Yamaha CS-R5 Rivage PM5 Mixing Surface
Contact us
Availability:
Special Order ItemThis item is not stocked and needs to be ordered from the manufacturer. Please contact our sales team for more information.
Description
The CS-R5 control surface is the core component of RIVAGE PM5 system, with 96 kHz processing. The console has three touch screen and 12-faders bays for flexible setup and configuration.Touch panels are brought closer to the user, making them easier to reach. The weight is 92.6lbs (42kg) which is incredibly light.
Features:
- Display: 15" touch panel x 3
- Faders: 38 (12+12+12+2)
- Selected Channel section: Dynamics, GAIN, HPF, EQ, PAN, Function Knob
- Custom Fader banks: 6 x 5 on each bay
- User Defined keys: 12 x 4 banks
- Send/User Defined knobs: 3(4 x 4 banks can be assigned)
- Touch and Turn knobs: 3
- Analog I/O: 8 in / 8 out
- Slot: 2 MY slots
- AES/EBU: 4 in / 4 out (with SRC)
- Ports: GPI (8 in / 8 out), MIDI In/Out, 5 USB (1 for 2-track recording)
- Power supply: Dual redundant power supply built-in
- Power consumption: 300W
- Dimensions (WxHxD): 1,444 x 414 x 643mm (56.9" x 16.2" x 25.3")
- Net Weight: 42 kg (92.6 lbs)
Perfecting the Art of Live Sound
All art, including art that involves sound and music, is expression that has an impact on the viewer or listener. It often begins with the artist’s personal journey of self-discovery that sometimes grows and ripples outward in waves that resonate with people everywhere.
Yamaha supports the engineers who support artists and performers in their quest to make waves, carrying their vision to a wider audience.
An All-embracing Ecosystem
The RIVAGE PM series includes five consoles, two DSP engines, two I/O rack units, and two network protocols. Any of these components can be combined to create systems that match a wide range of application scale and budget requirements.
All five consoles feature a similar interface with up to three bays of 12 faders each, touch-sensitive display panels, and the Yamaha Selected Channel Section. Engineers who are familiar with one RIVAGE PM console can easily switch to any other and be up and running in a matter of minutes.
All RIVAGE PM system components are compatible, and components from earlier systems will work in combination with later systems. That goes for I/O racks as well as DSP engines, so in addition to operating them separately you can combine DSP engines in mirrored configurations for large applications, for example.
| Mixing Capacity | Input Mixing channels | DSP-RX | 120 |
| DSP-RX-EX | 288 | ||
| Internal | - | ||
| Mix Buses | DSP-RX | 48 | |
| DSP-RX-EX | 72 | ||
| Internal | - | ||
| Matrices | DSP-RX | 24 (Input to Matrix supported) | |
| DSP-RX-EX | 36 (Input to Matrix supported) | ||
| Internal | - | ||
| Stereo buses | 2 | ||
| mono buses | 1 | ||
| cue bus | 2 | ||
| Local Connectors | Analog | in | 8 |
| out | 8 | ||
| Digital | AES IN | 4 | |
| AES OUT | 4 | ||
| Expansion Slot | HY | 4 (DSP-RX/-EX) | |
| MY | 2+2(DSP-RX/-EX) | ||
| GPI | IN | 8 | |
| ONT | 8 | ||
| Word clock | - | ||
| MIDI | IN/OUT | ||
| USB | File | 4 | |
| rec/play | 1 | ||
| Redundant PSU | Yes (Built in dual PSU) | ||
| Meter Bridge | On screen | ||
| Lamp | 3 | ||
| Talkback In | No | ||
| Video Out | No | ||
| TC In | Yes (DSP-RX/-EX) | ||
| Fault Output | Yes (DSP-RX/-EX) | ||
| Phones | 2 connectors | ||
| AC Inlet | 2 (V-Lock Type) | ||
| Scene Memory | Number of Scenes | 1000 | |
| Recall Safe | Yes | ||
