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Tascam Model 2400 - 24-Track Flagship Analog Recording Console / Live Mixer with Audio Interface

  • Dale #:

    TASC-MODEL2400
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Description

22 channels, 24 tracks, one solution - from performance to recording, Model 2400 re-defines what you can do with a studio recording and live mixing console. Features: 24-track multitrack recorder using SDXC SD card (punch-in/out supported) 24 in / 22 out USB audio interface 22 analog ... Read More

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Description

22 channels, 24 tracks, one solution - from performance to recording, Model 2400 re-defines what you can do with a studio recording and live mixing console.

Features:

  • 24-track multitrack recorder using SDXC SD card (punch-in/out supported)
  • 24 in / 22 out USB audio interface
  • 22 analog input channel modules with 16 XLR Mic Pre-amps, utilizing TASCAM ultra HDDA Mic Pre-amp technologies and a one knob compressor (Ch 1-12)
  • Equipped with input inserts (SEND/RETURN) on channels 1 - 12
  • 5 Aux (4 Aux plus internal FX) sends, 4 stereo sub group and Main L/R
  • MIDI in/out allows USB MIDI interface and MIDI sync, 1/4" audio click output with tempo control
  • DAW transport control and REC READY control via HUI/MCU
  • Dedicated Settings Panel application with Meter bridge
  • Selectable send Pre/Post EQ routing for Recording
  • Ch compressor and EQ bypass function available for MTR and USB return
  • Phantom Power (+48V) selectable ingroups of 4 channels
  • 100Hz Low-cut Filter (Ch 1-12)
  • 3 Band EQ (Ch 1-12: sweep-able mid-range frequency)
  • Dedicated 100mm fader (Ch 1-22, stereo Sub1-4 and MAIN L/R)
  • Internal 4 band EQ and master compressor on Main bus
  • Equipped with inserts (SEND/RETURN) on Main bus
  • PFL/AFL function with LED indication in all input / output modules
  • MAIN outputs L/R via XLR balanced; TRS ¼" outputs via Sub 1-8, Aux 1-5 and Control Room output
  • 2 Phone outputs
  • Talkback XLR microphone input
  • 16 TASCAM on-board studio quality Effects such as reverb, delay, chorus with fader control
  • Bluetooth® input supporting both AAC and SBC codecs


Streamline Your Mix Process with Advanced Onboard Processing

The Model 2400’s versatility doesn’t compromise its mixing capabilities one bit. With per-channel compression, multiple sub groups, and master stereo bus processing including compression and EQ, you’ll have the pro-level mix control you need in any scenario. Taking your project from tracking to a final master on the Model 2400 couldn’t be simpler.

22 Channels and 24 Tracks, One Solution
With comprehensive 22-channel mixing capabilities, the Model 2400 is an ideal studio and live mixer for everything from larger combos and jazz ensembles to orchestra and choir ensembles. And when it comes to recording, no additional interface or computer are required.

Insert Professional Processors and Effects
Insert points on channels 1-12 allow you to easily integrate a studio rack full of processors and effects units. And, in addition to the onboard Master Bus processing, a send/return loop on the Main output allows you to connect external mastering gear such as compressors, EQs, stereo imagers and sonic exciters.

Ample Aux and Sub Outputs
With 5 Aux sends and 4 stereo sub groups, Model 2400 handles advanced mixing duties with ease. Create more monitor mixes without sacrificing an aux for effects. Connect multiple pairs of studio monitors for checking your mixes. In your studio or on stage, Model 2400 delivers the comprehensive connectivity and routing you need.

Professional Recording Capabilities
Model 2400 seamlessly integrates multitrack recording with studio and live mixing. With the ability to record 24 channels (22 inputs plus the stereo master) of high-quality audio direct to SD card media, Model 2400 is a powerful recording solution even if you’re a DAW-less producer.

Seamless DAW Integration and Transport Control
The Model 2400 streamlines your workflow even when you’re using it in a typical studio environment with a computer-based DAW. The onboard 24x22 USB audio interface eliminates the need for external interfaces and converters. And thanks to dedicated transport buttons linked to your DAW, you can keep your hands on your console instead of a mouse.

Sound with Excitement
TASCAM Ultra HDDA (High-Definition Discrete Architecture) mic preamps give Model 2400 the vibrant analog sound that makes harmonics come alive. With Ultra HDDA, any sound source will be represented with the utmost clarity and richness, and with an ultra-low noise floor.

Monitor Your Signal Virtually
With the Model Mixer Settings Panel app, users can take advantage of a digital meter bridge across by connecting the Model 2400 via USB to a PC or Mac. Set peak hold times, monitor the input, MTR or USB signal all while being able scale the GUI from a small window to full screen. Take it a step further by porting the app from your computer to a dedicated monitor of your choosing.

Ready to Be Your Studio Centerpiece
Model 2400 delivers the classic analog console experience in the studio, with an onboard 24x22 audio interface that’s ready to meld with modern production workflows. Insert points on channels 1-12 allow you to integrate studio processors and effects. And with the ability to return 22 DAW tracks through Model 2400’s mix path and processing, it’s also the most versatile analog summing mixer you’ll find.

