensions | 157mm X 41.5mm (D) 6.2in x 1.6in (D) |
| Surface finish | Matte brown |
| Connector | XLR-3-12C(M) equivalent 1: GND, 2: Hot, 3: Cold |
Over 90 years of technological innovation and artist feedback have gone into the design of this unique microphone. No other manufacturer includes the features of the CU-51. What you hear in the studio is what you capture in the control room. The CU-51 offers a new dual-capsule design pioneered by Sanken, providing an exacting cardioid pattern ideal for vocals and a wide range of musical applications. The CU-51 also has a very low proximity effect making vocals and instruments seem bigger than life.
A very special characteristic of the CU-51 is its ability to maintain uniform response in both on-axis and off-axis positions. It is common knowledge that varying the direction of a microphone will change the frequency response and tone. The tone and response of the CU-51 remains consistent through changes in the axis angle while maintaining the benefits of a large capsule design. The CU-51's frequency response is truly flat at 90 degrees, essential in maintaining sonic transparency.
The CU-51's specially designed double capsule has one diaphragm that is optimized for low frequencies, while the other one captures the higher frequencies with guaranteed phase coherency between the two capsules in a meticulously engineered microphone that achieves totally transparent high-resolution results. The PPS (Polyphenylene) membranes are immune to the effects of humidity and temperature change, resulting in consistent response, regardless of the recording environment.
The CU-51 consistently delivers a high transient, natural and uncolored sound with vivid sonic imagery.
Features:
- Perfect for vocals and acoustic instruments
- Dual phase coherent capsules - low and high
- Uniform response in both on-axis and off-axis positions
- Truly flat frequency response even at 90 degrees
- Low proximity effect
Recommended Applications:
- Acoustic Guitar
- Background or Chorus Vocals
- Brass and Woodwind
- Drums Close Mic
- Orchestra Solo
- Percussion
- Piano
- Strings
- Upright Bass
- Vocals
| Transducer | DC biased condenser |
| Directivity | Cardioid |
| Frequency response | 20Hz Ð 20kHzÊ |
| Sensitivity | -30dB (31.6mV , 0dB=1V/Pa) |
| Equivalent noise level (IEC) | 14dB-A |
| Max SPL(1% THD) | 138dB SPL |
| Output impedance( 1kHz ) | 150 ohms |
| Powering | +48V±4V phantom |
| Current consumption | 4mA |
| Weight | 430g/.95lbs |
| Dimensions | 157mm X 41.5mm (D) 6.2in x 1.6in (D) |
| Surface finish | Matte brown |
| Connector | XLR-3-12C(M) equivalent 1: GND, 2: Hot, 3: Cold |
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