| Focus Recall | Yes | ||
| Fade Time | Yes (0s ~ 60s) | ||
| Preview | Yes | ||
| Selective Load / Save | Yes | ||
| Global Paste | Yes | ||
| Event List | Yes | ||
| Overlay | Yes | ||
| Isolate | Yes | ||
| Tactile Control Keys | Yes | ||
| Input Channel Functions | Gain Compensation | Yes | |
| Silk | Yes (with RPio) | ||
| Digital Gain | Yes (-96dB ~ +24dB) | ||
| ATT | Yes | ||
| HPF | 20Hz~2000Hz, -6/-12/-18/-24dB/oct Selectable | ||
| PEQ | 4 Band Full PEQ (4 algorithms, RTA overlay support) | ||
| Dynamics 1 | Legacy Comp / Comp260 / Gate / De-Esser / Expander / Ducking | ||
| Dynamics 2 | Legacy Comp / Comp260 / Gate / De-Esser / Expander / Ducking | ||
| Input Delay | Yes (0ms ~ 1000ms) | ||
| Pan | Center Nominal | ||
| DCA Group | 24 (Output DCA support) | ||
| DCA Rollout | Yes | ||
| MUTE Group | 12 | ||
| Number of Inserts | 4 slots on each 2 insert point | ||
| Direct Out | Yes | ||
| Output Channel Functions | PEQ | 8 Band Full PEQ | |
| GEQ | Plug-in | ||
| Dynamics 1 | Legacy Comp / Comp260 / Gate / De-Esser / Expander / Ducking | ||
| Output Channel Delay | Yes (0ms ~ 1000ms) | ||
| MUTE Group | 12 | ||
| Number of Inserts | 4 slots on each 2 insert point | ||
| Plug-in | Number of Slots | DSP-RX / Internal | 384 |
| DSP-RX-EX | 512 | ||
| Number of Effect Programs | More than 50 | ||
| GEQ Rack | Number of GEQ Racks | 48 | |
| Mountable Device | 31BandGEQ / Flex15GEQ / 8Band PEQ (RTA overlay support) / Dugan Automixer | ||
| TWINLANe | Number of I / O Channels | 256 in / 256 out (with HY256-TL) | |
| Dante | Number of I / O Channels | 144 in / 144 out (with HY144-D) | |
| Recording | USB Memory Recording | Yes | |
| DVS Recording | Yes (with HY144-D) | ||
| Broadcast Functions | 5.1 Surround Panning | Yes | |
| Surround Monitor | Yes | ||
| Mix Minus | Yes | ||
| L-Mono / R-Mono / LR-Mono | No | ||
| Monitor | Solo Mode | Yes | |
| Oscillator | Sine Wave 1ch / Sine Wave 2ch / Pink Noise / Burst Noise | ||
| Other Functions | Port to Port | Yes | |
| Dual Console | Yes | ||
| DSP Mirroring | Yes | ||
| Timecode Reader/Display | Yes | ||
| Timecode Chase (Event List) | Yes | ||
| GPI/MIDI | Yes | ||
| RTA | Yes | ||
| Output Port Delay | Yes (0ms ~ 1000ms) | ||
| Mix/Matrix to Input | Yes | ||
| Sub In | Yes | ||
| Theatre Mode | Yes | ||
| User Interface | Display | 15 inch Touch Panel x 3 | |
| Centralogic Section | Yes | ||
| Faders | 12 + 12 + 12 + 2 | ||
| Selected Channel Encoders | Dynamics, GAIN, HPF, EQ, PAN, Function Knob | ||
| Channel Encoder | Yes | ||
| Channel Name / Color Display | No | ||
| Custom Fader Banks | Yes (6 x 5 on each bay) | ||
| User Defined Keys | 12 (x 4 banks) | ||
| User Defined Knobs | 3 (4 x 4 banks can be assigned) | ||
| Touch and Turn Knob | Yes (3) | ||
| Monitor Level Knob | Yes (2: A and B) | ||
| Wooden Arm Rest | Yes | ||
| Software | Editor | RIVAGE PM Editor | |
| StageMix | RIVAGE PM StageMix | ||
| MonitorMix | Yes (V4.0 or later) | ||
| Console File Converter | Yes | ||
| Dimensions (WxHxD) | CS-R5: 1,444 x 414 x 643mm (56.9" x 16.2" x 25.3") |
||
| Net Weight | CS-R5: 42 kg (92.6 lbs) | ||
| Included Accessories | CS-R5: Dust cover, Nuendo Live | ||
The CS-R5 control surface is the core component of RIVAGE PM5 system, with 96 kHz processing. The console has three touch screen and 12-faders bays for flexible setup and configuration.Touch panels are brought closer to the user, making them easier to reach. The weight is 92.6lbs (42kg) which is incredibly light.