MIDI Interface
Model 2400’s comprehensive MIDI functionality allows full integration with MIDI-based production setups. From controlling drum machines and synthesizers from your DAW software, to synchronizing external effects processors to the tempo of your music and creating click tracks, Model 2400 offers the MIDI functionality you need to make it happen.

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Product Specs

Recorder Specifications 
Recording Media / File Systems

SD / FAT16, SDHC / FAT32, SDXC (up to 512 GB) / exFAT

NOTE: Class 10 or higher
Recording File Format WAV(BWF)
Playback Format WAV(BWF)
Sampling Rate 44.1k / 48k Hz
Quantization Bit Depth 16 / 24 bit
Maximum Number of Recording Tracks 24 (22 channel inputs + 2 stereo mix)
Analog Audio Input Ratings 
MIC Input Jacks CH 1 - 12, 13, 15, 17, 19
Connectors XLR / TRS combo jack type
XLR (1: GND, 2: HOT, 3: COLD)
Maximum Input Level +10dBu (at LEVEL "MIN")
Nominal Input Level -8dBu (at LEVEL "MIN")
Minimum Input Level -58dBu (at LEVEL "MAX")
Gain Adjustable Range 0 to 50 dB
Input Impedance 1.9kΩ (CH 1 - 12), 2.4kΩ(CH 13 - 19)
Phantom Power Supply +48V *On / Off for every 4 channels
LINE (TRS) jacks CH 1 - 22
Connectors XLR / TRS combo jack type
6.3mm standard TRS jack (balanced)
(Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum Input Level +22dBu
Nominal Input Level +4dBu
Gain Adjustable Range -10 to +40 dB(CH 1 - 12), -20 to +30 dB (CH 13 / 14 to 19 / 20), Fixed (CH 21 / 22)
Input Impedance 22kΩ (mono), 11kΩ (stereo)
INST Input (TRS) Jacks *When INST on CH 1 - 2
Connectors XLR / TRS combo jack type
6.3mm standard TS jack equivalent (unbalanced)
(Tip: HOT, Ring: GND, Sleeve: GND)
Maximum Input Level +19.8dBV
Nominal Input Level 1.8dBV
Gain Adjustable Range -10 to +40 dB
Input Impedance 1MΩ
INSERT (TRS) Jacks CH 1 - 12
Connectors 6.3mm standard TRS jacks (unbalanced)
(Tip: SEND, Ring: RETURN, Sleeve: GND)
RETURN 
Maximum Input Level +18dBu
Nominal Input Level +0dBu
Input Impedance 15kΩ
SEND 
Maximum Input Level +18dBu
Nominal Input Level +0dBu
Input Impedance 100Ω
MAIN SEND/RETURN (TRS) Jacks MAIN L / R
Connectors 6.3mm standard TRS jacks (unbalanced)
(Tip: SEND, Ring: RETURN, Sleeve: GND)
RETURN 
Maximum Input Level +18dBu
Nominal Input Level +0dBu
Input Impedance 9kΩ
SEND 
Maximum Input Level +18dBu
Nominal Input Level +0dBu
Input Impedance 100Ω
TALKBACK Mic Input Jack 
Connectors XLR-3-31 equivalent
(1: GND, 2: HOT, 3: COLD)
Maximum Input Level -22dBu (at LEVEL "MIN")
Minimum Input Level -65dBu (at LEVEL "MAX")
Gain Adjustable Range 52dB
Input Impedance 2.6kΩ
Analog Audio Output Ratings 
MAIN OUTPUT L / R (balanced) Connectors 
Connectors XLR 3-32 equivalent
(1: GND, 2: HOT, 3: COLD)
Maximum Output Level +22dBu
Nominal Output Level +4dBu
Output Impedance 200Ω
CONTROL ROOM OUT L / R (pseudo-balanced) Jacks 
Connectors 6.3mm standard TRS jacks
(Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum Output Level +16dBu
Nominal Output Level -2dBu
Output Impedance 200Ω
AUX OUTPUT 1 - 5 (pseudo-balanced) Jacks 
Connectors 6.3mm standard TRS jacks
(Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum Output Level +16dBu
Nominal Output Level -2dBu
Output Impedance 200Ω
SUB OUTPUT 1 - 8 (pseudo-balanced) Jacks 
Connectors 6.3mm standard TRS jacks
(Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum Output Level +16dBu
Nominal Output Level -2dBu
Output Impedance 200Ω
PHONES 1 / 2 Jack 
Connectors 6.3mm standard stereo jack
Maximum Output Level 80 mW + 80 mW (32Ω load)
Recommended Headphone Impedance 16 to 600 Ω
Other Ratings 
CLICK out (pseudo-balanced) 
Connectors 6.3mm standard TRS jack
(Tip: HOT, Ring: COLD, Sleeve: GND)
* Metronome click output
MIDI 
MIDI IN / MIDI OUT  
Connectors 5-pin DIN
Format MIDI 1.0
USB 
Connector USB Type-B
Transfer format Mass storage class
USB audio class 2.0 (USB class compliant)
USB Audio 
Sampling Rate 44.1k / 48k Hz
Quantization Bit Depth 24-bit
Number of Inputs 24 channels *Output from this unit
Number of Outputs 22 channels *Input to this unit
Input Channel EQ (Analog) CH 1 - 12
Low Cut 100Hz, -18dB/Oct.
High Shelf +/-15dB, 10kHz cutoff frequency
Mid Peaking +/-15dB, 100 to 8k Hz, Q:0.55 fixed
Low shelf +/-15dB, 80Hz cutoff frequency
Input Channel EQ (Analog) CH 13 - 20
Low Cut 100Hz, -18dB/Oct.
High Shelf +/-15dB, 10kHz cutoff frequency
Mid Peaking +/-15dB, 2.5kHz Center frequency, Q:0.55 fixed
Low shelf +/-15dB, 80Hz cutoff frequency
Master Section EQ (Digital) 
High Shelf +/-12dB, 1.7k – 18k Hz
High Mid +/-12dB, 32 – 18k Hz, Q:0.1 – 17.31
Low Mid +/-12dB, 32 – 18k Hz, Q:0.1 – 17.31
Low Shelf +/-12dB, 32 – 1.6k Hz
Master Section COMP (Digital) 
Threshold -32 to 0 dB
Ratio 1:1 to ∞:1
Attack 2 to 200 ms
Release 10 to 1000 ms
Make-up 0 to 20 dB
Built-in Effects Section 
Type

