DALE SKU # SEEL-RFPROU

SE Electronics Reflexion Filter PRO Stand Mountable Microphone Isolator

Sale price$209.00 Regular price$379.00
Save $170.00
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    Description

    The Reflexion Filter is a portable device for recording live sound sources with reduced room ambience. It is an advanced composite wall which is positioned behind any microphone by means of a variable position stand clamp assembly which ships with the product. The main function is to help obtain a 'dry' vocal or instrument recording. This is especially useful in studios without proper acoustic treatment, but can also be used to help record takes in control rooms, where the performer also has to operate the recording device, or in rehearsal studios to reduce ambient noise.

    The Reflexion Filter has 6 main layers. Firstly, a strong layer of punched Aluminium which allows sound waves to pass through it, diffused, to a layer of absorptive wool. The sound waves then hit a layer of Aluminium foil which helps dissipate energy and break up the lower frequency wave-forms, and from here they hit an air space kept open by rods passing through the various layers. The air gap acts as an acoustic barrier. The sound waves then pass to a further layer of wool and then through an outer, punched, Aluminium wall which further serve to absorb then diffuse the remaining acoustic energy.

    The main absorber has 4 formed pieces of state-of-the-art specialist acoustic absorptive material attached to its face via the extended separation rods, which further serve to absorb and then diffuse the sound waves as they pass to the main filter.

    The stand assembly comprises a mic stand clamp fitting, which attaches by means of a vertical joint to the horizontal bar assembly onto which both the Reflexion Filter, and any standard fitting shock mount can be fixed. The microphone (in its shock mount) can then be moved both vertically and horizontally along the bar, and the Reflexion Filter itself can be moved vertically to obtain the optimum working position.

    The various layers both absorb and diffuse the sound waves hitting them, so progressively less of the original source acoustic energy passes through each layer. This reduces the amount of energy hitting un-treated walls and other surfaces so there is less of the original source reflected back as unwanted room ambience to the mic. The Reflexion Filter also helps prevent any reflected sound reaching the back and sides of the mic. Its shape and size have been carefully tested to maximize absorption while keeping "...coloration' down to only around 1dB, and leaving the microphone's polar pattern unaffected.

    This was one of the greatest challenges in designing the RF. Other companies have now started to try and copy our designs (without breaking the patents which are what make the Reflexion Filter actually work!), but fail to achieve such good results because the designs are too simplistic.

    Capsule Type Electret Condenser
    Frequency Response 40 Hz to 15 kHz
    Directivity Omni-directional
    Sensitivity *[1]-40.0 dB (10 mV)
    Output Impedance *[2]2.5kΩ±30%, Unbalanced
    Dynamic Range 90 dB or more
    Signal-to-Noise Ratio *[3]62 dB or more
    Inherent Noise *[4]32 dB SPL or less
    Induction Noise From External Magnetic Field *[5]5 dB SPL or less
    Wind Noise *[6]40 dB SPL or less (with windscreen)
    Maximum Input Sound Pressure Level *[7]122 dB SPL
    Connector No connector (Pigtail)
    Mic Cable 9.8 feet
    3 m
    Power Requirements DC 1.1 V to 10.0V
    Power Consumption 0.4 mA or less
    Dimensions *[8]o8.5 x 14.5 mm (Mic head)
    o11/32 x 19/32 inches (Mic head)
    Mass Approx. 28 g
    Approx. 1.0 oz
    Supplied Accessories Urethane type windscreen (1)
    Single/horisontal type tie clip (1)
    Operating instructions (1)
    Mic case (1)
    Optional Accessories Wind screen pack
    Horiozntal single-clip pack

    The Reflexion Filter is a portable device for recording live sound sources with reduced room ambience. It is an advanced composite wall which is positioned behind any microphone by means of a variable position stand clamp assembly which ships with the product. The main function is to help obtain a 'dry' vocal or instrument recording. This is especially useful in studios without proper acoustic treatment, but can also be used to help record takes in control rooms, where the performer also has to operate the recording device, or in rehearsal studios to reduce ambient noise.

    The Reflexion Filter has 6 main layers. Firstly, a strong layer of punched Aluminium which allows sound waves to pass through it, diffused, to a layer of absorptive wool. The sound waves then hit a layer of Aluminium foil which helps dissipate energy and break up the lower frequency wave-forms, and from here they hit an air space kept open by rods passing through the various layers. The air gap acts as an acoustic barrier. The sound waves then pass to a further layer of wool and then through an outer, punched, Aluminium wall which further serve to absorb then diffuse the remaining acoustic energy.

    The main absorber has 4 formed pieces of state-of-the-art specialist acoustic absorptive material attached to its face via the extended separation rods, which further serve to absorb and then diffuse the sound waves as they pass to the main filter.

    The stand assembly comprises a mic stand clamp fitting, which attaches by means of a vertical joint to the horizontal bar assembly onto which both the Reflexion Filter, and any standard fitting shock mount can be fixed. The microphone (in its shock mount) can then be moved both vertically and horizontally along the bar, and the Reflexion Filter itself can be moved vertically to obtain the optimum working position.

    The various layers both absorb and diffuse the sound waves hitting them, so progressively less of the original source acoustic energy passes through each layer. This reduces the amount of energy hitting un-treated walls and other surfaces so there is less of the original source reflected back as unwanted room ambience to the mic. The Reflexion Filter also helps prevent any reflected sound reaching the back and sides of the mic. Its shape and size have been carefully tested to maximize absorption while keeping "...coloration' down to only around 1dB, and leaving the microphone's polar pattern unaffected.

    This was one of the greatest challenges in designing the RF. Other companies have now started to try and copy our designs (without breaking the patents which are what make the Reflexion Filter actually work!), but fail to achieve such good results because the designs are too simplistic.

    Capsule Type Electret Condenser
    Frequency Response 40 Hz to 15 kHz
    Directivity Omni-directional
    Sensitivity *[1]-40.0 dB (10 mV)
    Output Impedance *[2]2.5kΩ±30%, Unbalanced
    Dynamic Range 90 dB or more
    Signal-to-Noise Ratio *[3]62 dB or more
    Inherent Noise *[4]32 dB SPL or less
    Induction Noise From External Magnetic Field *[5]5 dB SPL or less
    Wind Noise *[6]40 dB SPL or less (with windscreen)
    Maximum Input Sound Pressure Level *[7]122 dB SPL
    Connector No connector (Pigtail)
    Mic Cable 9.8 feet
    3 m
    Power Requirements DC 1.1 V to 10.0V
    Power Consumption 0.4 mA or less
    Dimensions *[8]o8.5 x 14.5 mm (Mic head)
    o11/32 x 19/32 inches (Mic head)
    Mass Approx. 28 g
    Approx. 1.0 oz
    Supplied Accessories Urethane type windscreen (1)
    Single/horisontal type tie clip (1)
    Operating instructions (1)
    Mic case (1)
    Optional Accessories Wind screen pack
    Horiozntal single-clip pack

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