Features:
- Display: 15" touch panel x 3
- Faders: 38 (12+12+12+2)
- Selected Channel section: Dynamics, GAIN, HPF, EQ, PAN, Function Knob
- Custom Fader banks: 6 x 5 on each bay
- User Defined keys: 12 x 4 banks
- Send/User Defined knobs: 3(4 x 4 banks can be assigned)
- Touch and Turn knobs: 3
- Analog I/O: 8 in / 8 out
- Slot: 2 MY slots
- AES/EBU: 4 in / 4 out (with SRC)
- Ports: GPI (8 in / 8 out), MIDI In/Out, 5 USB (1 for 2-track recording)
- Power supply: Dual redundant power supply built-in
- Power consumption: 300W
- Dimensions (WxHxD): 1,444 x 414 x 643mm (56.9" x 16.2" x 25.3")
- Net Weight: 42 kg (92.6 lbs)
Perfecting the Art of Live Sound
All art, including art that involves sound and music, is expression that has an impact on the viewer or listener. It often begins with the artist’s personal journey of self-discovery that sometimes grows and ripples outward in waves that resonate with people everywhere.
Yamaha supports the engineers who support artists and performers in their quest to make waves, carrying their vision to a wider audience.
An All-embracing Ecosystem
The RIVAGE PM series includes five consoles, two DSP engines, two I/O rack units, and two network protocols. Any of these components can be combined to create systems that match a wide range of application scale and budget requirements.
All five consoles feature a similar interface with up to three bays of 12 faders each, touch-sensitive display panels, and the Yamaha Selected Channel Section. Engineers who are familiar with one RIVAGE PM console can easily switch to any other and be up and running in a matter of minutes.
All RIVAGE PM system components are compatible, and components from earlier systems will work in combination with later systems. That goes for I/O racks as well as DSP engines, so in addition to operating them separately you can combine DSP engines in mirrored configurations for large applications, for example.
| Mixing Capacity | Input Mixing channels | DSP-RX | 120 |
| DSP-RX-EX | 288 | ||
| Internal | - | ||
| Mix Buses | DSP-RX | 48 | |
| DSP-RX-EX | 72 | ||
| Internal | - | ||
| Matrices | DSP-RX | 24 (Input to Matrix supported) | |
| DSP-RX-EX | 36 (Input to Matrix supported) | ||
| Internal | - | ||
| Stereo buses | 2 | ||
| mono buses | 1 | ||
| cue bus | 2 | ||
| Local Connectors | Analog | in | 8 |
| out | 8 | ||
| Digital | AES IN | 4 | |
| AES OUT | 4 | ||
| Expansion Slot | HY | 4 (DSP-RX/-EX) | |
| MY | 2+2(DSP-RX/-EX) | ||
| GPI | IN | 8 | |
| ONT | 8 | ||
| Word clock | - | ||
| MIDI | IN/OUT | ||
| USB | File | 4 | |
| rec/play | 1 | ||
| Redundant PSU | Yes (Built in dual PSU) | ||
| Meter Bridge | On screen | ||
| Lamp | 3 | ||
| Talkback In | No | ||
| Video Out | No | ||
| TC In | Yes (DSP-RX/-EX) | ||
| Fault Output | Yes (DSP-RX/-EX) | ||
| Phones | 2 connectors | ||
| AC Inlet | 2 (V-Lock Type) | ||
| Scene Memory | Number of Scenes | 1000 | |
| Recall Safe | Yes | ||
| Focus Recall | Yes | ||
| Fade Time | Yes (0s ~ 60s) | ||
| Preview | Yes | ||
| Selective Load / Save | Yes | ||
| Global Paste | Yes | ||
| Event List | Yes | ||
| Overlay | Yes | ||
| Isolate | Yes | ||