1: HALL 1  /  2: HALL 2  /  3: ROOM 1  /  4: ROOM 2  /   5: PLATE  /  6: STUDIO  /  7: LIVE  /  8: DELAY 1  /  9: DELAY 2  /  10: PING PONG  /  11: CHORUS  /  12: FLANGER  /  13: DELAY + HALL 1  /  14: DELAY + HALL 2  /  15: CHORUS + HALL 1  /  16: CHORUS + HALL 2

NOTE: Selected types can be edited and registered in the library.
FOOTSWITCH 
Connector 6.3mm standard TRS jack
(Tip: footswitch 2, Ring: footswitch 1, Sleeve: GND)
Power AC 100 to 240V, 50 / 60 Hz
Power Consumption 65W
Weight 14.0kg
Dimensions
With Side Panels 680.5(W) x 132.5(H) x 568.0(D) mm (Including protrusions)
Without Side Panels 638.5(W) x 132.5(H) x 568.0(D) mm (Including protrusions)
Operating Temperature 0 to 40˚C
Computer system requirements 
Windows 
Supported Operating System Windows 11
Windows 10 64-bit
Computer hardware requirements

Windows computer with a USB 2.0 (or higher)

*Operation is not guaranteed using the TASCAM driver with ARM64 CPUs.
Mac 
Supported Operating System macOS 14 Sonoma
macOS 13 Ventura
Computer hardware requirements Mac with a USB 2.0 (or higher) port
iOS / iPadOS Devices iOS 17 / iPadOS 17
iOS 16 / iPadOS 16
Model Mixer Settings Panel app 
Windows 
Supported Operating System Windows 11 2023 Update (Version 23H2)
Windows 10 64-bit 2022 Update (Version 22H2)
Mac 
Supported Operating System macOS 14 Sonoma
macOS 13 Ventura
iOS / iPadOS Devices iOS 17 / iPadOS 17
iOS 16 / iPadOS 16
Included Items
Model 2400 x1
Power cord x1
Startup guide (including warranty) x1
TASCAM ID registration guide x1
Option
AK-DC2400 : Dust cover
RC-1F : Footswitch
Audio Performance
Frequency Response 20Hz to 30kHz ANALOG (+0.5 / -1.0 dB, MIC IN to MAIN OUT)
20Hz to 20kHz DIGITAL via MTR (+0.5 / -1.0 dB, MIC IN to MAIN OUT)
Residual Output Noise -100dBu (MAIN OUT, MAIN mix off, All faders : min)
Equivalent Input Noise -128dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max, A-weighted)
Total Harmonic Distortion 0.003% (MIC IN to MAIN OUT, nominal input level, +2dBu, 1kHz, GAIN min.)
Crosstalk -80dB, between channels (1kHz, BPF)
Maximum Gain 74dB (MIC to MAIN OUT)
54dB (MIC to INSERT OUT)
74dB (MIC to SUB OUT)
75dB (MIC to AUX 1/2 OUT)
24dB (USB/SD to MAIN OUT)
(EQ flatten, PAN fully counter clockwise / fully clockwise)
Recording Time
Recording format 
WAV 16-bit / 44.1 kHz 24 tracks: 4 hours 10 minutes (32 GB)
WAV 24-bit / 48 kHz 24 tracks: 2 hours 33 minutes (32 GB)
NOTE The recording times shown above are not continuous recording times.They are total recordable times for SD/SDHC/SDXC cards.
Bluetooth®
Output class Class 2 (about 10m* unobstructed transmission distance)
Supported profile A2DP
Supported A2DP codecs SBC, AAC
Supported A2DP content protection SCMS-T

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