| Tactile Control Keys | Yes | ||
| Input Channel Functions | Gain Compensation | Yes | |
| Silk | Yes (with RPio) | ||
| Digital Gain | Yes (-96dB ~ +24dB) | ||
| ATT | Yes | ||
| HPF | 20Hz~2000Hz, -6/-12/-18/-24dB/oct Selectable | ||
| PEQ | 4 Band Full PEQ (4 algorithms, RTA overlay support) | ||
| Dynamics 1 | Legacy Comp / Comp260 / Gate / De-Esser / Expander / Ducking | ||
| Dynamics 2 | Legacy Comp / Comp260 / Gate / De-Esser / Expander / Ducking | ||
| Input Delay | Yes (0ms ~ 1000ms) | ||
| Pan | Center Nominal | ||
| DCA Group | 24 (Output DCA support) | ||
| DCA Rollout | Yes | ||
| MUTE Group | 12 | ||
| Number of Inserts | 4 slots on each 2 insert point | ||
| Direct Out | Yes | ||
| Output Channel Functions | PEQ | 8 Band Full PEQ | |
| GEQ | Plug-in | ||
| Dynamics 1 | Legacy Comp / Comp260 / Gate / De-Esser / Expander / Ducking | ||
| Output Channel Delay | Yes (0ms ~ 1000ms) | ||
| MUTE Group | 12 | ||
| Number of Inserts | 4 slots on each 2 insert point | ||
| Plug-in | Number of Slots | DSP-RX / Internal | 384 |
| DSP-RX-EX | 512 | ||
| Number of Effect Programs | More than 50 | ||
| GEQ Rack | Number of GEQ Racks | 48 | |
| Mountable Device | 31BandGEQ / Flex15GEQ / 8Band PEQ (RTA overlay support) / Dugan Automixer | ||
| TWINLANe | Number of I / O Channels | 256 in / 256 out (with HY256-TL) | |
| Dante | Number of I / O Channels | 144 in / 144 out (with HY144-D) | |
| Recording | USB Memory Recording | Yes | |
| DVS Recording | Yes (with HY144-D) | ||
| Broadcast Functions | 5.1 Surround Panning | Yes | |
| Surround Monitor | Yes | ||
| Mix Minus | Yes | ||
| L-Mono / R-Mono / LR-Mono | No | ||
| Monitor | Solo Mode | Yes | |
| Oscillator | Sine Wave 1ch / Sine Wave 2ch / Pink Noise / Burst Noise | ||
| Other Functions | Port to Port | Yes | |
| Dual Console | Yes | ||
| DSP Mirroring | Yes | ||
| Timecode Reader/Display | Yes | ||
| Timecode Chase (Event List) | Yes | ||
| GPI/MIDI | Yes | ||
| RTA | Yes | ||
| Output Port Delay | Yes (0ms ~ 1000ms) | ||
| Mix/Matrix to Input | Yes | ||
| Sub In | Yes | ||
| Theatre Mode | Yes | ||
| User Interface | Display | 15 inch Touch Panel x 3 | |
| Centralogic Section | Yes | ||
| Faders | 12 + 12 + 12 + 2 | ||
| Selected Channel Encoders | Dynamics, GAIN, HPF, EQ, PAN, Function Knob | ||
| Channel Encoder | Yes | ||
| Channel Name / Color Display | No | ||
| Custom Fader Banks | Yes (6 x 5 on each bay) | ||
| User Defined Keys | 12 (x 4 banks) | ||
| User Defined Knobs | 3 (4 x 4 banks can be assigned) | ||
| Touch and Turn Knob | Yes (3) | ||
| Monitor Level Knob | Yes (2: A and B) | ||
| Wooden Arm Rest | Yes | ||
| Software | Editor | RIVAGE PM Editor | |
| StageMix | RIVAGE PM StageMix | ||
| MonitorMix | Yes (V4.0 or later) | ||
| Console File Converter | Yes | ||
| Dimensions (WxHxD) | CS-R5: 1,444 x 414 x 643mm (56.9" x 16.2" x 25.3") |
||
| Net Weight | CS-R5: 42 kg (92.6 lbs) | ||
| Included Accessories | CS-R5: Dust cover, Nuendo Live | ||
We are your source for all your pro audio needs, delivered by experts. Call us today.
We are your source for all your pro audio needs, delivered by experts. Call us today.
